She's from the State Tretyakov Gallery, from the department of modern art, a specialist in objectivists.

I do not know, aunt of the Tretyakov Gallery, believes that they:)

Is of interest (s) is also set to trash a la 100 euro, which is sold together.

Igor Severyanin

                                       
MEMORY NI Kulbin

Basement, where "the Bohemians" at night
Gathered, he was drunk the cellar.
It pretty Nikolai Ivanovich
Art spent the night.

And it means - speech for speech
And the art plamny dispute.
Mockery of petit bourgeois bovine
And over the cretins ax.

An innovator in the painting, doctor,
And Don Giovanni, and General.
And how many went to him some roads!
Who, but who did not know!

In his smile milovzortsa
Triumphant simplicity.
His eyes were like lakes
In the garden of the Lord-Christ.

Among jealous, evil
Mirka menneri he, like ruby.
Yes, he is in a good sense
Was a man - our Kulbin!
1918. V

100%trash, not even remotely similar. Believe and remember (if anyone does not know): M. Valyaeva - a common name, her address only the manufacturers of fakes, no collector will not seriously consider working with the examination of this lady.

But Dostum had not tried? :)

    
Alexander Belenson


Kulbin

Amateur pepper and lilac
Dear, even with an Ethiopian,
Believed: three angles - insight
And Martians concussion plugs.

He trills dresses arrows
And in the mantle - funny mania
- Socrates il Jung tanned
From undiscovered Oceania?

And, Mindful that hunted
It is easy to pass from the underworld
- A poster titular name
Draws, full of zest.

As well, alone with God,
Art geniuses do not make a match,
He asked an insinuating and strictly
Fame, as well as holiness.
(Strelets, 1915)

Perhaps the most significant event in 1910 was the International Exhibition "Salon", organized in St. Petersburg sculptor V. Izdebski.
Here is the level was significantly higher, along with the leading Western innovators are exhibited Burliuks, Goncharova, Larionov, Kandinsky, Lentulov, Mashkov, Matyushin, Kulbin, Exter. As you can see - only first names. Nevertheless, the conservative criticism of the exhibition ostracized, and brighter than others made by Ilya Repin, in his article in the Stock-Exchange Gazette he called Cezanne and Matisse's "Western incompetence, hooligans, HAMAMI incompetent, lazy and cold eunuchs." Russian were rated even lower.
Perhaps we should mention, cht in 1910 was published "Trap for Judges" - a collection of literary avant-garde, the work of Khlebnikov, Gorodetsky (under the pseudonym A. Gay), David and Nicholas Burliuks, B. Kamensky, and E. Guro sister Catherine Nizen, S. Myasoedov, publisher of books was M. Matyushin.
The main event of the season 1909/1910 was something the group of prominent innovators, a clear understanding of what they want to achieve, there was a final disengagement from the modernists and the Impressionists. Emerged new avant-garde groups and expanded the scope of their activities.

Tiutchev, thanks for the poem. I understand that the basement - a literary and artistic cafe "Stray Dog" (1911-1915) at the corner of Italy, and St. Michael's Square., In the organization and presentation of which took an active part Kulbin.

With apologies for the delay - the promised scans of articles from the "Golden Fleece" (there even found a few words about the "Beauty"):

There is now a cafe.

Lot I would give it to be "a cafe ... If only one eye to see!
COP, ask for the pun.