KK Medunetsky
 

Maybe someone knows if there is in private hands of the Casimir (Constantine) Medunetskogo, I found work in the market? Known to me work is published in the book: The Museum in the museum. Russian Avant-Garde from the Collection of the Museum of Artistic Culture in the Collection of the State Russian Museum. SPb., 1998. S. 178.

Not that I would like to buy now, rather know the situation, ask the price, if possible.

Here's the article about Ivan Larionov:
Gleb Pospelov. Seaman Ivan Larionov //Our Heritage. 2002. № 62
http://www.nasledie-rus.ru/podshivka/6207.php

Qwerty, C. Bobrov You are not singled out, it means something to know. Share, please, I am very interested in this surname.

B. Markoff

Vladimir Markov (Voldemars Matvejs) 1877-1914
In 2002 there was an exhibition at the Museum of Private Collections in the IIC - "In Search of Art budeschego. Voldemars Matvejs, and the Union of Youth"

And one more exhibition was in RM in 2004

is one of many faces
 

While writing, Fross already answered ... but, hopefully, will not be superfluous.

Vladimir Ivanovich Markov - a pen name Woldemar Matthew (Voldemars (c) Hans Matthias (c) - a Latvian-style) (1877 - 1914) artist, art theorist, one of the active members of the Society of Artists' Union of Youth. Latvian by birth, a native of Riga, on arrival in St. Petersburg in the Russian manner, he was recommended by Vladimir Ivanovich Matveev, and appeared in print under the pseudonym V. Markov.

Matthew received his primary art education in Riga at the school drawing B. Blum, who graduated with honors. His thesis "Birches at sunset," was exhibited in Paris and in Rome, where she won a gold medal. In St. Petersburg, studied at the famous studio schedule and teacher Tsionglinskogo. From 1906 to 1914 he studied at the Imperial Academy of Arts, which is not finished, had died a month before the submission of a competitive final picture.
At the Academy he studied in the same year with Paul and Barbara Filonov Bubnov (which was his wife) - as, indeed, was in the Union of Youth.

In 2002 the Museum of Private Collections held his exhibition: In search of art of the future. Waldemars Matvejs and the Union of Youth "(for the 125 th anniversary of the artist).
After the exhibition, he immediately ceased to be an unknown artist:
The book is a series of avant-garde art 1910-1920-ies. Waldemar Matthew and the Union of Youth. M., 2005
Here's another article Irena Buzhinskaya. (Curator of exhibitions, the State Art Museum in Riga).
Voldemars Matthew and Coyuz Youth "
http://www.chagal-vitebsk.com/node/113

S. Nagubnikov
Svyatoslav Alexandrovich Nagubnikov 1886-1921
He studied at the Art School in Penza (1902-1907) and the Academy in St.Petersburg, Russia (1907-1914) Participated in exhibitions combining the Youth League.
Three works of RM - Gypsy, Greyhound, and Portrait of a Lady

This "Russian Gauguin ...

Discovers the exhibition publishing house, which professionally produces the series "Artists of the Russian emigration. Details - see the topic about 22 MIBF:

http://forum.artinvestment.ru/showth...005#post585005

Today acquired two Labas:

1) "Personal Labas. Alexander Labas in private collections." edition of "Cultural Revolution", 2007
2) Alexander Labas Arkadevich "publishing house" Inkombuk, 2006

3) the interest "Expressionism" Ashley Bassi, ed "BMM", 2007, which reflects the European artists he 1900-1910-1920 (Schiele, Kokoschka, Nolde, Marc, Kirchner, Gros, Dix, Beckmann, Klee, and Kandinsky and Jawlensky .
At that time, before the revolution, Europe and Russia were close enough.

P. Potipaki
There are three references to:
1.Viktor Shklovsky. Hamburg by: articles, memoirs, essays 1914-1933.: 2.OBSCHESTVO ARTISTS 'UNION OF YOUTH »
 April 1, 1912 
 June 2, 1912, 24 pp., [6] l. ill., 240h165, 42 pp., [6] l. ill., 245h165. 500 copies. (each) Lit.: Kn. l. 12552, 16753; Compton, 94; RAB 10-11.:
Deitch 3.Aleksandr "In the camp of discordant":
[color="# 666686"]Posted by 39 minutes[/color]
N. Rogovin

