Tretyakov. Hall of the latest trends. Contemporary Russian art. Photo
 

Looked the recently opened exhibition hall of the latest trends in the Tretyakov Gallery on the Crimean shaft. Feelings mixed. Of course, great, that contemporary art has finally appeared in the main museum of the country. A good selection of things, and just good that the process goes. There are, however, their costs. Tretyakov very conservative and presents only those authors for whom there is historical consensus on the recognition of their contribution. Therefore 80%of the exhibition - is the essence of the eighties and sixties. Makarevich, Kosolapov, Orlov, Roginsky, Kabakov ... It is understandable that visitors expect to see the actual art, the past 15 years. Even "fly agarics" with "medgermenevtikoy" is no longer debating material. It's already in the textbooks. " But really that much good Kabakov - its value has long been recognized.
Tretyakov cautious. It turned out that in this exposition in the upper part of the name of courage - it Kulik with Osmolovsky, Avdei Ter-Oganyan with Koshlyakov, but with Sigutinym, and Shutov with Ostretsova. Overall - good. But could be more cheerful.
  
And, at least for investors, has become clearer guidance. Once Tretyakovka really shook up, then what is it? Curator of modern art Musefication exactly will work easier.
Vladimir Bogdanov

Hall of the latest trends. Conditionally boldest
 

Prigov_ Dmitry Prigov. For the poor janitor. 1994. Installation. Own family. Very dramatic installation with your favorite prigovskimi motives. But the vast majority zadumok prolific and disciplined artist and remained on paper. In the frame - «product placement» Akhtamar (the inscription on the glass).

Kulik Oleg Kulik. Family of the future. 1997. Photos. Works Kulik and Osmolovsky set the tone in the corner of radical Actionism. Information may be requested for the skeptics. Yes, the dog-man is already in the Tretyakov Gallery. Moreover, at the monitors demonstrated his most famous performances 1994-1999. So is history.

Osmolovsky Trip to Brombdingnegov. 1993. The banner photo documentation of a young Osmolovsky on the shoulder near the monument to Mayakovsky.

Ter_oganyan_Avdey Ter-Oganyan. A series of objects. Campbell Soup of Andy Warhol. 1992.
Avdey Ter-Oganyan. From the series "What confused the artist?". Pablo Picasso. 1990's. Ibid next - Warhol. Marilyn. 1992. Here grotesque ambiguous situation. Even Fronde. In the exhibit hall, not one, but several of his works. Meanwhile Avdey for the unwary Cardboard iconic performance still sits in exile, fearing prosecution. Man forced ordained during the development of Russian contemporary art. And in terms of returning the situation has not changed.

Alexander Sigutin Sigutin. Checked. 1992.

Kosh_i_dubos Valery Koshlyakov and Vladimir Dubossarskii. Mayakovsky Square. 1992.
+ New Rostov embankment. 1992.

Shutov Sergey Shutov. Beauty will save the world. 1988

Добавлено через 10 минут
Mamyshev Stay on track - work Vladislav Mamysheva-Monroe.

Konstantin Zvezdochetov Zvezdochetov. Roman-fridge. 1982.

Champions_cross World Champions. Red Cross. 1992.

Albert Yuri Albert. Painting for stenographers. 1987.

Gnezdo Group "Nest". Iron Curtain. 1976

Victor Skersis Skersis. Kremlin Wall (Adam and Eve). 1973.

Turetskiy Boris Turkish. Banks. 1974-1975

Pepper Paul Pepperstein. Sweet darkness. 1993.

Medgermenevtika Inspection Medical Hermeneutics. New Year's. Installation. 1989.

Newest trend. Continued examination
 

Mamyshev Stay on track - work Vladislav Mamysheva-Monroe.

Konstantin Zvezdochetov Zvezdochetov. Roman-fridge. 1982.

Champions_cross World Champions. Red Cross. 1992.

Albert Yuri Albert. Painting for stenographers. 1987.

Gnezdo Group "Nest". Iron Curtain. 1976

Victor Skersis Skersis. Kremlin Wall (Adam and Eve). 1973.

Turetskiy Boris Turkish. Banks. 1974-1975

Pepper Paul Pepperstein. Sweet darkness. 1993.

