Define, please, the price
 

Ile de Philae (A.Vol.1 P 16l)
Engraving on copper. The sheet 71,5 h54, 5cm, the board 61h44sm
In good condition. Clone publisher Relief stamping (blindstamp) in the upper right corner. List of the section of the monumental edition of "Description of Egypt," documentary research "scientists" who accompanied the ambitious expedition of Napoleon Bonaparte in Egypt (1798-1801). Authors engraving Allais and Bigant. Full name, translated into English reads: "Description of Egypt, or the collection of observations and studies done in Egypt during the expedition of the French army." European demand for information about Egypt and its glorious monuments led to the publication of two editions of this work, with prints of one plate of the press; this sheet from the second edition.
Paris. Panckoucke. Ca 1820.
Your opinion?
How much can this cost engraving?: Shy:

I do not know, as in Russia, and France is not very expensive: 10 - 50 Euro. See:

http://cgi.ebay.fr/ILE-ROUDAH-Puits-...d=p3286.c0.m14

http://cgi.ebay.fr/ANTIQUES-Figures-...d=p3286.c0.m14

http://cgi.ebay.fr/Gravure-19eme-ANT...d=p3286.c0.m14

In old engravings dearly valued only first names (Rembrandt, Durer, Marcantonio Raimondi, Aldgrever, Luke Leiden, Callot, Piranesi, Canaletto, some Dutch XVII century: Waterloo, Everdingen, Romain de Hooge, etc.) and /or very rare engravings, for example, overtly erotic content (the church of "not welcomed" and destroyed as soon as possible). Quite expensive to run prints in color, filled with up to 1800 from the XIX century - Corot, Dobbin, Whistler, Delacroix, Yongkind, Constable, the Impressionists. At work, performed in the XX century, the prices here and there "inflated" artificially, but also are valued mainly first names. Engravings, executed for the books, are valued lower than independent works.

Amateur Thank you:). However, there is, in this case, the apparent contradiction.
http://www.oldimprints.com/OldImprin...mp;gallery=All
How can a print copy ($ 200-650) cost more than the original-source as: eek:???

It is difficult to judge. On the one hand, the price because you can assign any, even a million, another question - will buy it for this price? On the other hand, maybe this particular list something separated from the others for the better ... There is need narrow specialist in French engraving beginning of XIX century. In the end, it still shows the architectural landscape, and not just srisovka with Egyptian bas-relief. Look at the French eBay'e all the engravings of the XIX century and older, then you are more or less will be able to orient at current prices. There was and engravings similar to those available at the above your site.

This engraving, only a piece of knigi.Dumayu little interest to anybody, even for a penny.

Aleks-art, and if I have their 6.8-sheet? I know now, prints of such sheets in a mat and frame, modnyavo hang in the interiors of private vip-rooms and offices:) Actually this list is not from the book, but from the atlas. They nebyli sewn in a notebook ....

[color="# 666686"]Added after 16 minutes[/color]
Amateur, at e Baie original engravings cheaper than printing copies. So, perhaps, is not to sell, and buy podesyatke there for a piece, and open Cantor Printing prints, with registration in the scope and sales. Ie costly part - large-format printer, and you can open a business: D: D: D
Sadly ...

And where you want to sell prints? In France - will not go there, you see, and the original bulk. And in Russia ...: rolleyes: First, not a bad thing to spend marketing research, and then you can fold up. It is written in IE Wessely, to adequately understand the engraving, we must also "rise to the height of aesthetic pleasure."

You first try to sell the originals, and only then about the mass production and sale of printers you can talk.
Suffice specific product for our market.

If you are ever interested in magazines on interior design of modern Russia, Ukraine, etc., you might notice that some of the interior walls of offices, residential halls, classrooms, decorated with prints from engravings geograf.kart, tables, old photograph., arh.atlasov sheets, wall collections of coins, etc. Ie graph. images are not intrusive in the sense of - "for the patches. Certainly preferable to the originals, but it can not afford more affluent customers. And then it turns out that cheaper reproductions of the originals: D

And my journal with photos of interiors is not a decree, there is not as you see ...
I am in the market oriented and know that the prints themselves-heavy goods, and only prints with them is very white visionaries.
But I hope you are lucky and you put together to sell their condition or, at worst, kapitalets a no.
I have no doubt that the knowledge gleaned from the journals "design in interior design in Russia, Ukraine, you have enough for this ...
: D: D: D

Kirill, I do not get knowledge of these magazines, I watch them for market situation of design. The knowledge I drew in spets.hud. institutions and universities 15 years, that would get appropriate thin. education. And also in the seven-year experience in interior design. As the schedule of education, I know that sell sovrem. schedule is difficult, especially perhaps in the CIS. But I did not know that this is the case with the old well: (.
You should not try to hurt me. I think when the task to implement lean. value at atrdilera and designer just different approaches. Artdiler fight for the authenticity of the product, name and school. Designer for aesthetic product line in the medium. Ie customer can not afford $ 20,000 for the painting, you can be satisfied with a copy for $ 2000. At worst reproduction for $ 200. (Often practice: (). It turns out that in the near project successfully to offer customers the reproduction of the Kiev rates than part with prints of the French auction.
Do you think just to realize that art is so ceded technologies?
Forum is attractive to me because, here a pro-analysts dig the truth in matters of art, but the pricing realities in this case, I will not hide disappointed.

Then, too, and you do not try to hurt me, advising to look at pictures in magazines on interior design.
And the best just look at the hammer and look there for suggestions on antique and modern prints. There are now more than 2 thousand lots from 700 rubles for engraving the 19 th century. to shemyakinskih color for 50 thousand rubles.
As they say, the taste of any client's interior designer.

Thank you, Kirill for the hammer. Indeed - "As they say, the taste of any client's interior designer." Engravers turning over in their graves: (The hammer is so omnivorous, they expose even the student's drawings and performances. Often mediocre:). (At home, I have a sofa piled high, my student, much more interesting sketches:)).
But seriously, (God be with them, with the atlas) is something I have not come across it names lights Russia engravings. (Wortman, Chemesov, NI Utkin, Afanasyev, Zakharov, Pozhalostin and so etc.). I do not have all the information, but can be a bit not the level of the auction?: Shy:
Could you, if possible, to provide price guidance on the above authors ???:)

No, I could not.
It has long abandoned interest in the engravings. I wonder what I now can sell and sell.
Collector Russian engravers on his horizon can not see the possibility of "broth" is not visible. : D

I looked more closely at the link shown you: http://www.oldimprints.com/OldImprin...mp;gallery=All

Why did you decide that it there is a copy? The English word "print" in the modern language is also often means and engraving. They sold the most is that neither the original, besides the very large size of the engraving for the imprint: 41 x 61 cm By the way, some engravings illustrating Napoleon's expedition to Egypt, and can cost dearly. Namely, those which are depicted monuments of ancient Egypt that existed during the expedition, but later destroyed on the orders of local government representatives of the Ottoman Empire, to put it simply - which was started by them on construction material. To see these monuments is now possible only in these engravings, and nowhere else. This is stated in the book of K. Kerama "The gods, tombs, scientists. True, the book Kerama I have now on hand there, and I'm not sure that it relates specifically to the monuments on the island of fillets, but Kerama these monuments are shown.