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Ivan Vladimirov, "The Cossacks", oil on plywood.
Russian Empire, nach.HH century.
Вложений: 5
Ivan Vladimirov, "The Cossacks" , oil on plywood . Russian Empire , nach.HH century.
Dimensions: 32.5 x 50 cm Negotiable . All items in the mail : arz-wien@rambler.ru Ivan Vladimirov (1869, Vilnius - 1947 , Leningrad) . Honored Artist of the RSFSR . He studied at the drawing school in Vilna I.P.Trutneva (1888), the Academy of Arts ( 1891-1897 ) at BP Villevalde , AD Kivshenko , FA Roubaud . Distinctions received medals in 1891 and 1893 . In 1897 he received the title of class artist of the first degree . In 1897 he worked in Paris in the studio of E. Chrono . As an artist - correspondent was on the Balkan fronts , and I- Japanese World War II. Member artistic associations tonnes (1913-1918) , TPHV (1916-1918) , AHRR - AChRs (1923-1929) , the Society of them . AI Kuindzhi . Painter, draftsman , watercolorist . Copyright military sketches , battle and historical and revolutionary paintings, landscapes. Lived and worked in Vilnius and St. Petersburg - Leningrad. Visited the Crimea and the Caucasus . Exhibitions since 1893 works are in the State Tretyakov Gallery , the Museum of Contemporary Russian History , the Museum of the Revolution in St. Petersburg . |
Цитата:
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Ivan Vladimirov, "The Cossacks", oil on plywood.
Russian Empire, nach.HH century.
Item sold.
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Ivan Vladimirov
Too bad they sold.
This, in my opinion, poor copy of the picture. Signature dry pigment layer and does not resemble the original. The present work look artsbureau.ru Department of Painting |
Ivan Vladimirov, "The Cossacks", oil on plywood.
Russian Empire, nach.HH century.
This is not news - the dry layer on plywood boards and the signature is found in 50%of cases ...
And the fact that this vesh yavlalas remark with the big picture, I've always been clear. Only the author's remark ... |
Ivan Vladimirov
Not sure about the author !
Look again and your original work . In the first study even handed nature of the characters . What can be seen is the Cossacks , who are the only son , and who is not one of the family. Your job is "flat" , and the original given perspective. look remind: artsbureau.ru Painting department . |
Цитата:
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Neither of which the wretched in this work do not.
And the gallery space in the work of no more than provided . About the signature on the "dry " and in kindergarten do not remember . Example - almost all Byalynitsky-Birulya dry . Almost all the work signed when asked buyers - and took out a stack of signed . It was not such a one , for this reason, each I think the work met in fair condition , but the signature is partially crumbled . Dust did not wipe - it's simple. I dare say that all big things signed dry . Inside the paint with the addition of varnish laid thinly , dries in a few hours , sketching , in the sun for an hour , as if written in the morning or in the evening , the next day ... If this is a copy , it is quite decent, even coloring quite " Vladimirovskaya " , and what etude - such things as it now found more than a prescription . quality of the work can not deny authorship of Vladimir . He was an ordinary artist and is known for a job if I'm not mistaken , " Down with the eagle ." Anyway, the photo, the absolute guarantee of experienced expert he will not, because it does not confirm the script - the same error . The present work , a little less than the gallery and see some changes in the composition , which is quite harmonious, it could do or the author or artist is very decent . |
???
Вложений: 2
Look at the top (center), the horse's head, and one on the other picture.
Comments not necessary, moreover, that there are differences. <! - ~ 1 ~ -> Maybe - two works by one author? |
Ivan Vladimirov
I met a couple of three times Vladimirov early Vladimirov . Prior to the 1920s . All works are written were very lively . Though , as I thought , you Tata, think him weak artist , but in the early early works there , not many experts familiar trait temperament !
Look for it in the copy number of the work ) ) If , yes we admit that the work is late, then why are the same size and base ? ? Strange ! Although Peter I no longer surprises ! |
Yes, like a rabbit 's head at two jobs . No one is arguing that a gallery is much better , but only met sketches Vladimirov and trenchant these horses , for the purity of the experiment should not have to put fried image . <! - ~ 1 ~ -> Flat horse chump ... Of course this argument ,
I admit have not seen , and the rest is not so bad , but the signature is dry and lack of space is not an argument . <! - ~ 1 ~ -> There is also the head of a Cossack krupnovato not very well proportioned . Added after 15 minutes Цитата:
a gallery is on the tree , and that plywood is not it? So I am still and attentive. <! - ~ 1 ~ -> Do not ascribe to me that I did not say , and then the conversation can take unpleasant character for both of us . about temperament expression and let someone else tell whether any . Here you are, and I'm not looking for it I'm sorry , but try to operate exclusively facts. " Weak Artist" - did I say? ? ? About temperament too? ? ? I can clarify - uneven, too met a couple of times or what , and it is absolutely true . If you want too tend to favor copy , then the signature of course . A temperament leave physiologists and Malyavin with Korovin . |
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And I was surprised by hasty "experts" lettered introductions! |
Цитата:
Yesterday saw the work of Aristarchus Lentulova . So what? Such muck . And that fake? No real . You know how I love him , and it's such crap . I wish I had not seen him . <! - ~ 1 ~ -> |
Ivan Vladimirov
Tata , I agree, subject could be allowed to float freely ) ) still buy it !
And I do not pretend to be an "expert" and if someone wants to hook me , believe me , I can scatter examinations PM on Petrov-Vodkin and their ilk . And how many classics offered ) ) just do not cut down with an ax ) ) And I do not read prefaces . If you do not like my opinion , you can not comment . We are free people in a free country ! And we have the right to speak ! |
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believes . So that 's all very good. <! - ~ 1 ~ -> |
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