Форум по искусству и инвестициям в искусство

Форум по искусству и инвестициям в искусство (https://forum.artinvestment.ru/index.php)
-   Costs, valuation, attribution (https://forum.artinvestment.ru/forumdisplay.php?f=6)
-   -   again about Zabateri (https://forum.artinvestment.ru/showthread.php?t=51122)

Alekhandra 02.12.2009 18:00

again about Zabateri
 
Вложений: 5
Help determine what kind of painting, how to name it and appreciate.
Like on cardboard, but everything is already broken. No pictures of straight tear starts from a prikosnoveniya.Vremya I do not know, but I know that went to his grandfather from Germany in 45 years, the size of approximately 50 * 120.

NATA-BAT 02.12.2009 18:53

Zatska, Hans - Wikipedia
Hans Zatzka; March 8, 1859 - December 17, 1945) - Austrian artist, also known under the pseudonym H. Zabateri, P. Ronsard and J. Bernard. He graduated from the Vienna Academy of Fine Arts (1882), a pupil of Christian Gripenkerlya, Karl Vurtsingera and Karl von Blaasa.

Alekhandra 02.12.2009 18:59

What is Hans Zatska, I already know. Having read almost the entire forum on this artist. But really it is about this picture and could not find the information. What is a lithograph or a reproduction? And as the title of this picture?

наследник 02.12.2009 19:28

Alekhandra, reproduction. And the name ... Zatski much in Ineta, try for yourself original. Maybe lucky.

redbor 02.12.2009 19:40

Цитата:

Сообщение от heir (Сообщение 755982)
Zatski lot in Ineta, try for yourself the original search. Maybe lucky

Not that much, but apparently, every Internet user has his Zatski? http://forum.artinvestment.ru/showthread.php?t=31875
called "the river nymphs in the pond"

SVGAllery 04.12.2009 00:45

Could you make a better picture of your painting?
It is advisable to withdraw without a flash, to avoid glare, it is true at the same time want a brighter light, for example, can be arranged on both sides of the picture sources of scattered light (all lights, except for transparent lamps) at angles of 45, but it is necessary that they were as far from paintings as well as a camera.
And even better, if possible, take in the natural (but not direct sun) light somewhere outside the premises


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