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Сима 08.10.2010 12:36

Цитата:

Сообщение от fabosch (Сообщение 1314501)
We have a close and not anything like that.

fabosch, it's you in the Russian Museum is no such. And within its walls, I think any amount up to the fairs. And on the cards (in a spicy taste) :)
It's very interesting just to see what level kept Serov, for example, at the same grimace, hats and corsets.

NATA NOVA 08.10.2010 13:05

Цитата:

Сообщение от Sima (Сообщение 1314881)
It's very interesting just to see what level kept Serov, for example, at the same grimace, hats and corsets.

Seema, for me (if you compare Serov and Baldini) to it as "haute couture" and "prêt-à-Porter .. (IMHO) Although both possessed great picture ..
Serov, Ravda would never have allowed himself to neglect (drawing, I mean), which sometimes occurs in Baldini ...

fabosch 08.10.2010 14:04

Цитата:

Сообщение от NATA NOVA (Сообщение 1314701)
Do you want? Book!
(I griyzal № 4 for sample to)
What format and how much you give?

What you think you chur, chur, chur!!
I wrote that I am far from such art.
Just zakonstatiroval that in a relatively close to Boldini time range, we have something I do not know of such a phenomenon.
And what do you cope with such a task, do not even doubt :). Although I do not know what my reasons to think so :) :) :)

Added after 4 minutes
Цитата:

Сообщение от Sim (Сообщение 1314881)
fabosch, it's you in the Russian Museum is no such. And within its walls, I think any amount up to the fairs. And on the cards (in a spicy taste) :)
It's very interesting just to see what level kept Serov, for example, at the same grimace, hats and corsets.

No, Seema, did not agree with you. Yet fairs and other tabloid paintings are still lower on the skill, and more specifically on some bling, the maestro's work that it is master, while the inner essence about the same. And with Serov, for all costs of such comparisons, it is somehow not really tally. Here are just different levels of talent and still taste (no matter how abused the word in a postmodern)

NATA NOVA 08.10.2010 21:19

Цитата:

Сообщение от fabosch (Сообщение 1315121)
for some bling, the maestro works with this gentleman

this gloss fashion magazine, something that now would be called "glamorous" plus drawing-painting skills.

Anyway, Tiutchev and fabosch have a special thank you, inspired me to freestyle a copy "by Baldini!

fabosch 08.10.2010 21:59

Цитата:

Сообщение от NATA NOVA (Сообщение 1316231)

Anyway, Tiutchev and fabosch have a special thank you, inspired me to freestyle a copy "by Baldini"!


And to show your people.
That's it there would be hunters pozuboskalit :) :) :)

Added after 3 minutes
Цитата:

Сообщение от NATA NOVA (Сообщение 1316231)
this gloss fashion magazine, something that now would be called "glamorous," plus a drawing-painting skills.

But in the glamor has some vertices that have not even glamor, but the real art, though all the attributes - glamor, Lift, for example, fashion photography, even if Helmut Newton and Irving Penn

NATA NOVA 08.10.2010 22:06

Цитата:

Сообщение от fabosch (Сообщение 1316331)
So it would show your people.
That's it there would be hunters pozuboskalit

Yes!
(As will be made-predyavlyu! I promise.)


A further Baldini oriented the "pin-apnea" claim of.
Incidentally, it is worth to note all Pin-actor good painter (anatomy were friends).

Тютчев 09.10.2010 01:54

Вложений: 10
Another lady from Maestro Baldini:

U_Z 09.10.2010 02:06

Цитата:

Сообщение от "fabosch (Сообщение 1314501)
Feshin monotonous


Feshin - GENIUS!
Baldini - lounge (with his face, of course).

Евгений 09.10.2010 09:31

Цитата:

Сообщение от "Tiutchev (Сообщение 1316691)
Another lady from Maestro Baldini:

Nice work ..

fabosch 09.10.2010 22:25

Цитата:

Сообщение от U_Z (Сообщение 1316701)
Feshin - GENIUS! Baldini - lounge (with his face, of course).

You know, I totally agree with what Feshin people more talented than Boldini (incidentally, do not quite understand why a respected forum members wrote that an Italian name, without the soft sign, the Italians do not have a rigid "L").
But you know, with him, and demand more. I have quite a long time it seems that Feshin his style very quickly turned into a mechanical device. That's what I meant to say about his odnonobraznost. In this sense (and only then) I think that Boldini varied, though much more flat and salon. By the way, Feshina element salon is also very strong.
Just Boldini - one of the geniuses of interior and on the field he is clearly Feshina replay.
A Feshin preteduet a more serious situation to which it is, in my opinion, not so that pulls


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