Seriy, if possible, you need to look into the gallery more than once in half a year. It sometimes happens that povisevshuyu a month - other work can be moved to the pantry and the rotation to hang work of other artists, but you and know you will not.

Posav, the gallery is often the most important, in the back :-) It does not matter where the result is important.

In the gallery of the most important-choice. The more pictures the better the chance that the buyer will not leave empty-handed.

Gray and you do not want to attend seminars Artinvestment? I would in your place would certainly have descended, you also in Moscow, a sin not to take the opportunity.

And in your opinion, the price of the work of young artists should be in any price range that its work was independent and was not "removed in the back?"

Veronic, went into one (with a year ago), although the boss was busy. also gave practical advice ... It was a good, serious Gallery. said disc sent. look ..
It's not in it, and me ... I do not have yet seamless clips for a decent presentation. I myself understand it very well. And each day to spray more and volshe .. so that while a variety of different exhibitions .. Maybe one enormous personalku next year with all his compote .. Take a wait and think about it ..
So far, no pereprobuyu-not concentrate ...

I do not know is whether my experience in Moscow. We have all the artists are quickly known to all gallery owners. Through the exhibition, simply on the wall of a colleague. Because we have new and there is not enough because we are all straight. Therefore, the exhibition, saying they will first be paid - are needed. Well if they take a fee (do not take all).
At one time I even went to college diplomas in the process to watch. To catch something good is almost unreal - the best students - leaving the Academy of Arts, and from there returned to the unit and not the best. Some already established and carry out. Prices in St. Petersburg is higher than ours, but not as much as in Moscow. Therefore, the volume of travel by here.

Galleries at us too little - all united enough to pull apart :D (all but one do not need to tell you why below). Of course not all galleries take, the level may not be appropriate or direction, although we do no specialized galleries. And not all the galleries designed by the artist level. Where is the best for sale - they learn from the experience and vyvedyvaya each other.
If an artist for the new gallery - one painting held pointless in my opinion. Lose it and never presents the artist.
Course rotation to do periodically.

The timing for the new ... We have six months would be surpluses. For three or four months, all permanent galleries clients already there clearly would have been to.

Peter, I think you also need to get to seminars Artinvestment. Because a lot of questions and one clinging to second.
And the price I would ask such, for which you are now actually sold some of his works. If the demand can be slightly raised.

Peter, because all depends on the time, place and work ...

Veronic, my own personal situation is such that a certain amount of work I have already sold, with different people. T e for me the question-and buy it? not worth it, the question is, how to get to a more serious nekopeechny level.
Because it may be, than to spend time running around a dozen galleries and wait for the penny sales, time is better spent on self-learning, museums and participation in exhibitions.

Gray, then surely only the seminar. There you will have all the answers to the questions. Possible for a few hours to learn the information for which would have to hunt + years of useful contacts.