Whiting Nicholas "Portrait Dolaberidze"
 

Whiting Nicholas "L.N.Dolaberidze Portrait" 1980, c /o 57h46 see (purchased from the artist's heirs Boris Kostromina) price of 17,000 rubles

Whiting Nicholas I. (1910-1991)

Soviet Russian painter, graphic artist, a master of illustration.
Whiting Way in art began in 1928 with attending courses at the Society "Shop Painters" in Moscow (the teacher K.F.Morozov). Since 1938, Whiting - SV Gerasimov student at the Arts Institute. However, the most heavily
the creative consciousness influenced the young artist organizer 'Guild of Painters "by the manifest" Tsvetodinamos and tectonic primitivism "A.V.Shevchenko.Viting - participated in exhibitions since 1930.
 Worked closely with publishers ("Detgiz," "The Young Guard", etc.). In his work was concerned primarily with the search and development of relevant topics, producing adequate to express the spirit of the times pictorial language.
His works are in many museums, including the Karakalpak GMI them. IV Savitsky.
 First lessons in drawing future artist received from his parents - people creative and well versed in the art. Then, in the late 1920s and early 1930s, engaged in a course at the House of Art Education in Moscow, and courses at the Art Association "workshop of painters." In 1934 he entered the Moscow Art Institute (later named after Surikov) S.Gerasimova the studio. The formation of the creative mind of the artist had a show of German expressionism. In papers prefer restraint paints, almost monochrome, without prejudice to the works of expressiveness. "Panic," 1926, one of the first works of the artist, inspired by the film by Sergei Eisenstein's "Battleship Potemkin." Expressionism, to some extent, Whiting remained true throughout life. The artist was a friend of Savitsky and considered him one of the few true connoisseurs of fine art, a strong spirit, able to "change the world." The artist also worked in the easel and book graphics, worked closely with a number of central publishers. Stormy experiments in the art of the twentieth century, no doubt influenced the production of its own figurative sculptural language hudozhnika.No search for new forms and principles of composition is not reflected in the palette chosen author, formed in the early years of training and is an important factor in the art style forming N.Vitinga.

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