Shirayevskaya VIII Biennial of Contemporary Art
 

Subject 2013 « Screen: between Europe and Asia » and yesterday as part of the Biennale and at the end of the international creative laboratory was nomadic show.

As always, it started right from the marina with the arrival of ships from Samara with the audience.

Happening " Lost And Found " Svetlana Heger /Swetlana Heger from Austria was a compilation of Japanese haiku of English words on T-shirts dressed participants from the audience , moving the participants are built different haiku .

The problem with many forms of art - the question of translation and its perception , this idea , as I understood, was founded in the idea that heppininga .

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And they went further.

And they went further.

On the hill waiting for Estonian artist Andrius Yonans /Joonas Andrus in an unusual hat - suit with his " Day Estonia " from the series " Estonian national traditions ".

Opened cans with anchovies in tomato sauce , throw out on the table, the contents of a soldier's belt and beat ( thrashed < ! - ~ 9 ~ -> punished ? <! - ~ 5 ~ - >) at this sprat .

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Then there was the hilarious performance Swede Magnus Petersson /Magnus Peterson "Invisible".
Author glubochennuyu dug pit ( two meters , I think : eek <! - ~ 1 ~ - > brought to her chest on a cart full of every antiquarian vintage " wealth" and then the contents of this chest buried in the pit, put it on top of the heavy stones.
In place of this performance in the future plan to build a park - then this trunk and dug out , suggested the artist .

Then there was the hilarious performance Swede Magnus Petersson /Magnus Peterson "Invisible".
Author glubochennuyu dug pit ( two meters , I think : eek <! - ~ 1 ~ - > brought to her chest on a cart full of every antiquarian vintage " wealth" and then the contents of this chest buried in the pit, put it on top of the heavy stones.
In place of this performance in the future plan to build a park - then this trunk and dug out , suggested the artist .

While Magnus Peterson dug in his "bogachestvo", next start another performance - an interactive , it had to attend a few people - "Post" Sweden's Astrid Nylander /AstridNylander.
Several bands have been attached at the highest point column ends of the ribbons to keep the party perforated and walked two dances in the opposite direction , thus colliding participants were reversed alternately going out of the inner circle to the outside and thus entwine pole straps.
The tapes were of three colors , and somewhere it reminded our Russian flag .

At Vladimir Arkhipov was a fun project - " Useful forms Shiryaev " - he found the inhabitants of the village of some home-made stuff that they've done /remade from other objects and used by : rocking chair from the car seat , anchor for poaching networks , antenna, a wheelchair for a big man , a table for the repair saddles.
" Through art I claim the universal right to work. Working with a home-made household items - explores the boundaries of art /art ."

All items removed was hard - too tightly gathered round their audience , but something to show you .
Vladimir drove the audience with the screen (the theme of the Biennale - " Screen: between Europe and Asia " ), and it exhibited the same subjects.

Ah, nature is good, the place is beautiful.

The seats are not only beautiful , but also historical - this is where gang of Stepan Razin took to board merchant vessels when their owners upstream of the entrance of the Samara Bend refused to pay "fare".
In case of refusal to pay there and then outfitting a messenger and he rode up the ravine Shirayevskaya Shiryaev and warned cops and robbers .
And Shiryaev sharp turn for Lada and Volga yes divided island - the ships come closer to the shore and then Shirayevskaya them "retarded".

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Very interesting installation was presented a Swedish artist Ann Edholm /Ann Edholm and her husband - a Finnish writer , critic , artist , curator Tom Sendkvistom /Tom Sandqvist.
Tom's father - Sergeant Rolf Sundquist during the Second World War took part in the burning of giving Ilya Repin Kuokkala .
And " before giving a flamethrower to play a deadly music " Finnish SOLDIERS took the picture " still life " on the table in the office of Ilya Repin - skull.
There's a complex association with Kuokkoloy Shiryaev , Repin and Malevich , and the installation itself was donated to the museum - house Repin Shiryaevo .

Very interesting installation was presented a Swedish artist Ann Edholm /Ann Edholm and her husband - a Finnish writer , critic , artist , curator Tom Sendkvistom /Tom Sandqvist.
Tom's father - Sergeant Rolf Sundquist during the Second World War took part in the burning of giving Ilya Repin Kuokkala .
And " before giving a flamethrower to play a deadly music " Finnish SOLDIERS took the picture " still life " on the table in the office of Ilya Repin - skull.
There's a complex association with Kuokkoloy Shiryaev , Repin and Malevich , and the installation itself was donated to the museum - house Repin Shiryaevo .

This time there were artists from Italy, they did show TLG 2.0 - Through the Looking Glass 2.0 in the bianalle and participated in Nomadic show in the village .

Interactive object " Landscape apparatus for observing " Vito Pace /Vito Pace :
 <! - ~ 7 ~ ->

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The Italians came by car - 4,300 kilometers in 12 days to Shiryaevo through Greece , Bulgaria, Romania, Moldova and Ukraine.
And in the house in which they lived, even hung a flag . <! - ~ 1 ~ ->

Installation " Somewhere " - Pier Paolo Patti /Pier Paolo Patti and Ciro Vitale /Ciro Vitale - in photos beards - they're from a Naples and they were Communists :  <! - ~ 7 ~ ->
To install , they took a photograph of the real residents of the village of Uncle Kolya .