Galyadkin Andrei
 

Galyadkin Andrei 05.14.1906-3.07.1975.g
 Father - Galyadkin Dmitry S., artist, for 20 years he worked in a studio of the Moscow Printing Factory Goznak. According to his figures released one of the first Soviet stamps. Was the author of the sketch "Badge of Honor", founded in 1935
In 1921-1922 A.D.Galyadkin took a course in a studio factory Goznak.
In 1921, he published his factory stamps "Help the starving Volga."
In 1926 A.D Galyadkin enrolled at MSU to separate history and theory of art, under the direction of FM. Grabar.

In 1930-1931 he worked in the art department, "Vsekopromsoyuza" art. Ten years was a member of the Moscow City Committee of the artists books and collaborated with a number of Moscow publishing as a graphic artist.
 In 1940 A.D Galyadkin was arrested and sentenced to five years in prison.
 From February 1946 to February 1947 he worked in the town of Vladimir region Mstera artistic director of the farm, a company specialized in the production of products with lacquer miniature.
 In 1947 he moved to the city of Rostov Yaroslavl, where he was appointed artistic director of the local cooperative filigree "Rebirth".
In 1951, shortly before his arrest, he was accepted as a member of the Yaroslavl Association "Artist".

In 1951 AD Galyadkin was again arrested.
In 1954, after his release, he moved to permanent residence in the city of Kalinin, where he worked as a graphic artist at the Kalinin regional publishing company.

Since the 1960's, he participated as an artist in the complex expeditions to Central Asia, organized by the Institute of Ethnography of the Academy of Sciences of the USSR
. Was familiar with the AI Solzhenitsyn, they traveled together to the Crimea, AD Galyadkin was a witness at the wedding of the AI. Solzhenitsyn's One of the first editions of the AI. Solzhenitsyn's "The Gulag Archipelago" is an illustration of AD Galyadkina - "Kultbrigada."

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Show some of his works in different directions. :

Drawings on the camp theme ( over 50 pictures), the artist painted after reading "One Day of Ivan Denisovich" and showed them to Solzhenitsyn , some presented (Figure Kultbrigada published in the first edition Arhipilag Gulag) . The camp theme A.D.Galyadkinu was close because he himself was a political prisoner.
 Many of the figures portrayed himself A.D.Galyadkin ( prisoner in glasses) .

I of this series, all the more like taming a horse .... artist painted a picture all his life in the country of the Soviets!

Show some of his works in different directions. :

Drawings on the camp theme ( over 50 pictures), the artist painted after reading "One Day of Ivan Denisovich" and showed them to Solzhenitsyn , some presented (Figure Kultbrigada published in the first edition Arhipilag Gulag) . The camp theme A.D.Galyadkinu was close because he himself was a political prisoner.
 Many of the figures portrayed himself A.D.Galyadkin ( prisoner in glasses) .

I of this series, all the more like taming a horse .... artist painted a picture all his life in the country of the Soviets!

Figures for the poem Yevtushenko

You're completely devoid of pretense,
 when silent with eyes tight,
 as devoid of pretense silence
 starless night in flames.

 He, this city - your past.
 In it you almost never laughed,
 then rushed in sewing, in oblivion,
 then rebelled, again reconcile.

 You tried to live his last legs,
 but rejecting all life frowning,
 He, this city, you pressed
 sullenness of its architecture.

 It was locked from inside each home.
 It was all unkindly wiser.
 He did not hide his painful fracture
 and hatred for anyone who is not bruised.

 Then you set it on fire at night.
 Frightened by the flames darted,
 and I was just the first on whom
 you're running away, stumbled in the darkness,

 I hugged all of you shivering,
 and you came to me meekly pressed,
 not understanding, not loving,
 but, as a creature, because of pity

 And you and I have gone ... Where to go?
 Aimlessly. But every now and then
 You look back, as there, in the distance,
 ominously your past burning.

 It burned to the end, to the ground.
 But since then I have one of tyranny:
 where neostyvshaya ash
 you fascinated, drawn.

 And as you're with me, and it seems not.
 In fact, I cast thee.
 Carrying a blue light,
 the ashes of the past you wander.

 What is it you want? It's empty and dark!
 Oh, past the mysterious power!
 You could not love him very,
 well, its ruins - loved.

 Powerful ashes.
 They are a must have something to hide.
 Above that burned so fiercely,
 child-podzhigatelnitsa crying.
 1960

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NN
Starchikova and artistic director filigree plant AD
Galyadkin in 1947-1948.

Kirill1974,

thankyou very much for the wonderful story and the show works - very spiritual work done in his own time , some poignant .
From the " camp " most liked the scene in the dining room with a fairy tale on the wall.
Yevtushenko 's poem works a thousand times better than the poem.
Valais wonderful. Everything was very honest.
Thanks :)>