Photo: Andy Warhol on Gogol, 10
 

State Museum of Contemporary Art presents exhibition of Warhol's screen tests. This is a 16-millimeter films, reproduced in video format, black and white, silent, varying lengths from 4 to 60 minutes.
Original film clips - the gift of the Foundation of Art, Andy Warhol, the department recovered film and media art MoMA, New York.
© Andy Warhol Museum, Pittsburgh.

Since this video, I tried to remove a few frames of each film, to show the movement of the actors before the camera.
1.2 Exposure
3-4. Eddie Sedgwick, 1965
5-8. Beverly Grant, 1964
9-10. Kiss, 1963

Ilona, as well as a living? It is interesting to be in this space?

11-20 Doniale Moon, 1964

(continued later)

You know, I can not say that it's interesting. This is my personal perception. I was even boring. I think that is worth seeing once just to know about this aspect of Warhol's creativity. Space is usually not working, does not affect perception. Or screens should be more, or the light is more muted .. I do not know, nothing special feeling. But people who were in the halls, youth, long standing, watching, commented, joked, laughed and exchanged some ideas, perhaps ...
Not mine.

Probably 60 minutes before the end of difficult to inspect. After watching his films "The Dream" and "flesh" relationship is certain - the more I watch this I will not: cool:

I'm not looking ... and nothing ...

21-26. Kyoko Kishida, 1964
27. Son, 1963. The duration of the original 5 o'clock 21 minutes.
28-30. Salvador Dali, 1966.

31-37. Susan Sontag, 1964
38. John Palmer, 1964
39. Ann Buchanan, 1964
40. Sally Dennison, 1964

41-46. Food, 1964. With the participation of Robert Indiana.
47-50. Dennis Hopper, 1964.

51-54. Jim Rosenquist, 1964
55-60. Jane Holzer (Toothbrush), 1964

http://artinvestment.ru/news/exhibit...16_warhol.html

"In 1964-1966 by Warhol experimented with the screen tests, which resulted in a set series of" Audition "from five hundred black and white silent movies.
Initially, these films were recorded with a frequency of the sound film - 24 frames per second. Subsequently, Warhol wished that the screen tests were shown at 16 frames per second - as it was at an early stage of filmmaking. The result - an unusually smooth pace, gentle rhythm in contrast to the sharp lighting. "