Meister, the old leadership goes, the new is not clear yet, all on the level of rumors.
A history of the appointment /appointment of the rector GITIS not (as I do not remember is, RATI, I think) shows that the rumors rumors, and appoint some in the Kremlin. Who? does not answer ... (c)
All and all it stood still.

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One should add, "we". :)

Yes we have.
Abroad, too, in different ways. In tourist areas - yes. But such Munch Museum in Norway, someone told me not too crowded. And even steeper in Stockholm City Museum of Art, the best collection of impressionisitov. Friends told with amazement at the huge building they were 3 hours and no one except them.

Obviously depends on the location on the way turpotokov and the authorities' desire to send these turpotokov correctly. In New York, in the main museums and the main skyscraper (which are advertised as mandatory for tourists) - turns on the street, then another in the room at least half an hour through the tape to the cashier lanes crawl. And then you can still stand in the queue, if there is a commercial exposition. But this is the main museums. And mennee untwisted - the same museum Lauder - no queues. And in a brisk weekend about 15 people walked through the halls. Also not many. Or the favorite Rutgers museum with a collection of Norton Dodge (преим. our informal post-war art). Located an hour's drive from New York, on campus, tourists zero. We walked an hour and a half of exposure. And besides himself and supervisors have only seen one! visitor. And look there was that: http://forum.artinvestment.ru/showthread.php?t=7065

Many resented that the most interesting exhibits osutstvuyut-on exhibitions in different countries. This applies Chagall, Malevich, Kandinsky and others particularly indignant Foreign. tourists. The fact that the museum had to earn money by exposing the masterpieces of the constant danger is a disgrace.
Do not like the reduction of the Soviet Division and the expansion of the emigrant in the exposition.

Museums are different. In the Louvre, the Prado or the Guggenheim always overcrowded, but it is untwisted brands, as well as the Eiffel Tower or the Oktoberfest. A stay in Florence and did not go to the Uffizi, you will not understand. Other, less untwisted type of the museum of the city of Paris or the Museum Ludwig, too, is not empty, but before the first of a number far. Third row - a museum for art lovers, not for tourists, and Stockholm is a museum with the world's second largest collection of Impressionist and Munch Museum in Oslo, and a wonderful museum in Basel with a magnificent collection of Van Gogh and Yavlensky. The same applies to the last row we Tretyakov. Therefore, I think they should not be cursing (mean Krimsky val), in tiny budget and they are doing is not very small.

When there are high-end trade shows in the Crimean Tretyakov (recall the same Warhol, along with Russian pop art "), then turn, too, stood in the street, with tight, at least an hour in the air. But the line of its own, not tourist, without the Japanese. And as in Lavrushinsky Lane case? The Japanese much?

Shkolnikov more. :)
I, actually, I do not notice visitors. Coming, as taught by Vasily Yakovlevich Sitnikov, specifically to watch the artist, two.
But sometimes I look at the Crimean all-all ... :)
In Lavrushinsky all can not watch ... : D

I have just been on Tsereteli. At the same time looked into the main hall, there are no Japanese. But around the Cathedral of Christ the Savior - many with cameras. But maybe they are not Japanese, but our Kazakhs (also already not ours: (), do not ask.

Then it's the Kirghiz. : p
When in Berlin brought MOMA'u, queues were diurnal. :)

ОООчень well people understand. It was for what. Interesting museums and provide hard.