So those who think " creative categories " randomly throw paint on a canvas (you can sartir on the door and not just paint) . They - the creators ! And all who became the property of Real Made in world culture - just where artisans and creators to them ?

I think that the only dirt smeared colors complement the shotgun ...

Keeping oil painting requires the need to adhere to a particular
in advance of the work plan . That is, compose the picture until the canvas clean. Otherwise, the surface quality of the picture, its coloristic and tonal game will be very low .

"Now everyone thinks they can be artists just because they have vocal cords."

Artoil-A, do not agree.
If it's a fantasy - that of course, first sketch form, perhaps even thought-colors.

And when it comes to nature?
What kind of work can be a plan?
In the air?
Eh?

Immediately a problem. Fashionable in design are now Nonspectral color; transitions from purple to lilac, respectively complementary to them are blue-green and lemon. Be able to support such flair decide picture? Some manage, transforming even the landscape.
  Portrait. A new problem, in addition to creating the image of a modern flair, you need to create clothing, accessories and interiors.
If you repeatedly try on canvas medium format, then after a short time, the canvas is not suitable for painting due to cracks of the brush strokes. Everything is decided at the preliminary sketching.
   And everything is solved in the open air in the head (oral). Why is not recommended for beginners plein air, the more the illumination changes drastically. And the master already has a plan in my head works for a short time in ala prima painting a picture without alterations and corrections to the tonal and coloristic game. And the picture may be exhibited in rooms with dim lighting. I watched a master at sketching in the open air. The picture was made for 3 - 4 hours.

I wonder then what tactics should follow the same example, Olga Dushechkin and other artists working in the technique of " painting a la prima palette knife in one go " without prior propisok and underpainting , when all colors are taken directly to the desired effect ..
http://artnow.ru/ru/gallery/3/23134/.../1/640658.html

In parentheses , because this is the answer you in a way, and wrote like as not you. I'm not a writer , I'm more an observer.

Added after 3 minutes
You are sadly mistaken.

Pavel, and what is my mistake from your point of view, if you do not go into the technique?
(Use case .. by the way of your work I like the most , " Stairs ", " Pushkin Square ," " House at the railway" , in these works the idea actively accelerates and runs a lot more images).

You are mistaken that it ala prima , and it's not from nature. In general, this is a long common technique . Over time, the paint is dry and skukozhilas , which is not good , but uneven cluttered up dust , though it makes an impression.
Thank you for your compliment. I try to write life and beautiful as imagine.

" Just think - what to play there ? Dui , click on yes !"

Olga Dushechkina let it work , how it works and sticks to what he wants. And a la prima - this is not necessarily a " palette knife in one go " , a la prima possible and the number one brush to do.
Besides artcol someone will write on the merits ?