Examination of Picasso, c /o
 

There seem to be two ways : at the Museum Picasso Foundation in Malaga or Marina Picasso ( granddaughter O.Hohlovoy ) .

Does anyone have any experience with them?
Where better to turn to? may be some pitfalls with this ?
It is clear that personal experience - first counselor (but never contacted a Picasso ) because initially decided to probe , as 1 ) The work is not mine, 2) disputes over inheritance are still ongoing , and 3) Aware history with the French electrician , whom Claude Picasso sued , claiming their rights to the work of his father.

Or are there other ways ?
( soon show itself to work with the permission of the owner )

Added after 4 minutes
Dear Admins, please add "c" in the name of the theme, and then it "s" I have today sinks - to see, peaches yesterday were very juicy ...
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Glasha, it is not clear from your description, work is already well-known and you just need to authenticate?
or the work is not included in the catalog raisonné, and you need to put it in there?

Seriy, Well, I wrote that he had never contacted a Picasso - never occurred because of his immense fecundity and all stemming from here.
For this reason, I have no idea whether it is in the catalog -reason .

Just guessing that 271 works by Picasso, presented recently said the former electrician , retired , and a box of pottery, too, recently discovered in a barn in France, were unlikely in the catalog -reason .
 
I am interested in who to go with it better . If anyone has experience in works of this artist.

It is desirable to be ... <! - ~ 1 ~ ->

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Here's a job. Small : 32.5 x 24.5 cm , the state dreary , but it seems that has seen better days ( hanging - the old hole for the nail on the stretcher , 11 photos and traces of the label on the canvas , photo 9 -11) .

Variations of the theme (this is the right vase and banjo ) appears in a number of his famous still lifes (I will now seek out examples) .

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In my view, in this case, need art expertise

(Process if only to top it off - it is all very obvious).

What do you think?

Here's a job. Small : 32.5 x 24.5 cm , the state dreary , but it seems that has seen better days ( hanging - the old hole for the nail on the stretcher , 11 photos and traces of the label on the canvas , photo 9 -11) .

Variations of the theme (this is the right vase and banjo ) appears in a number of his famous still lifes (I will now seek out examples) .

In my view, in this case, need art expertise

(Process if only to top it off - it is all very obvious).

What do you think?

Good all the time.

I would venture to say.

Glasha, I think, is much easier.

In this paper we do not see any skill, the more the artist of this magnitude.

Very weak, in my opinion, work.
From SW.

First, I would at the online catalog , reason would be determined about a year . At Picasso all series and from topic to topic , he always moved slowly , all holding up in notebooks. So something similar or the same thing here.
For example, here ,
http://onlinepicassoraisonne.com
There is another directory , reason under the patronage of Claude Picasso, but I can not find his address in a computer in Moscow remained. There, with the size , detailed photos and provenance .
I have a friend in Europe, which supposedly positively decided a similar question by Picasso Foundation , if you want to consult with her , I 'll look for a contact.
Secondly , I would have looked at what he wrote the work in that period. Something strange to me that the work is written on the cardboard.
 Renoir , which is bought for 7 dollars , has been in the catalog , reason , people were just too lazy to look . So what to look for and find analogues necessary.

Added after 5 minutes
Solovlad, with different works by Picasso, not all are Guernica, he wrote.
This work is not weak, painted by the artist with a sure hand.
Written by a man who knew what to do.

Never specialist in Picasso, but still wondering - what skills could be shown in this paper?

Solovlad, I would venture to argue size noticed? a little more than the album leaf , it is time.
No one argues that it is a masterpiece ( if we consider that the artist I do not like, but its place in art history admit ) , it's two.
You idealize too - just an old woman there proruha , and only then , Picasso known as scribbling /Valya /jokes for five minutes, so it all enough, that's three.
And you are likely to compare , after visiting the exhibition at the Pushkin , with his museum work ?

Added after 2 minutes
Seriy, thanks!
and a little ahead of the response of the same

Maya Widmaier Ruiz-Picasso

Comité Picasso

15 rue Saint Nicolas

75012 Paris

Tel: 0033 143 42 5858