The practice is that both in Russia and in Europe, the U.S., the transition from the lower to middle price range , the artist goes to the county .
Moreover , I know of one artist in the U.S. , he says building paints, but brings flax from Europe , the U.S. hurts expensive. It's like gold and gold earrings in the eyes is one and the same, what difference there under the top layer of gold? But there are certain traditions and decorum. At the auction, which involved who it academic or more or less recognized professional artist who writes in drawing -linen, then so long as it is taken.
Personally, I am writing a lot on polulne GAMMA, treat it as paper, cardboard - te as material for daily practice .

Seriy, then again, why the artist goes to the county?
It is regulated by status?
Also, buy linen, in your opinion, but not cotton or plywood?
This is in general

Pablo,


Pablo, probably means starting to let ...
(?)

NATA NOVA, yes.
I write simply because I can not write.
This is your problem?
Or opportunity for you?

"Do not understand the question" .. (c)

NATA NOVA, obyanyayu in Russian.

What have

This is a hint?
Or proslyvu silly, but I have the right to know: what's the Pablo?

It's in Russian called "treatment" - such a polite form when responding to a question buddy .. was referring to the artist of the post Grey, who went on linen ...

NATA NOVA, yes, there is such a polite form when speaking to the point.
Creatures in your posts do not see

What do you go around it?
I do not like

 In terms of creativity does nothing is not regulated. And the recommendation of some artists that even a novice writer must write in first-class first-class materials paints and brushes, I seem ridiculous. But when the process comes to the fact that the thing has to be not only creative, but technically perfect, the course is everything-and grain of the canvas, and the quality of the tension and elasticity of the pressure of the brush - all tools that experienced master uses to create works. And then start the search and troubles, Gauguin wrote on unprimed canvas, Bacon - on the back of canvas. Is who writes on hardboard, wood, wood panels produced. T e at some point begins to play a role not just - will make a base paint, and that can give a basis for the product? The question moves from the plane "cheap-expensive" in plane "expressive quality."
 If the artist is asking for a substantial amount of the work-say, a thousand dollars, then, yes, the question arises - Quality Paint written? and the basis for strong and durable? miser and not an artist-written cheapest paints on the basis of the cheapest and asks thousands ... it is only important if the artist works, then lend at cost, and want decent money, take it to the technical side seriously. On the cheap canvas, cotton, synthetic mass produced Chinese products sold in the stores for home goods. From it too expensive for the artist wants to distance themselves.
 Van Gogh was tight with money (for a flurry of activity, which he did), but the canvases and paints were second to none and he hired sitters for money.
Phrase - "If you write a masterpiece, the conservators will not give him an abyss" - it sounds amazing, but enough to see every video, which make up a brush restorer Tretyakov "Golden Autumn" Levitan to understand, after several restorations, the product is only a dead shell the name.
 In short-selling on the cheap as a basis effect is insignificant, and if sales are expensive, the use of low-cost basis should be justified and justifiable.

Here you dear Gray- Iksigon vtse detail and chewed .. (or do not like , too ?)
I hope, succeed and learn .....

Ie, when the funds begin to allow the artist (most likely ) moving to a more noble materials (in this case the county) ...
Clarify or even something not on the merits ? :)>