Guardian of dill, this quote from 26.03.2010, and its
author here this taldychet their endless mantra for several years.

You detachment from reality , visit any " parthozaktiv " on Monday at City Hall , where the main issues .. garbage collection , preparation for the autumn- winter period , problems with storm water and household sewage , fecal and repair of housing stock , roads, schools and training an additional 2,000 cases hoz.voprosam and so on. and so.
No systematic work from the bottom ( from the artistic community ) perspectives and never will be !
It is traditional folly to hope for the landowner and the state , clean pink whim ..

Guardian of dill , You know something about a stolen work ?

A success in what? Buy it cheap.

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How are the classics - price is a product of the full non-resistance parties. Who bought , who has who has not bought , he has not. But a little expensive to buy , you must somehow be assured that you have. Upon the sale can happen bummer. Wild boar out of fashion.

and P. Tyryshkin - ever!
<! - ~ 7 ~ ->

This is not a mantra , and the need for objectivity , but it is difficult to understand , it is easier to collect non-existent gossip, and boast existent masterpieces.

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I'm not in vogue. For fashion to work for everything and Minotepa and assent of the COP.

The criterion of successful sales. You can pick a different assessment tool. The total number of works sold to written (%). Very informative criterion.
There are artists based on sales of rare works with a high price.
You write, "How can you estimate the cost of painting?" - Just .. based on the spent material: canvas, paint brush, etc., except mental costs. I think you meant, how to form a picture of the price ..

This is not the case. Market artist realizes 99%of manufactured goods. This figure is there for hundreds of years. When working "to order" there is a problem of manufacturing "individual" order when the work done is not the customer buys. That is 1%and is the work.
 Only in the beginning can be in the top ten works of a few unsold works.
 This requirement and the tax authorities, and the requirements of the cost of materials and the cost of living. Previously, the tax authorities could be attributed to the materials 40%of revenue. Now we have to focus on writing off 10-20%of income, otherwise the work will not be profitable.
Hence the high demands on the ability to conduct marketing analysis, to comply with the requirements of painting technology.
The level of domestic gallery owners typically do not allow them to raise the artist from his entry-level, so the primary effort should be made by the artist.
And all the problems at once the artist promise to solve just crooks.
In practice, is a phased upgrade from level to level. Well if the artist will work as an apprentice at the market held the artist.

Here, under the " market artist " means the artist from the market, from the market , with the fair, with the underground, from the street : " Flown, hurry , buy paintings ". <! - ~ 7 ~ ->

Artoil-A, Tax ....) )) This is so scary guys who can come in and prevent paint ( poetry , music, book ) ? ) Up to a certain amount in the account ( major purchases , money transfers ) the tax man is not interested at all , not every artist can earn the same amount . But if the artist does not pay taxes ... He allegedly unemployed? And it's a lot of inconvenience ) Just like artists get Schengen visa? <! - ~ 7 ~ -> pension, social. services and m ...