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Сообщение от ranzher
(Сообщение 721942)
PS Countrymen artist, support the daredevil of the Leningrad artistic underground!
After all your almost unknown, but they were no less, if not more, than in Moscow. Your place would open a separate topic "forgotten names LENINGRAD ARTISTIC RESISTANCE».
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This topic was supposed to support GN Mikhailov, who are two pictures of hot, do not yield to these "royal" might be even better ... Recently, one of them tried to steal, so it is not so Zharkikh forgotten ...
Incidentally, when he was here with his exhibition, he did not bother to meet with the collector, from whom he and many others regularly exhibited and sold.
As for his exhibition "Alphabet" in the Peter and Paul Fortress, then all those who remember this story, it was visited. But time has passed ... I looked carefully work. They were a very large canvases (160h270) performed very professionally, according to the rules of Western art. Art education he received and with the composition and some other professional subtleties all right (and in this sense M. Herman does not palter). The plot - something like a triptych on the same canvas: in the center of it is these figures that everybody knows, and on the sides of some similarity of texts, letters of different size and style, geometry, etc., in the decorative sense of it all somehow seemed quite on the exhibition level. For other meanings, it is not without guile, but also quite thought out, too, with the filing of the Western intellectual queries - the theme of the text of letters, not much point in shapes of letters, especially discussion in Western philosophy, so that he "responded to the request." It was published most graceful directory in CAUTERETS reproductions were glued, there were heroes of the underground poetry and essays of the Yu hot, all with a translation into French. In purely Ravelin whitewashed fortress all looked quite decent. Not without coldness, as always on the Neva. |
