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Why Russian art has been marginalized?
[URL="http://www.theartnewspaper.ru/posts/1719/"][I]Russian art market has never experienced such a significant drop in the face of a combination of political and economic crisis@
Good article Mikhail Kamensky - he very clearly described the situation on the market of Russian art. [QUOTE][FONT="Georgia"]Russian elite with huge capitals, spread, and for a long time, since the 1990s, has made considerable efforts to integrate themselves into the local elite. But is it possible to consider the collection of Russian art, hung on the walls of "foreign property", as an effective instrument of socialization? I don't think. What local say the names of Alexei Savrasov, Boris Kustodiev, Konstantin Korovin, Valentin Serov and even? Such brands there are unknown and incomprehensible, they are not written in books, not written in textbooks, not in museums. The conclusion is clear: you have to buy those pieces of art, with which to build a dialogue with neighbors by expensive quarter. If the Russians brands no reaction, old masters, Impressionists, modernists, or, of course, heroes of the contemporary understanding will easily be found. Because of this, the Russian market is gradually losing its loyal customers that live outside Rossii@ |
[QUOTE][FONT="Georgia"]Russian art market was held on conditional thousand Forbes, the seventies-eighties, collectors started their path in the 1990s or 2000s. These were people sometimes cultural, sometimes extra-cultural, but with the aesthetic program based on school anthologies. Until recently, they identified the main sentiment on the Russian market.
Since the 2000s, there was a powerful trend in contemporary art, which was the main competition for the traditional gathering actually Russian. Both grew in value and caused in Moscow gallery boom, personified heyday of Winzavod, Artplay and all sorts of salons. But 2008-2010 served as the threshold after which people who are prone to collecting contemporary, began to leave, taking with them a considerable collection, capitals and love for contemporary art. Russian market of modern has lost much of its audience. The old market of Russian art held firm until 2012-2013 at times hit records, which were put on auction and the grey capital market. But Ukraine erupted. People that support the main demand for art in the country, suffered financial and moral losses and reduced its activity. Significant impact on the market have had, and changing political trend. Now we see that the flourishing of the contemporary art market took place in the period of presidency of Dmitry Medvedev, and with the transition to the post of Prime Minister began to dominate conservative sentiments, and those who are financially embodies this trend is now so focused on politics and the economy, they just weren't kollekcionirovanija@ [I]Author - the General Director of Sotheby's Russia and SNG@ |
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The only thing true that large(huge) layers of Russian culture were held by the Anglo-Saxons...Obviously primarily for political reasons...Still weird though something they noticed Dyagilev used to work...If not gone over to the ballet, and continued to show Russian art in Europe, art history would have been different...you can See the Russian baleriny it excited him more than Russian artists... |
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[QUOTE="художник Федотов;3472931"]Please kindly protest@
Yes I am reading and reading: Цитата:
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[QUOTE=художник Федотов;3472881]What nonsense is all this happily eve...Under Medvedev flourishing market soriska and when it does 2008-2010 begin to blame all drugno@
Should not associate artlink and its fluctuations with the Board Mr. Medvedev.. it's a different planet and hypostasis. |
[QUOTE=Хранитель укропа;3473351]should Not associate artlink and its fluctuations with the Board Mr. Medvedev.. it's a different planet and apostasy@
Here in this thread, since messages 349, discusses paintings from the residence of Medvedev and his personal acquisition. |
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