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I love different Serebryakov ... |
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Menton. Beach. 1931, 43H59. |
Personally I really like the sketch - alive and juicy.
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Zinaida Serebryakova very strong draftsman! It has an excellent knowledge of technology! Why did you write this way about her? Why people can not believe my own eyes and understand, finally, that the Russian fine art - one of the most important and significant events in the history of world culture! Look! Compare! Here the main eyes, not ears! |
Tjutchev, I'm talking about specific works, as I have described on the standard things. I do not want to talk about Serebryakov, e and I love so much. smiles vidimol you do not notice.
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eva777, glad that you like and I think Russian art one of the most important and significant events in world culture! It is not all share our point of view ... ;) |
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I do not see, who could not agree more with you if the conversation is about the first third of the twentieth century - is that some nedogonov which Repin, Shishkin, or Give (yesterday and day before yesterday I was doing that to solve the puzzle on the site, whose address is kindly placed here Eve, for which a special thank you to her - as a result of the case, Shishkina guess easier as dirt - choose the picture greener but more terrible - that is the winning points :)) However, in spite of my sympathy for Serebryakova, can not include this fair and nebestalannuyu toiler brush in a number of artists who glorified Russia. No, among Malevich, Goncharova, Larionov, Popova, Shevchenko, Drevin, Udaltsova, Rozanova, Petrov-Vodkin, Shterenberg, Kuznetsova she has no place. Moreover, I think that in 5-10 years, fever subsided, civilizing the market, and sell it at a price which they have achieved today, it may be hard to :) |
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What bydet with all this legacy of the artist? Discard everything on the market? And that the marketplace works Serebryakova will, if, say, there is some pastel nude with four hundred? |
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