Medgermenevtika Inspection Medical Hermeneutics. New Year's. Installation. 1989.

Modern art in the Tretyakov Gallery. Continuation
 

Gosh Ostertsov Ostrecov. Cranes fly. 1987.

TOTART. Black Square.

Elagina + makarevich Elena Elagina and Igor Makarevich. Life in the snow.

Makarevich_son Igor Makarevich. Dream of painting creates monsters.

Orlov Boris Orlov. Pantokrator. Stand still. 1990.

Bruskin Grisha Bruskin. Leben uber Alles. 1998-1999.

Roginsky Corner Mikhail Roginsky. Septem-Jacket (1991). Three photos. The family business (1993). Red Door (plan 1965).
 
Kosolapov Alexander Kosolapov. Myasokrubka (1972) and Heck (1972).

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Chuikov Ivan Chuikov. The accident on the road. 1982

Gerloviny Rimma and Valery Gerlovin. Homo sapiens. 1976.

Kabakov, Ilya Kabakov. The left - a fragment of "The answers of the experimental group.

Yuri Avvakumov Avakumov. Russian Utopia. Depositary. 1996.

Modern art in the Tretyakov Gallery. The end of the inspection
 

Chuikov Ivan Chuikov. The accident on the road. 1982

Gerloviny Rimma and Valery Gerlovin. Homo sapiens. 1976.

Kabakov, Ilya Kabakov. The left - a fragment of "The answers of the experimental group.

Yuri Avvakumov Avakumov. Russian Utopia. Depositary. 1996.

I offer my deepest condolences. Another dokazatelstvo-what happens when there is no one to choose from there is nothing to choose.

This was in the old exhibits and Kulik was a dog, but a different picture.
And the authors have not changed.
I own department with those narrow corridors are not very much.

And another thing: I know that some visitors did not rise higher in the main exhibition GTG art of the twentieth century, viewing rooms and the latest trends coming down and was surprised to among themselves to discuss the lack of CZK Malevich in the Tretyakov Gallery.
Sam has already sent two young couples above, what then listened to a few grateful words.

All right.
 Vladimir, many thanks for an interesting photo essay ..

Some people are inclined to believe - such exposure, and even in the walls of the Tretyakov Gallery nedopustimy.Dovody are different - not about them now.
Personally, I have a different opinion. Once it came to light, so should be shown along with other phenomena. And no goneniy.Ved create such "creations" people or a very prudent and with a heightened sense of inner neudovletvorennosti.I one and the other in no case not give any occasion feel special and even more uschemlyaemymi.Srazu start wailing about persecution, misunderstanding of geniuses and nonkomformizme.
Let everything was okay - the birth, self-expression, rejection - the death or recognition - the right to existence and development.
On exposures. There are such exposure-kunstkamery.V they collected various manifestations of the extremes (say so) in prirode.Lyudi walk, look at all this - are interested.
All that has been created by nature or man, worthy of interest and study. So - I for such exposure!
Thanks to the organizers and a separate gratitude Vladimir for the photo essay.

Another add: climbing up the stairs from the hall the newest trends in visitor gets to the rooms of the sixties. Posh Plavinsky, good Yakovlev (gouache) and so-so Yakovlev (oil), Krasnopevtsev best period, Yankilevsky not the best period, Steinberg, stunning Rukhin and all-all-all. Even espressionistsky Timur Novikov. I remember, after visiting the museum with a collection of Zimmerly Norton Dodge, I am worried that all this beauty is not ours. Suffered in vain - in the collections of the Tretyakov Gallery with material on the post-war informal art all right. If desired, can show the class.
Spigo, you tried to photograph the work Zvereva (there hang impeccable provenance of the portrait Pauline Lobachevsky, donated the model itself, and crayfish, presented Nemukhin), but the frame will not work. Before the lobster stood for about 15 minutes. If it were not provenance, it would honestly doubted - is what brought in poddelschiki :(
In general, the conclusion is this: if you had to see shestidlesyatnikov was difficult (two are not the main museum and several galleries), but now this is no problem. You can start easily with the Tretyakov Gallery.