Yes, the phenomenon of the Internet type:

A wonderful opportunity.
Of course.
I understand this - samples, and even cyclic.

But where is the musical revolution?

From an article about industrial style.
The massive use of this approach became possible after the so-called the figures.

So I knew about the " made ​​possible ", but I do not see a revolution in music.
He tried , yes, but not in the 20s and earlier - Scriabin in 1915 is dead , and we know it is not due to some sort of "attempts " and on the works he wrote and executable - on "Poem ecstasy , for example, or on " Prometheus ."

Well, someone in this connection his name knows.

Added after 4 minutes
It depends what you mean by music and revolution.
Ambient, industrial - many call it a revolution.

He himself had not his "attempt" to translate, although the score "Prometheus" is the party of the world - this is the first light and composition are considered.

His mystery can be considered the first performances :)>

artcol, I is the fact that as a "revolution in music" exists only in words and predictable, and you expect a "revolution in painting" also remains in discussions and developments in which some Internet-based technologies
.

Added after 1 minutes

Performance - it's just performance - performance, presentation, presentation.

Cyril , the music - it's sound. So that no revolutions :)>

Posted 1 minute
No. Performance - a word meaning

artcol, in your head all messed up-sampled, figure, ambient ....
I have a room packed with synthesizers, behind my back now rare yellow key Waldorf Q - there are only a few pieces in the country.
In short, the sound can be synthesized in different ways, a classic-in sine wave, a pure tone of a certain height. by all sorts of transformations, overlays, treatments can get a number of different sounds that define the sound bank synths.
Sampling is when the sound is synthesized from the sinus, and recorded live and digitized, then laying in memory of the synthesizer-clicking on the button, you hear the recorded sound. Inconvenience, to fully zasemplirovat piano, you need to burn a huge amount of high-quality samples for every key and every manner of playing, because the force of impact depends on the key sound-volume of such a database, depicting the piano will be very large. But you can not just semplirovatne notes, but also some typical passages, techniques, for example, a violin ensemble.
For all the creativity it has nothing to do, just became easier to write, for example, music for movies - T e using samples recorded orchestra instead of a live orchestra.
Minus all of this, samples are the same for all and easily recognizable, so once or twice someone has used, lit and more to use them becomes impossible.
 Regarding the ring phrases .... There's an old technology-MIDI - it is a digital record of commands that come with each key. If you enable file MIDI, synth you lose all parties recorded there. MIDI to easily edit, substitute other instruments, samples required under the party .. This is a standard for digital recording, it is used everywhere, where they work with synthesizers, samplers.
There is a huge bank of MIDI for all occasions, ranging from Tchaikovsky to the most fashionable drum parts. And in order to record the drum part, now do not need a drummer for sampler musician simply fills the drums, all that is written in the form of MIDI, then by necessity, substituted tools, for example, needed to replace the "barrel" (bass drum) - simply substituted another sample. The party is not restarted, because the sound was recorded, only the team-written note how, when, as played.
 This led to increased availability of digital studios, now anyone can make music at home of any complexity. But ... first, to fully master the methods of recording, a man takes years of study, work and a lot of equipment, t e it is required to become a pro, and secondly, if there is no talent of composer, performer, all the knowledge in best lead to the emergence of another engineer.
So what kind of revolution, and indeed, all the old-needed talent and love of the public.
Ambient, indastriel is simply musical styles such as rock and roll-end or the tango.

Posted 20 minutes
Maskit, it all sounds nice .. but when hung in a row Korkodym, children and Contemporary art, as it is now on the third floor, nothing but bewilderment, it can cause. Let us then in the State Tretyakov Gallery, in the Vrubel Hall, to hold exhibitions of children's drawings! People will look at the Demon and buy children's drawings of 200 rubles, and the output can be placed for sale earthenware jugs and whistles from the mezzanine floor.
No one from this exhibition policy is not good. But in order to conduct meaningful policy, we must have a staff of specialists, curators, rather than the three women, who hangs all, and secondly, we should have the choice of those wishing to exhibit in order to carry out the selection. Neither the first nor the second out of stock.
And I marvel at your determination to put on the embankment of the CHA all the artists who focused on specific daily sales. Empty the entire second floor. And then what? Gallery owners come to their projects? and who is stopping them come right now?

I am here today was in the CHA (urgently asked to pay extra for light), the mood among many artists cancel their plans for exhibitions in the CHA in the fall, no audience, no sales. The problem is this-there is no audience.
It does not appear on the same floor, in spite of the artists are different. And neither the children nor the pitchers with the whistles will not change.
Well, put another fur fair. Or furniture back in the CHA.

Seriy, all this could not write. It's not about the device synthesizer, here you will not discover me of Maui.

There was a revolution, it was not ... Media is the message. All questions to McLuhan as grit.

All this is a matter of taste.

Concerts in the same room, the - and nothing else.

Added after 2 minutes
This problem is not the CHA, now everywhere is the situation.

Grey, I agree that the CHA must maintain a policy of elective , but then a lot of shouting that prezhimayut freelancers and who wants to show it was responsible for someone else and not even then just bezplatno.I artists will be at a certain level bortom.I CHA will fill a decent , but there are and they have good sales from the workshops and through dealers. and happy will be displayed when it will again be prestizhno.Ved even Korkodyma sold with this exhibition, dozens of works , the information is correct . but he still and not the genius of the people do not worry , there will be good artists , there will be people .

Vladimir, Thank you very much for the article!
Read with great interest, alas, only that (somehow missed earlier).
Agree with almost everything!

It has already started a new policy.
Here's an interview with the new artistic director of the CHA: http://www.afisha.ru/article/steinbrecher-interview/