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Good day!
I decided to ask for advice )
We plan to open in late October, a large retrospective ( 1950 - 2010s ) show Hsara Gassieva (1929 g.r ) in the city art gallery Mytischi . Now make a list to whom invitations . We plan to send in the mail with a large monograph (230 pages) to organizations and individuals to whom such exhibition may be of interest (galleries , museums , critics, journalists , etc).
Actually the question - who still advise to send the invitations? Who are interested and engaged in Moscow artists of this period?
I would be grateful for any ideas !

For some mail?
Ordinarily, electrons?

Do not understand, please, what are waiting for the options?
Lawyers, doctors?
Or a list with addresses of specific people (it is unlikely that anyone would)?

Subscribe by e-mail . Normal . The book about the artist, 230 pages, weight 1.7 kg. + Invitation to the exhibition.
I thought I stated clearly : " Actually the question - who still advise to send the invitations? Who is interested and involved in the Moscow artists of this period? ". A list of specific people (galleries , publications , etc.) who are interested in the exhibition? This is a commercial information ? I'm not asking for a list of clients .
I am interested in a hint like: " But there is such a publication , publishes articles about the artists, and they let down the invitation ...".
The main places where I send , and I know.

Or you can call on a different theme : "How and who should be invited to the exhibition - the exchange of experience "

Greatly surprised if such answers will follow . Although ... Members responsive people . But then you need to publish a list of everyone you know and how to advise someone you forgot.
But it all the way tight. Hang a banner on our website and you will be happy if you are interested right away and learn. And the link to it can write that will send a catalog on request .
Or hire a good PR agent, he /she knows all the media, and invited to quietly , and the likelihood that they would come to be high, otherwise competent PR- plier does not undertake the work.

How much does a banner?
From a PR schikami I somehow did not work out , was a sad experience for another artist .

I guess you're right, not very well- formulated question . The people can simply share the experience - how to do better . No addresses and appearances :)>
What I do now . Dully has watched sites galleries and publishers , etc. of the posters. If artists are represented by like, interesting articles , exhibits interesting - copying contacts. Somewhere in the 50th site a question :)> I can not do parity . That appealed to the board.

The surest way to go!
And many times tested .
It is free to send such a great album , a monograph , this money can be paid PR agent for the job: pay off 100%.

About toss in a personal banner.
From anonymous contacts from the Internet will be a little confusing. Events a lot, not at all sreagiruesh. Option two:
1. Or event /exhibition should be loud (well, for example, exhibition of Leonardo da Vinci), then from whom came the invitation does not matter.
2. Or invitation comes from a famous person you /gallery /museum then go not only to the event, but also because it is not easy to refuse to the inviting.

The third option, when the invitation comes in the general case, it is not clear from whom, and with not very important event - bad.
And there are many nuances: whether viewed on a regular basis the overall box in place if the right person, etc.

[color="#666 686"]Posted 30 minutes[/color]
I say - good. And it's not just the pros he will be looking to the adequacy of the problem. If you understand that do not put a real challenge (for example, to show the unknown Doe collect all the leading TV channels with guaranteed reportage in the prime-time) - refuse. Or the customer may not seem adequate. Here is a recent example: I was asked recently to find a PR-schika for an exhibition from scratch. The first meeting looked at each other, listen to suggestions. On the second PR-plier has shown a work plan and cost under him his job. And then the owner of the paintings (not the curator) began to torture him to give a precise answer as what the media write.
PR-plier said he would think, and two days later apologized said that he was busy with other projects (which is true to the article, no matter they do not sit). But it says so out of politeness, in fact, our PR-plier realized that there is not adequate to deal with the person and contact with him will be difficult. Why? Because in this region the situation is not corrupt, can not be paid off in a custom-made articles of normal media. Why a separate conversation.
The situation was very simple: if the right person takes up the invitation, so knows what will come, but if you come and write, otherwise why bother. And it is clear that normally write, without chernukha. But give 100%prediction that someone would write and how much is silly. Who knows how it happens ill journalist, and so on. And run up on a flat spot on the disassembly - you promised 12 lines here, but now only nine, why?

The most stupid thing that could have been done.
Perhaps the people from the areas where it is assumed to twist arms.

And getting what he thinks, for my money "to complete": "I'll pay for that?" <! -
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:)> monograph I already have, and good PR is not cheap.
By the way, advise on the future.
In LS