Questions about the theatrical sketches
 

There are theatrical sketches, but there are questions on them, and I shall be grateful if someone versed in the subject, will tell anything.

1,2,3,4. Artist Axelrod, January 1947, but which is: Meer, Arius, Moses?
Hitch before the signature is similar to the "A", but to find and see the work of Aria Axelrod (Axelrod and Moses) in general has not yet happened. I do not know whether they worked with theatrical productions.
Meyer worked as a time for this time, to 1947, then he had a creative tour of the country. On schedule, on the hand, in my opinion, some of Meyer, what I could find, it seems. For example, his picture from the gallery of "Ark" (4). Signature not like, but they can vary depending on time and on the job.
His theatrical sketch on http://artinvestment.ru/auctions/197...work_id=635980, certainly not like this, but it is not sold. She read that the majority of his sketches of scenery and costumes are stored in the Theater Museum Bakhrushina.
By year of life like all three of them coincide with the date on the sketch.
Maybe someone will recognize the signature for?

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5. N /x, year 1960, an inscription in pencil: 2 pers., The city guard.
Here, of course, very difficult case, but who knows ... a good sketch.

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6,7,8,9,10. The sketches, which I really like. This Boris Volkov, a student Lentulova and Tatlin, and three times winner of State Prize.
  "Sevastopol", 1945, paper /oil, 24h16, see

Volkov Boris Ivanovich, 1900, Moscow - 1970, ibid, Soviet theater artist, folk artist of the USSR (1965). He studied at the Stroganov Art School (1913-18) in FF Fedorovsky, in the workshops of the People's House (1913-16) in D. Polenova and in the Higher Art (1918-23) in A. Lentulov, EG Larionov, DP Shterenberg etc. Member of the GRL. In 1924-40 the main artist of the theater. MGSPS (now them. Mossovet) in 1941-49 - Musical Theater. Stanislavsky and Nemirovich-Danchenko, from 1951 - of the Maly Theater. In early works the influence of constructivism ( "Storm" Bill-Belotserkovsky, 1925, Theater. MGSPS). In subsequent years, turned to a combination of volume and picturesque scenery, has an important role of the lyrical landscape. Among the works: "Family of Taras" Kabalevsky (1951, USSR State Prize, 1952) - in the Musical Theater. Stanislavsky and Nemirovich-Danchenko, "Green Street" Surova (1948, USSR State Prize, 1949), "second love" Maltsev and Venkstern (1950, USSR State Prize, 1951) - in the Moscow Art Theater, "Smart Stuff "Marshak (1965) - of the Maly Theater. He was awarded the Order of Labor Red Banner and medals.

But there is no auction sales of his works, which may be the approximate value of these sketches, though, and sell them'm not going.))

Gala, costume sketch for photo number 5-interesting.
Similarly, the 60th?

Similarly, the 60th
Here is his turn.
Cyril and any doubts about a year?

Gala, just for style, or maybe it is due to demand throughout the scenery?
I'm on the right hand character look-now seems dovonnnaya staging, but can I just waited for a lot of 60-year? This formulation of the classical works and classic set design.
But what is there for a list of foreigners, blacks on the back?

Here, certainly not to say that for a national set of ...
On the miniature kind ever read?

Gala, I was thinking, a list of characters or extras, but there is a salad-and negros, and the Mexicans, and the Czech woman ...
And yet, "India, Scotland., Vietnam, France ..."
Cuban struck, but there is a funny "black stripes."!

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Gala, or anything myself, even costumes!
Mine, incidentally, the theme. I mean, I was the first professional director, but the theater did not love it, but that is all that is connected with theatrical set design, very.

Yes, that's it, and the Negro of Czech were questionable, but "slipped" and the Cubans have not passed)), crossed a guy, a strange list.
Scan Now I can not, and the photo too ... I can not )))).., white balance in the evening I can not build ..

Gala, and you kind of have the attitude to the theater?

That's fine, I'm glad.
Then now for a couple of days to show images (time to remove within 48 hours!) Luxury in my view thumbnails (Level Christi with Sotheby's))

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- too much. Yes, and worked at one time, briefly, hudozhnichala on stage.

And why a couple of days?
Colleagues. I'm up to the army, he worked in local drama, art director, props.

Cool.
And a couple of days, because those are not entirely mine, and I'm sure that will sell quickly (good and half the price), worthlessness them here to hang indefinitely. So, all the same because that has already been discussed many times and ...

Gala, yes, yes, they'll sell, I have missed it, head took attribution.

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"Good."-But simply a class that I have already written there.

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Gala, I mean the 60th, the repeated, very much a sketch in the tradition of World of Art is made.

-there is such a thing, why, and bought it, despite what Mr. farming.
Notes-pocherkushki may be, of course, and random. Written on oborote1960 city - there is no reason not to trust, but there is reason to doubt)), why, and fielded.
You up to the army, and Mikhail Roginsky immediately after the army. (Nanochka-hello, can I tell you a little bit?).
  First job after school and the army - Severodvinsk (then Molotov) Drama Theater, 1954-1956, and for the first two years he made 11 (!) Performances of working people! (and, in one of them Roginskii played a small role cameraman) - the first performance, which he designed the - "This man," marked by order of November 6, 1954, which highlighted:
  "Noting the work on the design of the performance of the young artist, Comrade. Roginsky MA positive, I wish him success in the difficult but noble career of service high, truthful art of socialist realism." In both.

Many thanks arkady, sent me this link!
Recognize my Axelrod. It turns out that this is - it is! -Who would have thought? ))
Search the Web, lists, rankings, gave only male names.

Artist E. Axelrod. 1947.
(these pictures from the gallery)

But these sketches to a setting, where she manages an 47-m? Do not prompted?