Bid graphics Natalia Goncharovoy
 

acquainted with the gallery, which has a lot of work Natalia Goncharova.
authenticity confirmed by them in the directory Antony Parton (Issue 2007), this is enough?
How, in your opinion, vygodna purchase its graphics from the investment point of view?
and what its work is more valuable: portraits, sketches of theatrical costumes, landscapes, still lifes or abstract?
Can you provide guidance to us in this?
what are the requirements when purchasing schedules are presented k quality paper?
thank in advance:)

Margaret, unfortunately, "many" wrong "Goncharova's work with a positive examination of Dr. Parton, be very careful. From an investment point of view, you can buy all the portraits are sold worse than others, more careful with abstractions - here the percentage of fakes is higher than in other categories. Requirements for the paper, only one - that it was released earlier in 1962:)

qwerty, fully agree with you, so there is an article on the vanguard (forgery), says one of the best collectors graphics .. http://www.liveinternet.ru/users/artss/post68663248
Buy Goncharov possible only if the origin of the graphics are absolutely confirmed ..

Margaret, There is the golden rule of art dealers - not make a purchase in case of doubt. Much better to overpay for the real thing than the "advantageous" to buy a fake.

Margaret, by the way, was struck by the thought that this just does not happen that in one gallery was a lot works Goncharova. Good Friday the small works of graphic art, I can understand, but if more, but more and butter - then most likely do it themselves.

Yes, of course, Eugene, you are right, but there is no 100%guarantee, if you do not buy from the author

qwerty:),

First, no oil, only the schedule
In addition, the gallery owner said that he knew personally Goncharova and bought a large number of her graphic works.
that he had told her husband to Art Basel, and part of gallery owners there said, at least, that the gallery was selected, so?))

but how else can I check the authenticity?
What guarantees can give a gallery selling work as the original?

Margaret, it may be indelicate question, but what is the gallery and where it is?

If you do not want to loudly proclaim on the site, can be answered in a personal message (there is a sense, perhaps, to send him and qwerty).
Another question: how dated this schedule?


qwerty: I apologize for what I give Margarita advice without asking prior consent from you, but be sure that you will be valuable for her views.

Margaret, you realize that no matter how much work this figure is not bought, for almost half a century, everything has to be a long time to disperse. Still the best selling artist. Strangely all this ... With regard to selection, then there is everyone: both the Basel and Maastricht, both in Paris and Miami in the stands is very famous Galerius come across questionable things, especially related to Russian art - well, they do not have their experts!

for example, costumes-30-40 years
several works 1906-08 season ...
and what it might say?))

qwerty, there are a great collector, expert Nikita Lobanov-Rostovsky, he assembled the best collection of drawings by Natalia Goncharovoy.U his excellent comparative database, archives by Goncharova, etc.

and how, Prince Lobanov-Rostovsky collector may be useful to me?

Well, let's hope that more sensible and will answer qwerty, but first:

First of all, it seems that the graphics market in Russia still enjoys much less successful than the painting, with one slightly odd exception - collectors simply chasing books as manuscripts (eg Exeter) and short-run 1910-20-ies.

The most valuable schedule, and not just graphics, Goncharova - Russia is its period, well, or say, 20-ies. The work of these are relatively well known (among other things, 3 ago, at the opening of the gallery Tatintsian Marina Loshak arranged an excellent exhibition of graphics. I do not know whether the published directory, but if there was, it otlichnymy tool for investors), but there are a lot of fakes.
Much less likely that someone would forge a theatrical sketches 30-40-ies., However, and make them harder, or at least, it would take much longer.

On the other hand, I asked you, where there is a gallery, because in my opinion, buy Goncharova in France is safer than in Germany, where rampant forger (or poddelschiki? Do not know what they are called) - in particular, there are two such brother - Russian Germans, they hold a gallery in which nothing can buy.

I must say that in France until relatively recently, the graphic work Goncharova appeared regularly at auctions in Drouot - it is possible that your gallery owner bought them there.

qwerty, now your turn!

-------------------------------------------------- ------------
Margaret, you are consulting on the graph N. Goncharavoy (and in particular affect the period 1910-1930gg) .. I have written to you my opinion of who is the best expert on the subject, that's all (this is my personal opinion).

Your history with Lobanov-Rostovsky reminded me of an anecdote about Count Potocki :):):)

Do not get me wrong, I just think that Margaret would be difficult to catch the prince for examination!

Dear LCR, thank you for your trust, but we Marguerite entered into private correspondence, so on this topic on the forum I do not dwell. Generally, you write everything correctly, I'm with you all agree except for two things. First - this is the price of the schedule. Recently, in my opinion, the rise in prices for the schedule, perhaps even ahead of price increases on the painting. Just look at the findings of a recent Sotheby's: Petritsky - 42000 pounds, Bilibin - 80000 and 78000 pounds, Erte - £ 10000 (two years ago at 500 pounds was in bulk) I am not talking about the pastel Serebryakova for 1 000 000 pounds!

And the second - in French no less art galleries, selling falshakami, however. probably. The view here is directly linked to personal experience.:)