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-   -   Verevkina in the Tretyakov Gallery (https://forum.artinvestment.ru/showthread.php?t=88972)

Konstantin 09.09.2010 16:58

Verevkina in the Tretyakov Gallery
 
Вложений: 10
Marianne Verevkina (1860-1938) in the Tretyakov Gallery in Krymsky Val.

Visited today's news show.
I liked very much - very much.
I'll start pictures from the Royal in the bushes, picture illustrates the situation. I knew nothing about this artist (to my shame), it's an invitation, asked experts, all in the voice - very good. Well I will go. And broads, on the spot. As of the photos from the piano, not enough that the red piano in the bushes, so also with the red man - double surprise (the piano stood in the side of the table of the press conference)
- Royal
- Mara Foligno - curator of the exhibition with the Swiss side
- Self-portrait 1893
- Solomeya 1930
- The funeral procession at sunset 1908.
- Two elderly ladies in 1907
- Queen 1909
- Women's 1907 board.
- Beer garden in 1907.
- Drafts.

Konstantin 09.09.2010 17:17

Вложений: 10
Get ready, a lot of pictures, all as on selection.
Mara Follin warned that we should expect a strong impression - and she was right. Painting - imbued with energy and inner light. Clearly visible distinct motives Munch, but without the drama and anguish. Colors are clean and tight. Glaze with pleasure passes from scene to scene.
- Fall 1907
- A rural road in 1907
- A woman with a lantern 1910
- Pray 1910
- Spring Sunday 1907
- Dancer Alexander Sakharov, 1909
- Skating rink 1911
- Pain 1917
- Industrial City 1912
- Washerwomen 1911

Konstantin 09.09.2010 17:33

Вложений: 10
Especially write the names because they are interesting. And some unexpected, added depth perception. It is also interesting to watch the development for years.
- Rocks Arenehon 1911
- Vozvraschenie1909
- The tragic atmosphere 1910
- Town in Lithuania 1913
- Storm 1907
 Church of St. Anne in Vilnius 1913
- The police station in Vilna in 1914
- Drafts
- Mine 1926
- Full moon 1910

Konstantin 09.09.2010 17:49

Вложений: 10
I click on the screen what happened - good but not all. Do not transmit light that emanates from the paintings.
- The foolish virgins 1921
- Ragman 1917
- Ave Maria 1927
- Phantom of the night 1919
- City of Sorrow 1930
- Night Shift 1924
- The Living and the Dead 1924
- Whirlwind of Love 1917
- Winner 1929
- Abandoned 1930
Today, while all, tomorrow will be an interesting continuation.

Кирилл Сызранский 09.09.2010 19:43

Цитата:

Сообщение от Konstantin (Сообщение 1266862)
I did not know about this artist (to my shame)

Well, how is it.
:confused:

But what is the theme of Marianne Verevkina (1860-1938):

http://forum.artinvestment.ru/showthread.php?t=60991

Сима 09.09.2010 20:09

Konstantin, we once again see no harm.
:) "But this story really was, there still remember the motive of the road was discussed.
But the shot of a red grand piano otlichnaya.Ona just an excuse for this piano.

Кирилл Сызранский 09.09.2010 20:15

Цитата:

Сообщение от Sima (Сообщение 1267292)

Konstantin, we once again see not interfere.

Of course, Konstantin and live photos.


Added a 31 seconds

Цитата:

Сообщение от Konstantin (Сообщение 1266882)
Mara Follin warned that we should expect a strong impression - and she was right.

And that she had told?

Konstantin 09.09.2010 21:27

Spoke briefly to the biography, the nuances of life in Switzerland, I made notes on the go, tomorrow will lay out.

Konstantin 10.09.2010 10:51

Вложений: 9
Цитата:

spoke briefly to the biography, the nuances of life in Switzerland, I made notes on the go, tomorrow will lay out.
He looked discussion in a neighboring branch, by and large have nothing to add, except perhaps the prices and the prospects of their movements.
I looked in our database - very few sales, but about a dozen from 2005 to 2010, the range is $ 20-60.
Navel help get this picture: in 2000 you could buy for $ 15-20 tons. And now for information from people regularly attending the fair in Maastricht, there is already 300-400T. $. and say that has reached one million.
If so then cool. This is an investment. Who has any opinions?
- The road to eternity 1929
- Loggers 1932
- Crime of 1927
- Duel 1933
- Girl in Russian Costume 2-nd half of 1880.

