You also know.

Degas and Cezanne.

Perhaps more to the Bogoliubov Polenov.

Ostroukhov (at a certain point, however, at a time when he was bourgeois, he ceased to paint.)

Guriev, Igor, in Paris, is confused with bourgeois aristocrats?

The exhibition, of course, stunning. Decorated beautifully - so finely matched the color of the walls (they are specially repainted for the exhibition in the dark - purple) that in their background painting simply sings - or not say. Designers - Well done!

The abundance of wonderful paintings gradually somehow become soft and could hardly move his legs. Well, on the second floor left a permanent exhibition in the halls of the Impressionists and Post-Impressionists from literally washed find rest, well balanced among the masterpieces of ancient Greece after, say, subtly grotesque medieval casts in the main building.
Indeed, after Soutine Cezanne views the organization as Poussin and even Van Gogh seems quite a leisurely and melancholic landscapes.

In this sense, the exhibition provides a unique opportunity for comparative analysis of eras and styles.

Paris School of theatrical neveroyatno, replete with spicy flavors of a behind the scenes, the artists took the paint as if in the same box as the clowns, their cheeks when paint the front exit to the tent. White paintings Fujita, conversely, if sprinkled with a thin layer of powder, a long time, however, the erased, and exposed polished over the years, ivory, decorated with intricate hieroglyphics ...

Perhaps the only negative - it's a pathetic Marc Chagall Hall, where the earliest, written with cold paint "Vision" does not convey his (step) a significant contribution to the establishment and development of the School of Paris. However, if Chagall had been submitted in full force, it is possible, it would have been impossible to move :)> In short, the exhibition required to visit, more than once.

[COLOR="DimGray"] That's not the first day of the forum pomigivaet banner of the Paris auction house. In the depths of his catalog is hiding a small portrait of an eccentric gentleman in a hat with a feather. This charming example of the Paris School and is asking for this exhibition. And though it's not there, if you will fasten it here - it was too good a such a man-bird :)>

Here you can see it closer

It turns out that "friendship" Picasso at the exhibition is a study for the Hermitage and the Pushkin belongs.
And the next Picasso, gouache, too, from Pushkin, I have never seen.
So how much Picasso in Pushkin, really?

I liked Soutine and Van Dongen.
The exhibition - the highest class!
very intense.