This DPF - written artist . If an artist show work, and therefore do not show or do not work and are not an artist at all, and so phony cheap. Artual not show because you attacked him , and he was perhaps the best of the DSF .
It is understood that in order to get to the exhibition in the Federation Council of the need to conform . And in Paris might just take a trip not to be envious , may understand what to write in a diary about Renoir need to understand a bit of painting , but what self-esteem , and it makes the lover and commerce, kompeliruet Italians , gray and mediocre as his pic .

[color="#666686 " ]Added after 3 minutes[/color]
You know , show , and then he blurted out and hid . We must take responsibility for their dirty tricks .

I can imagine how you howl, for example, if I start writing about your painting in the same manner.
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Write about my painting . A site with my work at the bottom and I 've shown them on the site , but do not screw it up , as with my portrait Marina .
It seems to me that you are not capable of competent analysis .

And no " competent analysis " will not.
What are you?
Here it will be in yours, so to speak, way: " amateur makes commerce kompeliruet, gray and mediocre, like himself pic ".
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Yes, I wrote it about DZF, so what?
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How can I " lay an egg " with a portrait of Marina?
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I did not draw it, and you:

So what? I have a lot of portraits . I have shown this . <! - ~ 7 ~ -> This is a very good portrait. The first coat of the future of the famous writer .
I paint people as they are, without halos , alive.
What do you for a DPF or instead of ? And maybe you have a DPF ?

Everyone (and men too!) Want to hide behind the broad back, but not everyone can.

Often it turns out that you are the - broad back.
(I) <! - ~ 7 ~ ->

Bah! The holidays are over, summer came, took out his barrel organ grinder, so it's time for the yards, (ie - forums), maybe someone will give the bounty ... <! - ~ 1 ~ ->

"sparse and blednenko" - this is not about your work Pavel, but about this text: Until your work to me personally any work, no, I'm going to better Miro, it is 1000 times more interesting and useful. Here are exhibited in the Tretyakov Gallery - then we'll see.
However, I am pleased that, thanks to the joint efforts, Pavel finally finished the study of "native language", and moved on to the next stage of training - Krylov's fables. That said, it has moved from primary to secondary school. This is good news. <! - ~ 1 ~ ->
It is hoped that in a few years we will learn how to write correctly the word "compilation" and we get to read Yesenin and Mayakovsky. And then Pavel, maybe find out what the "roach imagination" and where she lives, because he has so far in this place flutters poludohly minnow who has learned to say just one word: Ourd, ourd, ourd ... <! - ~ 7 ~ ->
However, what am I doing?
Such metaphors are not available for secondary school students. I am afraid that Pavel will understand from the above, only two words: roach and gudgeon. <! - ~ 3 ~ ->
About the exhibitions.
The artist can exhibit where he wants. There's no doubt about it. But he must take into account two factors:
1.If it is exposed, for example, in the closet, it can be called a dressing artist, and the painting "podtirushkami" and he should be ready for it.
2.If he allows himself to speak impartially on museums, exhibiting the other artists and their works in the collection of the museum, (I do not consider that to be a Tr-kyo means something, everything is crammed basements. As a result: Paid, and you're hung. Maybe because naveshali and that nobody needs) it should be ready to the fact that it immediately reminded to what "Tyr-ke" he exposed himself how crap jammed his workshop, and where they can shove their opinions.
The moral of the story is: The wider open his mouth, the deeper jostle gag . Or