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Three gouaches
Вложений: 3
I ask professionals and amateurs, and Genosse publikum, etc. comment on the artistic and commercial value of these works, as well as plastic and color and the consistency of the author.
Dimensions: 36H48 36H48 45H60 The works were made 10 years ago, more precisely a third in 1999, the first and second - in the 2000th. I would add that the pictures taken on high quality paper and the best in the world gouache paints, ie in the original nice matte velvety surface. |
I like the picture. All competently ...
To say anything more difficult. Not enough information about the artist (if available). Is missing information in general ... What is this? |
Good design. But from the standpoint of painting for me boring.
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There is a paradox in the works-tuned and, simultaneously, ambiguity, which makes them all the same art. I like ... They are due to its geometrical should give the impression of coldness, a computer that, if, while they were alive. |
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But the thesis - to judge art work, you need to have information about the artist, strongly disagree. Let's enjoy the music, not overlooking the fact that its author Salieri (whose guilt, moreover, is not proven). I think everyone has the example of the artist a better person and vice versa. Let's separate these concepts when evaluating works of art. Цитата:
Can you feel boring Mondrian, Aurelia Nemours and Peter Halle? I do not! You have shown yourself here fast trainee. Look closely, guashki not boring, and very even Major-gay, it is suitable for decoration of your homes. |
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To decorate my house will not fit - the format is too small. But for the registration of flats - why not? I wrote - a good [interior] design. However, show me, please, these gouaches in the original. Then, perhaps, I'll apologize and eat them before the public. |
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In general, it is ready to fulfill orders. For example, could in the same vein, do a portrait of your plant, factory or farm. Incidentally, these gouaches have names. The biggest is called "The pavilion in the woods", two others - "Pavilion in the Park" and "Pavilion on the water." And about the design, I note that he lived in Paris, a remarkable Russian artist Harry Fife, it is no less remarkable writer Michael Herman called his work a monumental design. What I mean is that the Russian vocabulary has not kept pace hereby contemporary art. |
If such pictures were painted 100 years ago, one could say that when it was new, original. Now these songs are doing on the first course in the first half as the familiarization with the principles of formal composition. Why is now drawing is not clear. Is that if someone you need to fill a blank wall work in a certain style.
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He writes that the author is ready to perform, but I'm not ready to place an order. I just phrases: "Ready to buy - do not scatter. Yes, and I have no plant or factory to portray. If you judge a commercial component, then somewhere around 2-3 thousand rubles. Can be more expensive if sold in an expensive frame and an expensive gallery. But where to find a buyer with a lot of money, and a small apartment? Added after 1 minute Цитата:
Good night! |
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Вложение 781321 |
Volodya
I'm sure that will not work and 10 years old and you, as a capable and quick learner person to change their opinion. We have before us a real painter, t.e.hudozhnik, able (feeling) how to put one color next to another in order to produce harmony. In terms of painting - this is an order of magnitude higher than Malevich and many, many, many others. I think you have already mastered a concept - sense of color without which, in my opinion, there can be a painter. Do not think that I am pursuing "their" artist. Not at all. This is exactly the case when an artist is much better person. Example with factories, houses, steamboats brought only as a fact that such orders are received this artist. That is, it is relatively high demand in the medium of the sensory and appreciating art. |
Another "genius" painter
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Let! I'm really against it? But you asked about anything other than "music"? O. .. Цитата:
So I'm not trying to judge these gouache paintings based on information about the artist, and tried to answer that part of your post where you ask about the "commercial value" of these works. This may well be more than once happened that good artists are not worth anything, but insignificant cost more money. This is a market. In addition, and was my question. While at the same time, I believe that works of art need to buy if the fullest possible information about the artist. Of course, if we are not talking about cents. |
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