Ivan Vladimirov, "The Cossacks", oil on plywood. Russian Empire, nach.HH century.
 

Ivan Vladimirov, "The Cossacks" , oil on plywood . Russian Empire , nach.HH century.
Dimensions: 32.5 x 50 cm
Negotiable .
All items in the mail : arz-wien@rambler.ru

Ivan Vladimirov (1869, Vilnius - 1947 , Leningrad) .
Honored Artist of the RSFSR . He studied at the drawing school in Vilna I.P.Trutneva (1888), the Academy of Arts ( 1891-1897 ) at BP Villevalde , AD Kivshenko , FA Roubaud . Distinctions received medals in 1891 and 1893 . In 1897 he received the title of class artist of the first degree . In 1897 he worked in Paris in the studio of E. Chrono . As an artist - correspondent was on the Balkan fronts , and I- Japanese World War II. Member artistic associations tonnes (1913-1918) , TPHV (1916-1918) , AHRR - AChRs (1923-1929) , the Society of them . AI Kuindzhi . Painter, draftsman , watercolorist . Copyright military sketches , battle and historical and revolutionary paintings, landscapes. Lived and worked in Vilnius and St. Petersburg - Leningrad. Visited the Crimea and the Caucasus . Exhibitions since 1893 works are in the State Tretyakov Gallery , the Museum of Contemporary Russian History , the Museum of the Revolution in St. Petersburg .

what price?

Ivan Vladimirov, "The Cossacks", oil on plywood. Russian Empire, nach.HH century.
 

Item sold.

Ivan Vladimirov
 

Too bad they sold.
This, in my opinion, poor copy of the picture.
Signature dry pigment layer and does not resemble the original.


The present work look


artsbureau.ru


Department of Painting

Ivan Vladimirov, "The Cossacks", oil on plywood. Russian Empire, nach.HH century.
 

This is not news - the dry layer on plywood boards and the signature is found in 50%of cases ...
And the fact that this vesh yavlalas remark with the big picture, I've always been clear.
Only the author's remark ...

Ivan Vladimirov
 

Not sure about the author !
Look again and your original work . In the first study even handed nature of the characters . What can be seen is the Cossacks , who are the only son , and who is not one of the family. Your job is "flat" , and the original given perspective. look

remind:

artsbureau.ru

Painting department .

Yes easier to just put the image here.

Neither of which the wretched in this work do not.
 And the gallery space in the work of no more than provided .
 About the signature on the "dry " and in kindergarten do not remember .
 Example - almost all Byalynitsky-Birulya dry . Almost all the work
 signed when asked buyers - and took out a stack of
 signed . It was not such a one , for this reason, each
 I think the work met in fair condition , but the signature is partially
 crumbled . Dust did not wipe - it's simple. I dare say that all
 big things signed dry . Inside the paint with the addition of
 varnish laid thinly , dries in a few hours , sketching ,
 in the sun for an hour , as if written in the morning or in the evening , the next
 day ...
 If this is a copy , it is quite decent, even coloring quite
 " Vladimirovskaya " , and what etude - such things as it now
 found more than a prescription . quality of the
 work can not deny authorship of Vladimir . He was an ordinary
 artist and is known for a job if I'm not mistaken , " Down with the eagle ."
 Anyway, the photo, the absolute guarantee of experienced expert
 he will not, because it does not confirm the script - the same error .
 The present work , a little less than the gallery and see some
 changes in the composition , which is quite harmonious, it could do
 or the author or artist is very decent .

???
 

Look at the top (center), the horse's head, and one on the other picture.
Comments not necessary, moreover, that there are differences.
<! - ~ 1 ~ ->

Maybe - two works by one author?

Ivan Vladimirov
 

I met a couple of three times Vladimirov early Vladimirov . Prior to the 1920s . All works are written were very lively . Though , as I thought , you Tata, think him weak artist , but in the early early works there , not many experts familiar trait temperament !
Look for it in the copy number of the work ) )

If , yes we admit that the work is late, then why are the same size and base ? ?

Strange !

Although Peter I no longer surprises !