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How to get to the exhibition?
While was on vacation, my employee was trying to book a space at the Fall "Artmanezhe" to show the artist, which I like. They told her to call in September, and if there is a place you might give if they like an artist.
I have - so far maloznayuschy (in this area) newcomer, and, moreover, I understand that in a strange monastery with its charter, not walk. But somehow it has lost the habit of censorship. Questions to experienced colleagues: 1. It still get on the existing exhibition? 2. Is there a meaning something like "Salon independent"? Experience of organizing exhibitions there. 3. Her (censorship exhibition) could be supported, for example, the quarterly magazine. Experience is (in the edition, but not in the artistic content). I would be grateful for the advice. |
Joseph, the selection (I prefer this term) is at all fairs (this is not about the exhibition, but a fair galleries - an important nuance) of the world.
In the most influential trade fairs usually require that the gallery has existed for some minimum - tnogda fairly long - term, and, of course, watching the work that it intends to submit a gallery. Even at the Art Moscow Organizing Committee does not accept dossiers galleries, existing at least three years - all this is just information. Now my opinion - which it stands, is another question:) I think that make any sense to arrange an alternative is not fair, it is best to participate in the most prestigious, has long-standing and well-attended fairs. By the way, in my opinion, Art-Moscow better than the Manege, although of course, all this in the abstract, because much depends on the type of artist that you want to display. "Uncensored" Fair will inevitably be weak and diverse, selection is needed to ensure some minimum quality and /or maintain the ideological line of the fair. Journaling support is not enough, there need strong contacts in the world of contemporary art. |
LCR,
Thank you for your reply. Slightly cooled down (me - and not allowed:)), forced to agree with you: "bezotbornaya" fair and may be non-addressed - it is not clear whom to call her. The only problem - I can not wait three years: eek:. And the idea of the exhibition and the magazine still going to quietly meditate. In a small but personal experience convinced me that a lot of successful people who are able and willing to buy the painting (or any work of art), do not go to shows, do not read special interest magazines and generally are not burdened with any knowledge in this area. But they are genuinely attracted to art. Here on these neophytes me more want to navigate. Sell - forming. Or, forming - to sell. At the same time, perhaps, the image itself:) |
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Another thing is that now all the classes, take care of once and must come a time "anthologies, fast sammari, briefs. Quick knowledge. On one page. Specifically: it is - cool (because ...), and this is - shit (because ...). And such things can be useful. Help you quickly navigate. |
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Benefits "labels" that they will help you quickly pulled into the theme, and then the people themselves will choose a favorite destination. |
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I'm actually about something else like .... iosif, making the magazine about art, it interesting, otherwise I would not fumbled, for me the biggest chalendzh: working with journalists! (Slew-like, but a great sin) I chose the least time consuming option in terms of distribution (for me more convenient and because both design and layout of their own-designed handles, again saving of resources): the Internet, but not so easy to find your audience ... Of course, if the contact already exists, it is a good support, but all the same: promotion of the journal ... (and why you need it, if no one reads?) although it probably just in finance .... _____________________ www.cph-art.ru |
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