Storing Graphics
 

I brought the issue a separate topic.:)

Samvel wrote: graphics, the more such masters as Goncharova, especially at home does not hang, because the patched they can not be displayed, in the light more than 3 months, the remaining 9-they must rest. Then look for graphics rather difficult is that some methods of storage, wetting sheets, etc.

predstavyayu bad as in any museum graph. work for 9 months removed from the halls, do not you?
collectors, enlighten, how to store the schedule at home? that in some ways?

Margaret,
known enemies such graphs (as well as photos, oils, etc.):
1. too high or low humidity;
2. Variations in temperature (especially dangerous crossings at zero);
3. Ultraviolet, especially - direct radiation (eg, on the wall next to the window)

Particularly dangerous (compared with a system of canvas, oil) to store graphics, I did not see it as a standard graphic work is protected by glass (a glass and plastics with a high absorption in the ultraviolet range) and the frame with a backdrop. Including - from dust.
Chistotsellyuloznoy Watercolor on paper, I think, can be stored no less than the canvas, oil. And soon - longer.
Tempera - the same, plus - it does not darken.
Bed and sanguine can be fixed chemically and physically.
I think the danger of storing graphics, compared with oil paintings, exaggerated.

I'm not an expert, but the answer in advance, and then the experts will clarify or correct. In general, the schedule is really stored in museums in special rooms. Its only available at the time of exhibitions.

Paper afraid and dry air, and excessive moisture, watercolor, gouache - direct sunlight colors, pastels, too, in my opinion, can be burnt (but I think that you can protect them by putting under glass).

That's what rich, and so happy:)

Most perfect and safe design of graphics you will
in Lyon Art Service ", Moscow, ul.Polkovaya, 3.Tel. 7 (495) 737 03 97.
The company guarantees the quality of the museum and the level of conservation
design is particularly valuable and ancient rabot.Zdes place orders:
Hermitage, Russian Museum and t.d.Tseny lower than in the Binding of the capital,
the quality of materials and production is faultless.

Margarita, I'm serious, if this chart 50 years already, you can not stand it more than W months, and then the rules must be respected, of course, if you wish to save more years 50-100. http://www.nplu.kiev.ua/ua/events/2007/posibnik/31.htm

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I have somewhere a technique, if I find something I will share with you.

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I found here in more detail. http://jenny-jenn.narod.ru/text_rest/doklad.htm

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On this see paragraph 3

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Wrong expressed \, if graph 50 years \ - do not, at least a year.

I once asked how long the outbreak affects the schedule and that's what was the answer here from Artkonsaltinga: http://forum.artinvestment.ru/showthread.php?t=2405

In general, if the schedule to hide, then what's the joy? I think that the special high-tech glass will reduce the risks to a minimum.

It is necessary at all, ideally, the framework, but those that followed all the rules of storage, and you can close the shutters as the type, different modifications. Humidity apartments is consistent. Entering the apartment, they can be open or closed, or open on the need. It's just that I dream up.

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Incidentally not a bad business.

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Hide not bad, it will give her some kind of mystery, to present it in a box, substantially increases its cost. And in general I think the future for graphics.

Thank you all very much for your replies and for the links!:)

The answer you gave is not correct.

If you give your work at the exhibition, only allowed to take photos at the opening (press, guests, etc.). Then call the condition of the desire to prohibit photographing outbreak.

Because, if this is not, when you'll get your graphics from the frame and mat, seen you obviously can disappoint. Better not count on luck, that everything will be fine, what to do after, if it is not normal? ...

Make a one time scans on professional equipment (such scan cameras) and represents a file, print catalogs or postcards, or make themselves such. Let people buy high-quality image, and the museum will be a penny.

So what happens from the flash? Colors fade?

This itself was a witness. Man in the Pushkin Museum brought the camera too close to the picture and the flash of alarm. Vanity rose, running, male guards could not see, but the grandmother probably all came running. But that face was not given.

That they love to gosmuzeyah. With the greatest enthusiasm.

In my opinion flash like talking on a mobile phone in the museum, and in any other public place, a sign of bad taste, while hitting in the eye for a long time leaves a "black spot" and prevents, or simply annoys others, uninterested in your high quality pictures viewers . Get the picture quality will stand, but to use it in a museum, for example Russkrm in St. Petersburg, is also banned, I think this is due to the fact that tourists are not cheap to buy albums and greeting cards. On the schedule, but rather on the paper of light and the time it turns yellow, and the tone noticeably darker, and as say a watercolor technique is very gentle, its quality is deteriorating over time by such changes. Restoration of the yellowed paper differs from the yellowed varnish painting unknown to me. And in any museum watercolor presented in the window under the curtain.

Atavism decencies
 

Also as previously thought. But life is changing before our eyes, we must respond, be in touch. Previously, for example, in meetings or negotiations phone is disconnected. Are not disabled, because you never know what. So the criteria for bad taste, too, will have to evolve.
Sample. Two weeks ago, was in New York's MoMA. Crowds, noise, uproar, all talking and talking without compromising tone. All pictures (lens diameter of a tree)! Besides the two special exhibitions (Van Gogh and Ludwig Kirchner) can be photographed EVERYTHING. The people filmed against the backdrop of Les Demoiselles d'Avignon. I'm on the background of Bacon:) So what? Who interfered with whom? But no. People have come to enjoy and get it. If they threw themselves educated grandmother, ready to lay down the bones for the sake of good manners, no one would not go there. And so - turn at the entrance of a hundred meters. Luxury organization of museums, respectful, relaxed and comfortable. There is a lot to learn.
A "no talking on his mobile phone" - is as much a throwback as "do not do labels in the books. Why? Moreover, the mobile can talk in a whisper.

I remember five years ago in the heat of summer, a pregnant woman refused to let the Russian Museum in St. Petersburg with a bottle of water. They brought some nonsense about the moisture balance. And they themselves, as it turned out, through the hall windows were open.

Here's a * ki.
We are also in the new Tretyakov Gallery on a weekday came with a child. He was then 5 years old. The people no one but us. A parquet floor like a drum, that child and began to run - as a grandmother fell.