Кирилл Сызранский 10.09.2010 11:35

Цитата:

Сообщение от Konstantin (Сообщение 1267991)
If it is cool. This is an investment. Who has any opinions?

It seemed to me that the interest of investors to Marianne von Werefkin originally arose as a wife Yavlensky in the wake of rising prices for its work. After he emerged, and the next-interest shirnarmas lovers of fine in general, and as a consequence, more and more interest investorovi already gatherers. :)
I make a conclusion:
Цитата:

Сообщение от Konstantin (Сообщение 1267991)
and say that has reached one million.

Sunk to the wheel and to Kazan to Moscow ... :D

Konstantin 10.09.2010 11:56

Вложений: 2
With regard to fame:
At the press screening came a little journalists, and indeed people. I went for the 15-Tb minutes before the start and was the first He belted two more and I was worried that will remain so.
And people in the room will be less than the podium. But then, thank God, came up, but there was little press.
A little later to tell what was on opening day, I have not stayed, although people came thicker.

chealex 23.10.2010 22:50

Вложений: 4
Цитата:

Сообщение от Cyril Syzransky (Сообщение 1267211)
Well, how true. :confused:
But what is the theme of Marianne Verevkina (1860-1938):
http://forum.artinvestment.ru/showthread.php?t=60991

Constantine thank you very much for the interesting stuff!
I want to add my "two cents worth."
A couple of years ago I wrote an article for a local history collection of two graduates of Mariupol Alexander Gymnasium, which in 1906 went to Munich to win, which is called the "German Athens." It was Alexander P. Mogilev - the future well-known Soviet graphic and Alexander S. Sakharov, became a famous dancer and choreographer, unfortunately, known in Europe and forgotten in his homeland. Last years of his life, Alexander Sakharov spent in Italy, first settled in Rome and then in Siena. Here he was engaged in teaching activities - taught choreography. Great artist died in 1963 in Siena on 78 year of age. His wife, Clotilde Sakharov (von der Planica) died in 1974. A huge archive of family Sakharov was deposited in the library of Harvard University in Cambridge in 1974.
Alexander Mogilevsky survived another 17 years and died in 1980 in Moscow.

However, the topic concerns Verevkin, so bring the relevant excerpts from his article:
Читать дальше... 

"Soon, Alexander Sakharov, became friendly with an artist of Russia Alexei von Jawlensky and his wife, artist Marianne Verevkin, was a frequent and welcome guest in their house on Gizelashtrasse. Here there Dobuzhinsky M., V. Borisov-Musatov, Serov, in whose honor was arranged an unforgettable evening. visited the hospitable house and countryman of our heroes - A. Kuindzhi, who traveled through Europe with my students. "Invited to tea by our Russian Munich", - writes one of them in a letter home.
Jawlensky, after the St. Petersburg Academy of Arts, came to Munich in 1896 and together with Verevkin studied in the studio Aschbe. There he met Wassily Kandinsky. Together they have formulated their specific understanding of the art: the goal of painting is not actually the identity map graphic means, and the harmony of colors and moods. Here he writes about the time Mogilev in his memoirs: "We often gather at the artist A. von Jawlensky. His wife, M. Verevkina - an artist with great joy we all took. There were Narbut, Alexander Sakharov, an artist and I Behteev. Over a cup of tea were passionate discussions about art and about the current exhibitions in the cabin Tangauzera where exhibited paintings by Manet, posthumously - Van Gogh and the works of "New Society of Artists, whose members were we - the painters."
Interesting memories of those events left the above-mentioned Vladimir Behteev. In 1906 he returned to Munich after a journey through France, Italy and Tunisia with the already-defined artistic "credo" and immediately joined the artistic life of the city, becoming a full participant. Among his friends and associates Wassily Kandinsky, Alexander Jawlensky, M. Verevkina, A. Erbsle. The closest of his friends become Sakharov, AV Mogilev, and B. Saltzman.
 "Munich 1902-1914 years - the time of my youth, my hopes, my first entry into the art! How many of my compatriots, I came to Munich to study (school prof. Knirra), but the real school was Wednesday.
I was just thrown off the military uniform, was particularly struck in Munich the atmosphere of easy fun, ease of human relationships and goodwill. Artists of various nationalities flocked to Munich as a center for the arts, where everyone contributed to their development: nature, famous schools and museums, and friendly environment. Artists quickly approached. We were all united by one chuvstvm devotion to art, the desire to penetrate its mysteries, to find new means of expression. With a sense of selfless joy, we met each other's success. Working hard in their studios or schools, in the evening we dedicate to communicate with each other, met in cafes, pubs (pub Katie Kobus), and sometimes in the house Yavlenskogo-Verevkin, where famous artists as Anna Pavlova, Nijinsky, Eleonora Duse was applied visits during the tour. My closest friends were artists Jawlensky, sugars and Salzman.
  In Munich, Jawlensky with Verevkin were already old-timers and have played a significant role in the artistic life of Germany. In 1909 they, along with Kandinsky and G. Munter announced the creation of the New Artists Association of Munich ". In the same year the first Sakharov participates in an exhibition in Munich Artists' Association, and a year later and his friend - Alexander Mogilev. The association consisted of artists from Italy, France, Russia, Germany: W. Behteev, A. Erbsle, A. Jawlensky, M. Verevkina, P. Baum, E. Bossi, P. Zhuri, A. Kanold, M. Kogan, and other . It should be noted that this association was to some extent, compromise, and its composition, even accidental. It is noteworthy that the creativity of Andrei Sakharov and Kandinsky were not limited to participation in "the new association of artists in Munich." Thus, in the years 1912-1914, they, along with composer F. Hartmann working tsvetomuzykalnoy song "Yellow Sound". Thus, they decided to realize his dream of a synthesis of arts ".

