Yeah, sogdasna. walking encyclopedia, but he would still hand write and eye (figure, I mean, that was able to discern the absurdity of drawing)

Yes (he loves to answer our sergejnowo),
and "artist N" from the "city with" me, perhaps a sign of his "creativity" or rather "and like all self-taught artist N was extremely prolific."
:D

Cyril Syzransky will tell you something of his life, in 2001 I was at a concert Pavarotti and Friends he was ordained Afghanistan.
I remember the impression was very strong, the song dedicated to Caruso in the performance of Pavarotti and Bono - I even cried.
People had lots of in a radius of 2 km. there was no space for parking in the surrounding fields were the tents, because many young people came from England, France and Germany.
In Modena there is also a restaurant "Pavarotti" very elegant, one time we dined at a nearby table with Maestro :)

iside, so you, as a former sovzhitel and sovsluzhitel :), and then italozhitel, appreciated the absurdity of the situation, when the "watch-coats" of oblteatraoperyibaleta blather about the creative maestro.
There may be all you can hear, and the age and fatigue, and some notes there, but someone to talk about something, "who is talking?
It is not just quoting from a letter of Pushkin Vyazemsky, to quote again:

Continuing

The history of the second, instructive /let alone for someone decides to cautionary one for himself in line with their interests ;)

City Ekateninburg already loved artist S. And for that love had been established. Natural talent colorist, great performance, a wholly recognition. Considerable knowledge of the history of art. Absolute otherness anyone in the region. The sources of his inspiration and is not familiar to the audience, especially the Ural ;). Although .... I have something too praised him.
He already had many personal exhibitions. He himself was able to sell good paintings and even had something like an agent - a rich man, but active, and finished it very, very much help. And charge for this painting as a gift.
In general, the art-manager was in the hands ready and very tasty product - an artist ready to live in an era of change.

This art-manager, had come from afar, had some interest in art and was going to earn mostly just get the current and future profits from the promotion of the artist.
I generally liked their tandem. And the results were on the face.

Art Manager initially bought for their money (for the first few exhibitions) canvas and paint just an industrial scale. The artist gave many works to the mountain (by the way, creative enough for a sufficiently long period of time and it's amazing, in my opinion for a long time, do not overwrite).
Works well bought, mostly here in the city. Prices gradually, but not much growing up.
Profits from sales of their contract was to be divided into three equal parts. One part of the artist. Second art-manager. Third - to development.
On the development - this is for materials, rental of halls, transportation, arts, and art historians, etc. Art critics and journalists for PR were given pictures. Optional.
The artist is not forbidden in between large projects to write and sell the pictures "left" - customers, other managers, anyone. Artist's enough for everyone.
However, in preparation for the next project the artist would go fully to the work for him. At this time the "old" his work gradually sold the same agent as described in the beginning. New work ahead does not shine, preparing to hit the audience. And impressed. With fanfare and without commercial success was two huge exhibition in the local "mecca" - in the modern department of the Yekaterinburg branch of the State Museum of Fine Arts (in our branch of the very ")...

All went well, but the local market could not absorb such a number of works. And the price it was time podraschivat.
Thus began carting and exhibitions in Moscow, to rent rooms for the money, but some rooms have allowed, and for the painting.
And Peter. There commissioned articles well ооочень steep and necessary art historians. Their contacts. This is all done art-manager, of course.
Were built even more ambitious plans to conquer the universe.
In general, everything was kind-top and became one of the relatively short period.

But here the artist decided that the manager has to organize all this, its third, and 2 /3 should accrue to him. And in general, very much wanted to free.
He also demanded a divorce from the division of property.
Assets of the two recent projects, meanwhile, was the manager (he performed the function of storage). Therefore, the manager, not being able to gradually offset their spending money from selling on mutual terms of pictures, took something of a hundred works. All went through the disassembly of a law firm. So that's all there was legal.
Meneddzheru personally work were not needed - so he at once thrown into the art market in Yekaterinburg lot of work for very low prices (he was about to leave the city).
The artist has greatly decreased the number of sales and prices. Most nevazhnetskie still hang on the galleries to the public, adorning the walls of their modest price tags :)
a bigger part of the art-manager of the paintings sold very cheaply auction house (we have and the sort of thing - they sell mostly all crap cheap pictures a little bit of artists, with rare exceptions). But he maintains an active information policy - and we all know now that this artist can be purchased inexpensively.
Accordingly, it does not allow the artist to keep the brand.

Artists, make conclusions ;)

A potential raskruchivalschiki "their findings have already done. This story in the city known to all. And no one wants to have anything to do in this area. Why would they postpone to a strange business ?;)


The third story will be later, I podvydohlas :D

Let me go back to the topic!
Can Pts. long time to argue about tastes and preferences, the question then in another - that made Roberto Ferry successful?
Recognizability ie its own page in history is already clear

Create a circle of admirers

Good policy promotion

The hardest-to promote recognition of a wide range of public

 Well what he slogger-to-one, a young, will make much

Cyril Syzransky, I have a friend graduate from Cambridge, so he once told me this phrase: "I can identify a person, his social class, his upbringing and his culture, only one gesture - as he opens the door and enters the room. " Then I was in shock and kept thinking about it, years passed and now I know that he is right. ;)
The crowd is always a crowd, the fact that despite the national characteristics between individual representatives are always more similarities than differences :)

Deistvitel'no pokazatel'naia istoriia, kotoraia chasto vstrechaetsia v nastoiaschei zizni.

wharf, as I like and style, and style, and stories!
This billet story?
Where can you read?

Heavens, what stories ?:D:D:D
For the stories I would certainly want money :D:D:D

This influenza - I nefikk do, sit at home for a week - and thus realizing their need for ego and of giving advice :D

Money-manure; today or not (and tomorrow, the WHO!)

Yes that's already recruited a compilation: "As a race (for) to twist the artist (cross out unnecessary)"

And on a story I have even more strengthened morality: the most overriding quality of man is the ability to share (like brothers) .. And in the economic sense in the long run even the most advantageous property!

tasha, thanks for the link, very interesting and instructive.
He has made the favorites and reread. Useful. :D

No, really, no, really
Let every man does his thing while I am in my right mind and good memory - I do not want to join the many graphomania :D

Although ...
No, it did advance the money, and only then chairs .:D
The only thing I can encourage to free napisatelstvu - is a necessity /are just really can not decide - whether you want it to me, really very lazy / to join the Union /artists, of course, not the writers :D/.
I needed a bit of paper publications do not get.

Then our new Director hudmuzeya prokatili ordinary members of the SC. Where, say, at least one publication with her, eh? :)
A guide Samara office and say something nothing can be, not today or tomorrow themselves re-elected. The Board has a new one. Members of the "bolder", after they have begun to take Money for workshops. Many have already slid out, nothing from the Union do not have and at meetings shaleyut from overbearing sense of liberation from dependence. :D

wharf, THANK YOU !!!!!
on the second story .... Such artists are very much in fact, here I see two ways out for them
1.umeret
2.uehat from the city or the country or expand the market
In general, most performance I think hurts the artist more than helps, but many here compare themselves with Picasso.