Niko Pirosmani Gallery Proun
 

The gallery Proun at Winzavod passes an exhibition of Georgian primitivist painter Niko Pirosmani (1862-1918).
Nicholas Aslanovich Pirosmanishvili (his real name) - a self-taught artist, he studied painting at the roving artists. Due to this, he developed his own style - naive art, primitive style.

Works:
2 - Portrait of a railway (Misha Meteheli), tin /oil, meeting IV Sanovich, Moscow
3,4 - Portrait of Ilya Zdanevich, 1913, oil on canvas, private collection, St. Petersburg
5 - The Easter lamb, 1914, oil cloth /oil, meeting V. Dudakova, Moscow - Pirosmani often used as the basis of cheap black oilcloth, which he left partly intact, prescribing only the most salient points.
6 - A man in a cloak with a bull, cardboard /oil, meeting of the Moscow Museum of Modern Art
7,8 - cardboard /oil, signs that Pirosmani created for trade schools in Tiflis
9 - Sister and brother, an illustration of the same name play V. Gunia, buckram /oil, meeting I. and T. Manasherovyh, Moscow
10 - Bear, cardboard /oil, meeting the family I. Noneshvili, Tbilisi

A special place in his work Pirosmani assigned the image of animals. Written in a primitive manner, they look very realistic, especially impressive eyes, the look of the animal.

1,2 - Iranian lion, cardboard /canvas, private collection, Moscow
3,4 - white cow on a black background, cardboard /oil, private collection, Moscow
5 - A girl and a goose with goslings, cardboard /oil, meeting I. and T. Manasherovyh, Moscow
6 - Nurse, cardboard /oil, meeting the family I. Noneshvili, Tbilisi
7 - The wounded soldier, cardboard /oil, meeting of the Moscow Museum of Modern Art
8 - Still Life with bladders (sign), tin /oil, meeting Sh Breus, Moscow
9.10 - Lunch Tiflis traders with a gramophone, buckram /oil, meeting Sh Breus, Moscow - scenes of feasts frequent theme in the work Pirosmani.

Brothers Zdaneviches played an important role in the development of creativity Pirosmani. Exhibiting at Target in 1913 helped to popularize his work. By the way "Target" - the only exhibition of the artist's lifetime.

1 - Sigismund (de Souza) Valishevsky Ilya and Cyril in childhood 1915, lined paper /liquid ink, a collection of P. Navashin, Moscow
2 - Ego Eganbyuri (Ilya Zdanevich) Natalia Goncharova, Mikhail Larionov 1913, the exhibition catalog, the exhibition catalog "Target" 1913; Goncharova paintings from the private collection
3 - Cyril Zdanevich a woman with a cow 1910-e gg, paper /pencil, a collection of P. Navashin, Moscow
4 - Sigismund (de Souza) Valishevsky Portrait of Cyril Zdanevich the early 1910's, Alexei Kruchenykh Teacher hudogi 1917 Cover and illustrations K. Zdanevich; Cyril Zdanevich Cyril and Valeria (cartoon) 1916
5 - Michael Le Dante Portrait of Cyril Zdanevich 1910-e gg, oil on canvas, collection of B. Dudakova, Moscow
6 - Pablo Picasso, etching, dry needle, for a book Pirosmanichvili 1972, private collection, Moscow
7 - Niko Pirosmanishvili collective monograph, Tiflis, 1926, exhibition catalog, Kiev 1930
8 - Igor Terentyev Portrait of Valeria 1910-e gg, oil on canvas, collection of P. Navashin, Moscow

Tamila, thank you very much for this photo essay.

really thank you must go there again, and then at the opening were too many people, but now, looking at photos, I understand that it is not considered enough ...

Another wonderful exhibition of Marina Loshak, which I see the eyes of Tamils, many thanks to you both, you have the unmistakable taste!

A wonderful exhibition. Tamila, thank you very much.
As a fly in the ointment: and the work of MMSI no phoney? I like the work of Pirosmani MMSI, but once here on the forum I was quite ashamed of experts: they say, fake Pirosmani in MMSI.

I guess what exactly this is no phoney, as long as it took Loshak on display:)

And she's not alone:) Here are a few works: and the actual museum, and those I saw in the museum (it turns out they are from private collections).

Was yesterday at this show, specifically did not go on Opening Day, he knew that he will calmly look. And he was right, Marina said on opening day was more than 2000 people. Imagine 19 works of Georgian genius has come to watch so many people! A wonderful exhibition! Marina spent her year, pulling out items from private collections, says the gallery spent on insurance for all funds that earned for all time of existence. In my opinion, Marina most creative people from all the gallery owners, yes, perhaps, from the museum staff, too.