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Cyril Syzransky, r_a_z_n_i_ts_a there?
The difference? And if so, then what? |
- Why, let? ..
He served in theOffice Automation[COLOR ="Navy"]cleaning ...[/COLOR] (c) <! - ~ 7 ~ -> |
Cyril Syzransky, on the other you can not expect, then I'm not surprised.
I stop the discussion with you in this thread. |
Passing School artist understands what and how (sometimes) done before him, thus giving direction to their own choice.
Art (talking about this) does not fall from potolka.Vsegda is a new (and logical) step, albeit a new and unexplored. Museum is also School. |
Peter, I do not argue with that statement at all. Only if you do not mind , I might add -
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I do not mind learning to who needs it ! I'm for self-education ! Self gives independence from accepted norms and dogmas ! It gives you the freedom to write what you want and how you want! If it is possible I will go to study, but I will not look for this feature specifically . |
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And as I am right or not is not for me to decide, and artists ... (in these matters). |
Pablo, what to learn? yes to everything, starting with the history of painting, what every artist is interesting that he has brought new? If you think that it is somewhere written in the books, you're wrong, then that is written for everyone - practical training value of the artist does not have.
The composition is a very complicated issue. Yes, Kandinsky, the genius of composition, wrote a book. I have read. Do you think it helped me to create powerful sounding songs out of nothing, as Kandinsky knew how? Color pictures of the construction is a very complex issue. Starting with the fact that the paint is a convention, if you attach the brightest pink dye to the flower petunia, you will see that, compared with the nature, the paint is not pink, and almost gray. The palette of the artist and opportunities to work with the color very conditional. Simply put, you can not copy nature, no tools. It should be again, having what is on the palette, create wealth color, sound, that turned rosy pink. It takes so much time and effort that all the painters come to a rather limited palette, the one that they have successfully mastered, and do not change it to the end of life. A mixings? that, from a tube to write? but, again, you can not mix everything will be dirt, there is a stable set of mixtures of colors that work ... and so on and so forth. To study and learn. And, the first call at the last one - you're talking about a romantic profession of the artist, but probably most of the artists in their work are not engaged in self-expression, and work in the specialty-painted church, restored, working on the interiors, teach, work for artists porcelain factories-many application fields where the need proven skills and techniques and do not need any self-expression and individuality. |
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A year later, someone told him about the "tee", about underpainting, glazes ... <! - ~ 9 ~ -> |
<! - ~ 7 ~ ->
Well, it's a .... shall I Quote:
Only the "Solvent" <! - ~ 7 ~ -> |
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Cyril Syzransky, a lover of course, I'll never studied <! - ~ 1 ~ -> And freedom - the main thing in painting.
I think you have already guessed <! - ~ 1 ~ -> And about the "shall I" - I was referring to something else, but oh well. But what's the shy - I do not understand, really. You talking about? |
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He hesitated once again to ask - afraid of ridicule may seem ignorant fear. |
Cyril Syzransky, these fans was always full . And happened, they became masters. As for me - you will not believe, but I never hesitate to clarify the point. Therefore, if there are issues with me personally , or with my self-expression - it is easier to write in drugs, because here I was forced to answer . We have so accepted in Mariupol <! - ~ 1 ~ ->
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That's what forces are involved and what kind of money that must be vohvraschat |
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