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13.09.2013 11:30 |
Цитата:
Сообщение от Cyril Syzransky
(Сообщение 2757521)
Yes, Ivan Yakovlevich had little illustrations for "The Tale of the Golden Cockerel " , performed for the Department of State publication papers and presentation of the opera "The Golden Cockerel " in the theater Zimin in Moscow, he is also a wooden plate painted " his kolinsky brush with slant end ". <! - ~ 1 ~ ->
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Oh , ho, ho, ho, ho ! This is not an argument dear Cyril .
This is the same as anyone from the bounty of nature has its own, different temperament and working ability , passion , humor , motor ... You eat a bowl of borscht , for example, in 40 minutes , but a citizen of Ivanopoulo Konotopsky for 3 or more additives asks!
Take today's artists , yearlings , one already in painting created several thousands of jobs and the same number in the chart ( vskidku .. same Alexander Knecht ), the other , in the same period wrote 10 to 12 paintings ... and the same Hovhannes Ayvazyan - more than 60,000 paintings , so your " Golden Cockerel " is not an argument ... and the next you will not stand to refute mileage kolinsky brush with slant end , is not it ?
And this is despite the fact that the master had time horizon and see , and Vasnetsov creatively borrowed story ideas , though, and "Iron Hand " ( the nickname of Ivan Jakovljevic among friends ) thought : "Five square centimeters per day and no more than a millimeter - the limit norm for good graphics . "
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