Algerian beneficent
 

Dear experts!

Please take a look, maybe you know this artist?


The picture hangs in my many years.
Funny, huh?


Algerian beneficent seem the one that was hiding with his sword in his teeth ...


26h33, paper

On the back of illegible signature and date.


Thank you!

Peace, the signature on the back:

"Local to know to play", but the signature?

Do Tchelitchew?

Tchelitchew do not know about, but something smart!
Want to sell - please.

Peace, on the left side of the figure, there is another poster with the text.
What does it say?

Give one piece with the text.

First impression:

Contemporary styling .
Very interesting , dear.
1. why gentlemen in the theater in the headgear ( where? )
2. Font on the poster is not typical of 1916
(And nine strange )
The influence of so-called Slavic fonts ( when he came into use ? in memory do not know, but it seems like later - not sure)
To my dear , this is a joke.

ROBBER Mediterranean or the Beneficent Algerian great pantomime ballet and 3 acts , with the battles, marches and a magnificent spectacle. The author of this creation , Adam P. Glushkovskaya (1793 - ca. 1870), Russian ballet dancer and choreographer of the Imperial Moscow theaters , was brought up in the St. Petersburg Theatre School . The performance raised since 1820
Judging by the costumes of lords, the event does not occur in 1916, but much earlier.
And why then does not show what is shown on the right.

And what makes it romantic couple at the fungus-fly agaric on the top left?
:)>

Since representation is happening in the open air, in the summer theater - gentlemen sitting in a hat.

A much-arbor fly agaric by the artist will simply "hit the shot."
:)>

Dobroutr .

 Thank you for your opinions .
The idea that this is pastiche , was for me neozhidennoy .
Just a temporary authenticity always seemed to me unconditional ( really wrong? ).

Dear Raskatov , thanks for the info !

Without any intention, just the way I am a photographer, now dopyu coffee and photograph better.

You believe the date written on the back? This is how much?

Here's the answer to your guess and announced publicly: this thing 10 years "of age" of power - 20.

In my opinion, this is an illustration about the Soviet 1970s, as judged by Comrade.
Syzran.


there on the poster: a strong one.
And before the revolution would have written "silnago."

In his famous book of Prince Golitsyn, AL "From the past, materials for the history of the fortress landed in theaters Orel" [1][Eagle, 1901], we find the following poster relating to the first half of the nineteenth century:

1828
EVENTS
this 1828
May 11
In Suryanine Bolkhov county
this day
Especially for lunch afterward skaz serfs Warrant Officer Alexei Denisovich, together with the fortress of Peter's brother Maher evo Denisovich, with the participation of the spiritual choir Denisovna Yurasovskih Alexandra Theatre in house
Suryaninskom
presented will be:
"Bandits Mediterranean Sea"
or
"Beneficent Algerian"
great pantomime ballet and 3 acts, Op. G. Glushkovsky, with battles, marches and a magnificent spectacle. And this is the role piesa, full of excellent amenities and full of fun why St. Petersburg and Moscow theaters often play's always favorably by the public was being taken. Especially good scenery: the outer part of the castle, bay, and fire fighting. Music by Scholz, in any Vassiliev, a former serf of Count Kamensky's play is the violin solo op. Scholz, dance will (manage jumps, called entrechat) in ballet: Antonov Vaska Hromina Vasyutka Zgorina Donka and three (pas de trois); Cartan Aniska - solo; Antonov Vaska, Rodin Shary, Zorin and Zakharko Demin Vanka four (pas de quatre) Zorin Zakharko, Petrov Sidorka, the temple of Kortushka three (pas de trois); Hromina Vasyutka and Zgorina Donka alone (pas de deux). "

Italicized words refer to the second poster. It is possible that this is an illustration for a book on the history of the Castle Theatre.

Believe the irony of the artist over the tone of the provincial aristocracy.
 Maybe , she thought , the old illustration of the book.
In the 70's stereotype of the wealthy before the revolution was somewhat different , all sorts of funny issues in the suit ( belly button came off ), that is much coarser than humiliated .

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More attention to detail.

The closer to us, the less the artist himself tiring of secondary importance.

More attention to detail.

The closer to us, the less the artist himself tiring of secondary importance.

Well, the artists are different.
:)>