Photo exhibition at the Gallery of Vladimir Lagrange them. Lumière
 

Photoexhibition Vladimir Lagrange titled "So we were" held in the Gallery behalf of the Lumiere brothers in the CHA.
http://www.lumiere.ru/ru/4172/4173

The exhibition of about 200 works, taken in the Soviet period from the 60's to 90's.

Valery Ikari-Rothe, Vladimir Lagrange and dozens of other authors are in journalism for "ottepelnoy" wave. This new generation refuses to die-frozen "production portraits and genre scenes organized" from the working life of workers and peasants "fade into the background. At first pictures come alive with detail, dynamic action and dazzling presentation of the material.
Writes Michael Sidlin in the article "Vladimir Lagrange: the author at the background of several frames" http://www.lumiere.ru/ru/3/4922

Captions:
  - "Doves of Peace" 1960, printed 2008, 75h89, 1 of 30, b /w photo printing, print, picture, signature of the author
  - "Holiday Sabantui" 1978, printed 2008, 40x30, black & white photo printing, print, picture, signature of the author
  - "21 January" 1967, printed 2008, 40x30, black & white photo printing, print, picture, signature of the author
  - "One horsepower of 1979
  - The Fruits of Education ", 1982, printed 2008, 30x40, B /W bromoserebryanaya print
  - "Preference" 1974
  - "Killed by Rzhev" 1990

Coming too close.

Yes, the exhibition will run until January 18.

Loyalty 1981
"What kind of dancing without the accordion?" 1983
"E. Yevtushenko "1978
"It goes without saying!" 1991, printed 2008, 40x30, black & white photo printing, print, picture, signature of the author
Here's how to comment on this work Mikhail Sidlin http://www.lumiere.ru/ru/3/4922

       "The Lagrangian can be found" Chernuhi. "That could never appear in the Soviet press Lone legless man in a hospital corridor makes a stand on his hands, sitting up on his cart - the light falls on it from the far box at the end of the tunnel and at the same time from an open door, playing on his obeznozhevshem, but such a strong body. In this picture one can reconstruct the dark side of Soviet reality. The world of Soviet man was torn in two. "upper" ruled the socialist myth about the bright future - were placed there "reports to the Congress" , perform, exceed "," Weekday great constructions ", in" lower "sinking daily queue up for bread, account for a month to consult a dentist and a drunken neighbor-convict with a gold tooth. That is, daily - that from which life and was .

       Task of the Soviet photographer to tie the ends. Tie life with the myth, so that through the grim daily nevertheless betrayed a bright future, in which neighbor-convict stop drinking, stealing, correct and buy my wife a new Yugoslav headsets for honestly earned rubles.

"Always" for "!" 1982
"Guardian" 1992
"The capture of the winter of 1967
"We vow to" 1972
"Interrupted Flight" 1986
"Protest" in 1984

An interesting series of photos "Kommunalka. Personnel, which prior to the exhibition have never been published:
"Kommunalka" 1989
"Overall corridor and personal computer" 1989

Following work:
  - "Victims of 1937" 1987
  - "Contrary to the dismay of Congress," 1990
  - "Swimming Pool" Moscow "1981
  - "Barber Shop on Gorky Street (hairstyle" Hal ")" 1963, printed 2007, 3 out of 30, 40x30, B /W manual print
  - "Tyumen Oil, 1970
  - "Geometry" 1979
  - "... 1987" 1987, printed 2008, 30x45, 1 in 30, Lambda print
  - "Gallop, 1969
"... In relation to wagons and trains in the picture" Gallop "the horse is clearly and certainly overtaking cars: juicy motion passed horse (threshed with his feet on the way), and the driver (in the backswing with his whip) and the dust flying from the wheels, emphasize the dynamic nature of this group. The train in the background - completely static: a sharp and totally empty, it seemed not to go, but just standing on the tracks. And replaced still photos thirties stamp on the rule of equipment replaced by a new-on the rule of the dynamics of . Mikhail Sidlin

Photographs of children and their down-games occupy an important place in the work of Lagrange:

"In the children's colony" 1989
"Romantic" 1990
"Avacha bay. Kamchatka 1964, printed 2007, 3 out of 30, 30x40, black /white hand print
"Young dancers" 1962, printed 2007, 50x60, 2 of 30, b /w hand print
"Cheburashka suggests" 1979, printed 2007, 30x40, 2 of 30, b /w hand print
"The Snow Battle" 1960
"Eskimo" 1970, printed 2007, 40x30, 4 of 30, b /w hand print
"Goalkeeper" 1961, printed 2008, 40x30, 11 of 30, b /w hand print
"The thin nature" in 1984

If you blur the vision, then straight supremacism. Very spectacular shot, allegorical.

Yes, Lisitsky like.

Tamila, very good you have turned the story of a good show.
And I still so because
We lived in Petropavlovsk-Kamchatsky on the latest street-next to the port houses have not been, and one side was the houses, and the second-slope to the bay. And I had 6 years watching from the window of this bay and behold this form.

Most of all I "Avacha bay. Kamchatka" 1964 "liked rather not like a hooked. Very versatile and multi-level picture. What can it be? Where do they go? Little man by the great and hold each other's hands so as not to get lost - cool.

Other photographic works in the gallery they. Lumiere brothers, who attract attention:

- Antanas Sutkus Marathon on University Street "1959, late author's seal, 55h37, № 1, b /w manual authoring photoprint
Lithuanian photographer (rod.1939), chairman of the Union of Lithuanian Photographers. By the way, he belongs to the few photographers who do not make copies of the photograph, claiming that while he is alive, will print as many pictures as needed, ie photos just assigned serial number.

  - Boris Ignatovich (1899-1976) "Tea in Ramensky" 1928, printed 2008, 30x40, 7 out of 30, b /w hand print
  - Boris Ignatovich "Visiting fellow countryman" 1928, printed 2008, 40x30, 9 out of 30, b /w hand print
  - Boris Ignatovich "Atlanta. At the entrance to the Hermitage" 1931
Photographer WWII, but in his work a valuable period of 20-30 years, when they, along with Rodchenko sought new ways to build the frame, when it was introduced a new term "obliquity," and from "rodchenkovskie" 3 point shooting: upward, downward and diagonally.

  - Photographer-sixties Valery Ikari-Rothe (1926-2000) "Traces" 1960, printed 2008, 50x60, 2 of 30, b /w hand print, the signature of an heir, Print Gallery.

  - Leo Borodulin "diver"
  - Leo Borodulin "parade of athletes" 1956
He was shooting sports: competitions, Olympiads (born 1923). I personally recall his photos of the photographer and filmmaker Leni Rifenshtayl (the one that produced Hitler's congresses). Her film Olympia, on the 1936 Olympics - a masterpiece, a guide to shooting the next generation. Due to unusual angles and points taken on a different interpretation of plastic human body.

  - William Klein. Smoke and Veil. Paris. 1958, printed 2007, 60x50, B /W manual authoring photoprint
  - William Klein. Paris, Simone Daillencourt, Rinascenti, 1960
Genus. 1928., His works were in the magazine "Vogue" and this is fashion-photography.
Also does not make copies of photos, for the same reasons that Sutkus, pointing to the photo - "unlimited edition".

  - Igor Zotin. Kalinin Prospekt. Festive illumination. 1979
According employees galleries Lumiere is one of the most popular, best-selling photographs, a kind of bestseller.