How to turn a cornucopia, poured rotten, dirty, and unreasonable charges on each of the "warring" parties, but the paradox was that the work of Hurst, in general, no one has taken seriously, and did not share.

At best, the most tolerant forum users expressed that the art of something (in the historically formed his understanding), of course, "creativity" Hirst and does not smell. However, as a sociocultural phenomenon, it certainly deserves careful consideration.

It seems to me very rudely bacillus people and became actively proliferate at the time (or near the time), when the voiced phrase "degenerate art". And flew it to the topic with my keyboard, what, and expressed regret so far.

The fact that the concept of "degenerate art" was a result of processes is quite natural and logical, nominalizirovano, and then tightly tied to its meaning, to the destructive activities of the Nazis. Own is the meaning of the term with lost.

In essence, the term became taboo and people are already on a subconscious level, trying to push him away and "ban", using any means available, even foul language. On the original meaning of the term no longer remember.

This phenomenon is and his own inside. Everything that is designed to protect degenrativnoe art - green street. Same dared cast their vote for its rejection as soon possible to label the Nazis, fascists, hruschevista, putinista, Nashi, etc., etc., pr ... This is the stumbling block.

Therefore, "degenerative art" I will continue to be called "degenerate art" (ID), for support of degenerative art (literally, not in the Nazi sense) can only be an artist-degenerate (degenerate, as is known - is a sick man with signs of mental or physical degeneration).

Degenerate, because of deficits in its development and for a number of other reasons, has infantile, one-sided and rigid mental organization, sluggish, cold heart. Mental activity it can manifest itself only in the form of hysterical psychopathy (O. Kulik, A. Brenner and others like them perverts).

At the same time, these "artists", by virtue of their inherent hysteroid accentuations, easily suggestible, and therefore, they can easily manage that and make a great success hierarchy "International incompetence": guru of art-business and political strategists, "the curators of art."

The term "Internationale incompetence", by the way, is attributed to the poet J. Brodsky - unquestionably a genius, in spite of logic, highly esteemed by the ideologues of the most notorious of the "Internationale". What is the reason? Perhaps the desire to sit down next to the great, and maybe in the national identity ...

It does not matter. Himself as the "International ..." as the body is a direct continuation, genetic twin of that ominous Golem, homunculus, grown in the late XIX century, the Marxist-Trotskyist curly camarilla and now living preying on people's hearts, souls, minds.

Following this logic further, one can note that the foundation, the foundation of this evil, hate "International ..." and induced them to "degenerate art", triumphal procession on the planet, to start laying still in the era of the Reformation.

Then, the revision has not only the fundamentals of Christianity, but its reduced form - Catholicism. In the long-suffering Russia, echoing the Reformation, rolled, so-called historians, conspiracy Judaizers, whose consequences remain to this day (not as a consequence of "the principle of Butterflies") ...

Nevertheless, Russia, up to 90 years of the last century was, in Orthodox, indestructible essence, the last bastion of protection from the harmful effects of so-called metastasis, the Protestant ethic, with the agility of a monkey drawing the spiritual values in the "metal" ...

With the fall of the Soviet Union, who were the result of "liberal-democratic" revolution, which started and after that the pogrom and mockery of the national culture, religion and human values, CI is no longer "sub", and the dominant culture degenerates, "the streets" to take a crap in museums, public masturbate and fuck with animals ...

They applauded delighted "Internationale", they shall worship halls and exhibition areas, as they said the whole country and even shows on TV. At international exhibitions, fairs and biennials are just degenerates "Russian Art" that looks like an insult to the entire cultural history of Russia.

To return to Hirst. The risk of penetration this degenerate (others are smaller scale) in media and cultural space of Russia, as his nasty misanthropic, pat-psychological "art" consists not only in iconicity Hirst, but on the contrary - in its demonization ...

And then, and another - a kind of appeal, no longer only and not degenerate, but simply people with fragile and infantile spiritual organization. Thus, through agents, intermediaries, such as Hirst, "The Internationale" makes CI self-reproducing system and breeds, with the help of a feedback mechanism, new degenerates.

From now on, even without investing much money in contempt, koverkane and distortion of the art (and the remnants of Russian culture in general), you can sleep at night - the process is ... And soon, all creative people, nor their fans will shit in public places and carry over the tail of a cow carcass. And, most importantly, everyone will believe - it is art!