Compare with "so" I certainly can not, but the place and name of the saved. :)

Location and name - is PR. But what happened to the painting and Sudeikina Kulbin? About the atmosphere I'm not saying ...

Polutoraglazy Sagittarius. Benedikt Livshits
Very vivid description, here for example:):
Chapter Eight. "Stray Dog" and literary "salons":
The text:
http://www.belousenko.com/books/poet...ts_Strelec.htm

A bit images, confirming the thesis that in early 1910-s in Russia have already started to appear upscale absolutely innovative product.

And some more:

I adore this "Lubok" Annenkov, and landscape Shkolnik very much like the scenery Yavlensky, which, in my opinion, at this time or shortly thereafter began to appear!

Z. Mostow
Perhaps it Matveeva Bridge Zoya Yakovlevna (1884, Perm-1972, Moscow). Studied at Kiev Art College until 1905, the Academy of Arts (until 1907). Was married to sculptor Alexander Matveyev. The works of masters represented in the SRM, Saratov State Art Museum named after AN Radishcheva.
Publications:
Fomina N., Zoya MATVEYEVA-MOSTOVA. Paintings. "Sovetsky Khudozhnik", Moscow, 1981.

L. Meister
From the book artists Petrograd 1915-1917gg
Meister-ZHUKOVSKAYA Lydia G.. B. Zelenin, 14 (1915: Forest land, B. Bypass, 3-1)

Among the events of 1910/11, the first thing to do are three: the first exhibition of "Jack of Diamonds" (10 December 1910 - January 16, 1911, organized by Larionov and Lentulov the money benefactor S. Lobacheva), staging of "King Maksemyan and Evo rebellious son of Adolf in St. Petersburg and the second exhibition of the Union of Youth "(April 11 - May 10, 1911).
About the exhibition bubnovalettsev on the forum have already said Eugene and Sandro:
http://forum.artinvestment.ru/showthread.php?t=1985

About the setting undertaken by January 27, 1911 directed M.Bonch-Tomashevskij must say that it is largely anticipated the subsequent theatrical avant-garde experiments. Actors played out the scene, without a curtain, in close contact with the audience. The sketches were prepared by setting the members of the Union of Youth, as well as Le Dante, Tatlin and Shevchenko.

2 nd exhibition "Youth Union" in addition to work directly members of the enlarged group at this time (Spandikov, Shkolnik, Rozanova, Shleifer, Filonov Sagaidachnyi, Tatlin, etc.) included the work of Muscovites who previously participated in the Jack of Diamonds, Konchalovsky, Mashkov, Burliuks , Goncharova, Larionov, Malevich, Morgunova.
The exhibition was quite modest. Conservative critics swore her sluggish, with no previous enthusiasm, and even praised Filonov, stand out.

At the end of the first exhibition of "Jack of Diamonds" split between the artists: Larionov and Goncharova left the association, explaining this by saying that "... for the masses, to the public ... they are still strange, even savage, but for us they are - doomed. They have academic quality, the school's academic quality ... They are - is history ... a sense of complacency, the need for a comfortable corner ... We are free, always young and independent. "

About Spandikova and Timing
 

When Qwerty allocated EK Spandikova as unknown artist, at first I was surprised: after all, name a famous. But then began looking for work and realized that the information is very small. Still, something is found, and among other things - in the album "The Museum in the museum. Russian Avant-Garde from the Collection of the Museum of Artistic Culture in the Collection of GRM »Palace Editions-GRM. Petersburg. 1998. Here only their curriculum vitae led me puzzled.
Still, the Russian Museum ...

In fact:
Spandikov Edward (Edward Ferdinand) Karlovic, of German descent, - the son of Karl Friedrich Spandikova, jewelry cases masters who worked in St. Petersburg. (Plate branded Karl Friedrich Spandikow auctions found).

Here are the scans:
1. Museum in the museum. From 262
2. Museum in the museum. With 263 Cityscape.
3. Portrait VV Kamenskogo.1908
4. Cover. State Publishing House. L. 1925 (this is probably on the order of St. Petersburg Department of Health: confused:)

After the closure of the exhibition "Jack of Diamonds" Konchalovsky, Mashkov, Lentulov, Falk, Kuprin Christmas and organized society of artists with the same name, the charter of which was registered October 31, 1911
Larionov, as his comrades formed a new group with a bold title "Donkey's Tail. Name of the group gave a history on which the threshold 26 of the Salon in Paris, a group of independent pranksters created a picture of a donkey tied to the tail of the brush, dip into different oil paints, and setting the canvas behind the donkey. Donkey fed something tasty, he had the pleasure of swinging tail, brush crawl on canvas ... a masterpiece took place. This netlenka was exhibited at the Salon and got a good criticism, until it was her nature. Describing his new group of that name, Larionov deliberately provoked criticism on the scandalous article. Actually, the modern art uses the same methods of attracting attention.
In principle, if we examine the remaining bubnovovalettsy (except Falk) with undoubted talent is nothing new in art is not done, yes, it was created many wonderful paintings, but still it is - the development and processing of French ideas.
Therefore, the "Jack of Diamonds," very carefully placed next to the Russian avant-garde, and these names are not included in any directory of prominent foreign artists of the twentieth century, whereas all the masters of the avant-garde - from Larionov to Leporskii and Drevin - there exist

Two years ago I was lucky - I arrived in Moscow, where Marina Loshak in Proun was an exhibition entitled "Peasants. Postsuprematichesky epic, showing the work of Malevich and his entourage. I almost completely digitized its catalog, as always, excellent, that's it.

Actually, I'm not sure that these works hang out in the right place - it gives the end of 1920 - the beginning of 1930., That is, considerably later than the work discussed in this topic. But on the other hand, it is - an authentic avant-garde. In general, all of these scans can move - creating a new theme or somewhere else.

In considering these fascinating images become apparent, I think two things: a) how strong was the influence of Malevich and b) what great artists made up his circle.

Catalog this addition to the pleasures of his looking, and allows to introduce fans of Fine Arts with poluanonimnymi, but not insignificant figures as "someone Lenorskaya" or "some Krimmer":)

Almost all the works presented at the exhibition and, respectively, in the directory are from private collections - this fact served as an additional reason for me to post them here: after all, with the exception of the lucky ones (including me) who managed to see this splendid exhibition of their anywhere and not see!