For me, exhibition of 30 works well enough to create the idea of the artist. This is not a retrospective exhibition showing all-everything. Or afterlife.
All the guys, nothing else will, now, look ...

the pudding, do not know ... daring! (there, I think, and no need to pay for trying to "or do you want?

spigo, I do not have flags. But at the same time, I do not know what I can do and what not.
That is the problem - go there, do not know where, find it, do not know that - for myself, I decide simply an extension of genre, theme, and the physical boundaries of work.
I'm writing meter work and they are absolutely not the same as 50 cm image you understand how the picture jpg-no real size? But even smear another look at pictures of 30 cm in width and meter. Arrangement in a different way, so a lot of things.
Do not stop, it is necessary to bypass the entire territory :-)

Sense-it incomprehensible. Today he wrote the thing, there is a pitcher like him to write the basic tone of the picture-ocher. Then I think, give kraplakom, let it be the type of red ocher only deeper, but do not take into account the background color, shorter appeared poisonous pink and ultramarine mosaic spot in the picture. I need to wash, then sat down at the PC, drew the pitcher ocher-bullshit. Understand that a random decision proved correct. And my feelings and reason demanded ocher.
I'm so confused explains a simple idea, the artist must put all the time in the new circumstances. So Picasso in 1950 suddenly began to write on corrugated cardboard packaging building colors (being the richest man living artists).
Theme - not necessarily constant, but one in a series should be, otherwise the artist did not have time to get used to. T e by writing a landscape, following the work done multifigured historic track, then nude, then the sea went to write?

Added after 2 minutes
Yes, of course ... but these 30 are usually chosen from 100.
Or - here in a row, all written with such and such on such and such?

spigo, not so simple. Galleries make the group exhibition "art gallery" - other people there and really do not go. If the MMSI or similar institution throw cry, it is either for the "young" (up 35ti years), or for current or to members of the Moscow Artists. If this is fair, then the money should nemeryannom. And what else happens? In time I looked like the galleries, it is useless. 've Been listening to different: "I is not selling," "This is not our format," even: "I can not have a hang me it will be exciting, and I rest more." So for myself I see only one-personalki small exhibition halls. This is only necessary if it is someone besides me? Long live and compare their work with someone we would like. This is not the groans of "poor artist" and the real situation. And when I hear about the thousands of works I have hair on his head would move from horror. This is generally really???

If this is the name of the exhibition (concept), why not? ...
Here it is different from you and .... "others" who found "formula" and mutuzyaschih it "and the tail and mane, and to place and not to the point ...

Added after 1 minutes
In the galleries that I pebble crazy?

Added after 5 minutes
And not only in small-in good and different ... Moscow, a huge city sogromnymi opportunities .. Co-operating!

Of course not! Even as it should! (Such issues should not even stand!)

Yes, and so do. Specifically written for the exhibition, a series of paintings, combined, of course, the theme, as you wrote. Here's one theme for an exhibition conceived write.

I understand all these difficulties, but when I talked about the number of works, which operates the artist, it was because of the time factor, we must show the work without delay. 100 large-scale works can be written 10 years is not set, but the time is to obtain recognition is lost.

Added after 16 minutes
probably agree.

I understand that you are in the early puti.Mozhet not to put important task and not to force, including the size.
It's a pity, but the pictures of artists almost always see where a sense of where the analyst, where nothing.

NATA NOVA, found for you a quote about the artist, who took to organize exhibitions pool their savings -
Alexander Roitburd:

You're a long time he was a legislator of the artistic process, and for some time and has successfully combined the artistic practice with supervision. Why today you completely abandoned organizational initiatives? Painter replaces curator in you?

-All my curatorial practice based on some kind of idealism: the artistic community as a sect, family, a common cause, a joint breakthrough, the emancipation of consciousness, psychedelic and the sexual revolution, giving a wonderful new world! My curatorial technologies were built on the principles of Liberté, Egalité and Fraternité for the art community. The first breath of dough, even funny, how modest, is a community shook off the dust of useless ideals with their feet. Idealist in my heart, of course, remained, but since then I try to treat people sober.
http://forum.artinvestment.ru/showth...=23585&page=30

Chezh here commercial? All the same job name. This Venice-there, yes.

Exhibitions suit is how many of the money must be something? There is no money exhibition. But On the other hand for the money-commercial art exhibitions are obtained. Again, those same swan.
Little work every fool would write. This is taught in school. Much work-a formidable task. This is the path to mastery.
For commercial enough and should=33h46-maximum. Bobla be ...!

spigo, That's a good format for the exhibition, and not expensive .. the people will have a lot .. for artists (contemporary) ideal.
From 4 to 13 December in the House of Youth of the Admiralty district (the former cinema "Record") at: ul. Garden, 75 will be the next Seventh Christmas Art Fair 2009, organized by the Tretyakov Gallery
Art Fair runs from 12-00 to 19-30
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At Art Fair 2009 will take part (artists) http://www.artgarden.spb.ru/nindex.p...alery&more=190

Site http://www.artgarden.spb.ru/nindex.p...alery&more=188