Nikolai Efimovitch Rogovin as an artist, now forgotten. He began his career in the years 1910-1911. participation in the exhibition Jack of Diamonds. In 1912 at the exhibition Donkey's tail is exhibited 12 works. From the catalog of this exhibition to store the address of Nicholas Rogovina in 1912: Moscow, Ostozhenka his house.:) In the same year he and Goncharova and Larionov illustrated book Mirskontsa "Velimir Khlebnikov (cover seen at MoMA). Participated in the exhibition "Target", 1913. Among the exhibitions of the Soviet time Rogovina not, but in 30-40-ies face made up of albums architectural uvrazhey, he participates in the creation of the first volumes of the General History of Architecture.
His father, an engineer-technologist Yefim Samoilovich Rogovin in 1905, bought in the Ryazan estate - 447 acres of land in the village of Leski Ekimovsky parish Ryazan district, and when the peasants have burned his house in 1908, sold off most of the estate. Later, in 1919, his son in the direction Narcompros come to Ryazan to be in the shops "left" direction:
"I find it necessary to acquaint students with the world painting instead of writing with students horsies ... General education for students not necessarily need to cultivate not mind, and spirit of the students'
"... personal taste are the artists: Leonardo, Cellini, Polayolo, Daumier, Cezanne, Corot and others, to any direction absented himself."

Some illustrative material to the topic "1912."

and yet a very little:

1913
January. Third exhibition "The Knave of Diamonds" opens in St. Petersburg with the participation of D. Burlyuk Lentulova, Tatlin, Exter, Braque, Picasso, Rousseau, etc. In March, a shortened version of the exhibition will move to Moscow.
February. Society "Knave of Diamonds" will organize a debate in Moscow, which Mayakovsky and David Burliuk, talking about contemporary art, call for the destruction of museums, "these sarcophagi of art.
Larionov has organized an exhibition "Target" in Moscow with the participation Goncharova, Malevich, Pirosmani, Shevchenko and Chagall. In this exhibition, first exhibited "luchistskie" work Larionov.
April. Tatlin, visited Paris, met with reliefs of Picasso.
August. Huge Goncharova's solo exhibition opened in Moscow, a smaller version of the exhibition next year will move to St. Petersburg.
November. The last exhibition of the Youth League has opened in St. Petersburg with the participation of Burliuks, Exter, Filonov, Cluny, Malevich, Matyushina, Morgunova, Rozanova, Tatlin, a separate section of the exhibition was devoted to the works of Elena Guro, which in May at age 36, died of leukemia.
December. In the theater of the Luna Park in St. Petersburg put the tragedy Vladimir Mayakovsky in the design Filonova and schoolchildren.
In the same theater later staged opera "Victory over the Sun" (music Matyushina, texts Khlebnikov and Kruchenykh design Malevich). Later Malevich characterize this performance as an important step on its way to Suprematism.
At the exhibition "World of Art" exhibited Altman, Goncharova, Larionov, Tatlin, Yakulov etc.
The main outcome of this year can be regarded as strengthening the vanguard of the vector in painting, expanding it to the related art.
And, although the mass of criticism innovators are still subjected to abuse and ridicule, there are other opinions. Thus one critic wrote in a review of the exhibition "Youth Union": "The audience laughed. Laughed uncontrollably. They laugh because they do not understand. Russian people do a lot of laughter from the defensive misunderstanding.

A black square for the first time appeared in the design of this opera?

Fross, so a detailed answer to your question in the article Yevgeny Kovtun, "Victory Over the Sun" - Beginning of Suprematism "
"Our Heritage", 1989. № 2
http://www.silverage.ru/stat/pobeda.htm

And another interesting article by Valery Turchin "Iconography of the Black Square by the light of Theosophy: an icon, symbol, sign."
http://www.gelos.ru/result/inkom/blacks2.html
Incidentally, he noticed a curious continuity: a triangle Kulbin - a square of Malevich.

I have found a solution I've found myself "Chronicle of the Union of Youth. Unfortunately, neither the author nor the source I have not been preserved. But compiled news, albeit in abbreviated form, based on the Department of Manuscripts and RM St. Petersburg Archive of Literature and Art, that is valuable.
In my opinion, the Youth League - a unique organization not only in the history of Russian avant-garde. This association of artists, for whom there was not any artistic idea or concept. (I do not remember another such). The main principle of association was in Novelty, ie It was officially established and registered society of innovators in many different directions. Perhaps it is this principle of association allowed peacefully, and most importantly, a fruitful co-exist in such different masters, as Philo and Malevich, Tatlin and Matyushin, Rozanova, Bubnov, etc. Since CM is quite comfortable collaborated Larionov and Goncharova and brothers Burliuks. Artists joined the company, came out of it, but after some time again to return. Because nowhere else they could find innovative quests such support as the SM.
And the name "Union of Youth" had no relation to the age of the participants. If the footnotes to see the date of birth - the majority of the CM were not at the youth age category. "Young" means to them "a new, growing, growing.
And the very idea of novelty is not haunted our innovators. They are usually signed their policy statements indicating the exact date. And not by chance - to secure a priority (as an invention).
TO SEE absolute merit, in my opinion, should include the fact that they organized the first edition, entirely devoted to the avant-garde art in various fields. They first drew attention to the theater, as the scope of application of its innovative ideas, first started talking about the synthesis of various arts, but who knows what more ...
Hopefully, I've found, will be useful.

As there-most proletarian art.