Korovin in the TG
 

"Konstantin Korovin. Painting. Theatre "

The Tretyakov Gallery , March 29 - August 12, 2012
Moscow, Krimsky Val, 10 , Halls № 60-61

He was at the opening - great, another definition can not find a descent , because the terms " good" and " cool " does not reflect the scale of the event. A very large and interesting exhibition. Feel free to put it on a par with exhibitions Levitan , the Paris school and the Blue Rider , in the past year.
The exhibition is built both chronologically and by topic , I do not know how it managed to combine , but failed. It is interesting to observe changes in the works , from early where there is no evident influence of the armed eye , and Serov and Polenov - up to a mature , strong, independent creativity.
- Press conference
- Presentation of the new book catalog.
- Works 1880 - 1890 's.

It was on the show not expecting something wonderful . Well, Korovin, Russian Impressionist Well , well, one of the most counterfeited artists , so what? No psychological upheaval is not expected to know much more influential for me, the art community of people who do not go and not go to this exhibition , such as not interesting artist .
And suddenly broads - shock.
Bright , light and extremely positive energy from the pictures . Poor and middle there, and lots of pictures of about 250. For us now, after a winter avitaminosis - what the doctor ordered.

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Separately, a panel talked about this, that at some point in time, they were considered lost and then miraculously survived and were found, and then restored.

But if the fair - not very big but the size and everything.
But to understand the background, than in any period studied - is interesting.

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Short North section.

Much has been written about him, and said nothing to add.
It's cold.

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But the plunge in Paris after a series of north - very good.
As the saying goes - "Again, wanted in Paris."

- Paris in different perspectives 1902 - 1910 year.

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And then suddenly plunge into the Crimea. Gurzuf 1911 - 1917.
The maximum saturated with sunshine and light painting. And suddenly caught myself thinking - where anticipation of the revolution? The years - it 1914, 1917. where the impending disaster ? Do not feel? But no sooner would not let here it for nearly 50 years , the personal tragedy of his son , health problems and in spite of it - the joy of life in his paintings .

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A series of still lifes 1912 - 1918 years.
Something unusual, walked back and forth along the row of twenty times, people have begun to pay attention, and it is not enough.
Absorb, absorb, absorb energy.

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At this until forced to take a break, continue always to follow, but who better to go to Moscow himself.

Separately, a panel talked about this, that at some point in time, they were considered lost and then miraculously survived and were found, and then restored.

But if the fair - not very big but the size and everything.
Although, for the understanding of biography than in any period studied - still interesting.

Short North section.

Much has been written about him, and said nothing to add.
It's cold.

But the plunge in Paris after a series of north - very good.
As the saying goes - "Again, wanted in Paris."

- Paris in different perspectives 1902 - 1910 year.

And then suddenly plunge into the Crimea. Gurzuf 1911 - 1917.
The maximum saturated with sunshine and light painting. And suddenly caught myself thinking - where anticipation of the revolution? The years - it 1914, 1917. where the impending disaster ? Do not feel? But no sooner would not let here it for nearly 50 years , the personal tragedy of his son , health problems and in spite of it - the joy of life in his paintings .

A series of still lifes 1912 - 1918 years.
Something unusual, walked back and forth along the row of twenty times, people have begun to pay attention, and it is not enough.
Absorb, absorb, absorb energy.

At this until forced to take a break, continue always to follow, but who better to go to Moscow himself.

I looked all Korovina.Prekrasnaya zhivopis.Oboshel several raz.V each of its period is simply wonderful veschi.Chelovek saw the color, and it pisal.Korovin - impressionist - sufficient symbol. (By the way while in Paris he was about Monet and does not remember , but admires artists closer to Bastien- Lnpazhu ). He studied with the Impressionists, is not created and wrote his shkoly.Impressionisty light on things, Korovin same color of the surface took one stroke , where the impressionists their desyat.Prosto Beautifully written , for example white on green in the film " Letom.Siren " ( the lady lilac and barrel ). I liked the work written in Dieppe , the ships in the Marsele.Portret Masini is not inferior to Serov , (maybe superior ). and what a carefree Chaliapin at a resort in Vichy , a portrait of 1911 year. ! Wonder still lives, on the other will not tell ! Full of impressions , and their supports quite a decent catalog of the exhibition , it is better than it was at the Levitan .

I love painting by Konstantin Korovin .
But!
Personally, I had even offended that he does not have any one main branded paintings . Something like " Girl with Peaches " his friend Valentin Serov , or " Pan " (" Demon dwelleth between ," " The Swan Princess " ), Mikhail Vrubel.
We can recall and Isaac Levitan few things clearly branded - " Eternal Peace ", for example , or " Golden Autumn ", " Vladimirovka ", "March" ...
Maybe Korovin is " Portrait of Chaliapin "? Or "The balcony. Spanish flu" ? "Paper lanterns "? I do not know ...
I now lacks some of its top-end hit.