Then, during the long decades of Vladimir Grishchenko created unclaimed society paintings. 50 years he worked hard, continuing to believe that one day his work would meet with his audience, and all questions answered, half-jokingly - poluprorocheski: "When I die, my paintings will be worth millions." And the artist waited almost a triumph - in the 2000's, he finally becomes an active participant in the artistic process. But this is only externally and internally - Vladimir never interrupted his studies in painting. During its complex life's journey from all the hardships and vicissitudes of the artist invariably escaped art - from all the disasters and crises.
In this regard, I want to emphasize the fact that in the exposition of the exhibition, mainly represented by the artist 1990.
Then, in the terrible 1990's, when the whole of the former Soviet country was drowning in the abyss of one of the most important Russian political and economic crises of recent times, under the brush of "informal" Gryshchenko born artist paintings, imbued with the azure sky and golden light, illuminated by the warmth of women's and maternal love, they bloom exotic flowers and fly free as a bird, they look down with gentle faces almost disembodied angels, they show through the eternal images of Christ and the Temple. It was the 90th could rightly be called the period of this flourishing of creativity Gryshchenko. The set pieces, large format, bright colors, the underlined expression and expressiveness, dynamics, and at the same time - the musicality and harmony - it was all a product of the new great love in Buddhism is a life-time career of Vladimir. It is through her paintings locked in a cage man is standing proudly erect king and rigid geometry of lines, before the bars of the former becomes an ornament of his robe and staff, the decor elegant flower vases, and even - in a bathing suit and cloth, drape the body beautiful girls. It is difficult to have at least one of the contemporary Russian authors who have created in this period is the number of female characters - from Nefertiti and Dan to Madonna. Looking at the pictures Gryshchenko becomes clear that because of their hard life deadlocks artist constantly sought to escape to the sky and the world - through faith and through love. Perhaps today, when we are again going through a difficult time, this exhibition, though not for long be for us not just entertainment, but also a kind of lesson and comfort.