And another interesting fact: in Mariupol, on Jan. 15, 1921 in the former confectioner Mars exhibition was opened Mariupol artists. However, the main event for Mariupol was that, along with local artists in the exhibition was attended by such famous masters as Alexei Jawlensky, George Narbut, Nicholas Dubovskoy, Alfred Verush-Kowalski, Marianne Verevkina. This can be read in the newspaper Izvestia Mariupol district committee KP (AB) W. ...», Which published an article by a certain A. Wrange "Exhibition of paintings".
 How did a provincial Mariupol work so well-known masters?
With high probability, we can assume that the paintings brought to Mariupol A. Mogilev, which many artists knew him closely even in Munich. So, Marianne Verevkina, in such famous company being hit at that time, his wife Alexei von Jawlensky (in 1921 they parted ways). With George Narbut Mogilev had a good relationship and, possibly, George gave his drawings Alexander. Family von Jawlensky, who settled in Munich in 1896, was a friend of Alexander Sakharov. Perhaps it is, he persuaded his idol to work at an exhibition in his native Mariupol. Sakharov also provided their work. (Now we can say that this was his farewell to the city where he was born and raised).
 
It was interesting to see at the exhibition portrait Sakharov, written Verevkin. Also it depicted G. Narbut, M. Dobuzhinsky, A. von Jawlensky (see below).

In general, Verevkina pleasantly surprised! Thanks again!

uriart 24.10.2010 09:09

chealex, please tell us a work about which you write, they have remained in the museum Mariupol?

chealex 24.10.2010 16:55

Цитата:

Сообщение от uriart (Сообщение 1341751)
chealex, please tell us a work about which you write, they have remained in the museum Mariupol?

Unfortunately, fate unknown paintings exhibited in a single museum, they just have not got. Here we must take into account what time it was in the yard. Beginning of 1921. Mariupol after the civil war in a state of economic collapse, dozens of bands around the act, in February 1921 a rapid raid on the Mariupol district has made with the remnants of his army of Nestor Makhno. The remarkable fact that enthusiasts have found and made such an interesting show. Where is the picture from this show - only God knows.

I-V 27.10.2010 23:14

Вложений: 1
Letter Grabar - VE Grabar

Naples, September 17, 1895

"... In Rome, I waited a whole month, a letter from a certain Verevkin, daughter of the commandant of St. Petersburg, an aristocrat who does not want to know the world and only lives for the painting. She - extraordinary connoisseur of art, her evenings are fixed Repin, who appreciates her understanding - in the sense it is much above it, a talented artist, exhibited many, but considers himself a great talent, because too much is well understood. This letter consisted of 16 pages. God, what she wrote me, what screams were heard from the rows of the letter . She writes that all of them, that our whole circle, prisosutsya as leeches, to these photos, and nobody otrovet from them. "

(Igor Grabar, "Letters from 1891 - 1917 ..", Publishing House "Nauka", Moscow, 1974)
__________________________________________________ _________________________________________
In the letter we are talking about the photographs (reproductions?) With the masterpieces of world art, which first came abroad Grabar, spent their last savings. As is evident from the letter, this passion took possession of them not one, but many of his friends - the art lovers.


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