| alexvadim |
28.01.2011 13:04 |
Цитата:
Сообщение от Lucy
(Сообщение 1498241)
Did you see William Brui vesnoy.Na Winery, he had little vystavka.Yarkaya, enchanting lichnost.Na memory of that evening I still have pictures, and gorgeous album with autographed Bruya.Nado necessarily go to his retrospective at MMSI .
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Bah, all familiar faces! But around the back of his hat and whiskers, but not about his cosmic black-and-white work,
done in the studio by Mark Rothko and absolutely contemporary New York 70. Color me less like)))
Posted 10 minutes
Цитата:
Сообщение от Konstantin
(Сообщение 1498601)
And I'll tell you.
When you see on the street motorcycle riders - their "outfit" does not cause feelings of "a charged," because they always dress well, they like that kind of clothing. Same for the punks and other metallers. But it is necessary to wear black leather jackets (a jacket) to a random person as soon hurts the eyes.
Here and there, to see actually the artist is not "always on" such clothes here and disonans.
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No, life is, the normal behavior of the modernist - not typical, perhaps, for Russia, where artists are always balancing between drunkenness and asceticism. As Bohr wrote, "Hats off to William Bruem. Of course, not such as he is - inhumanly expressive, with a special way zalomlennymi fields, if not made to order, then all szhivshuyusya with its owner. I take off as it is. Brui - people already in the youth proved the possible existence of artistry in a single country. He also proved the possible existence of artistry in a single unified, calculated and structured, is not forgiving and non-systemic otvyazannosti, contemporary art "
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