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-   -   How to read art history texts? (https://forum.artinvestment.ru/showthread.php?t=46914)

Allena 03.11.2009 15:30

How to read art history texts?
 
Read the press release of some of the exhibition and reflect on the meaning of the last paragraph:
Цитата:

The creative activity of DA Prigov ever written on top of multi-layer semantic series as a real palimpsest with a lot of introduced "improvements" and the translucence of previous meanings. Any text in this concept is decoded again and again during the journey in "possible worlds" of individual and collective perceptions, representations and reconstructions. In its perpetual appeal to the individual why the participants of the project permanently destroys simulated connection between cause and effect, determining the existence of the Other as absolutely natural and unchanging phenomenon.
What lies behind such a language? Deep thought or its absence? I think the latter.

Colleagues! Please tell us how to read it to understand! (not kidding, I ask quite seriously).

Yaya 03.11.2009 15:41

Allena, if every delirium ponder .... Take care of your nerves and your time! :)

Allena 03.11.2009 16:13

Цитата:

Сообщение от Yaya (Сообщение 676464)
Take care of your nerves and your time!

Yaya, thanks, I try, but the service is a must read every day ... And sometimes creeps terrible thought: maybe there is still something there, I just do not see it? Therefore, and asked the board: in contrast to me at present no problem to understand what was written, therefore, they can evaluate it impartially.

Buscador 03.11.2009 16:28

Allena, there is a very precise definition
Цитата:

Сообщение от Allena (Сообщение 676434)
Any text in this concept is decoded again and again during the journey in "possible worlds»

The purpose of this text: zadekorirovat ignorance, misunderstanding ... seem clever, unusual, and communicating on another level, so that people could not understand, puzzled (and you zatsetili) ... To be "very modern and conceptually." And for this, usually hiding emptiness ...

Кирилл Сызранский 03.11.2009 16:35

Allena, here in this phrase podstavte another name and can also be used somewhere ...
Цитата:

The creative destiny ************ ever written on top of multi-layer semantic series as a real palimpsest with a lot of introduced "improvements" and translucence previous meanings.
tell you a secret, a lady friend and art (she loves the definition of "art critic". Because weak in the history of art and prevents conversations on this particular subject upochneniem: "No art and art critic. "), which has several similar tesktov, where changes names and rearranges paragraphs, sometimes adds a bit of factual material ...
: D: D: D

Цитата:

Сообщение от Allena (Сообщение 676534)
in the service account is read every day ...

Condolences to you, "a heavy cross" ... : eek:

Маруся 03.11.2009 17:05

Alain
This is from advertising "prigovskih readings" in RSUH at the weekend?

Allena 03.11.2009 17:24

Цитата:

Сообщение от Maroussia (Сообщение 676614)
This is from advertising "prigovskih readings" in RSUH at the weekend?

No, Maroussia! This from a press release the exhibition, which opens on Friday in the NCCA.

Маруся 03.11.2009 17:39

Alena!
Prigov Dmitry (1940 - 2007)
Neither the anniversary, or any other circumstances. As noted by such diverse events and such casuistic text ... The most interesting was the ...
P.S. If you can, please tekstik article in l /n

Allena 03.11.2009 17:58

Maroussia! What's really in l /s! Let others also revered as wise people say.

I give it ссылочку that too in all its glory: D:
http://www.ncca.ru/events.text?id=363

NATA NOVA 03.11.2009 18:02

This style I call casuistic obskurizmom (or obskuristskoy casuistry)


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