GalARTA, Lyudmila and Vladimir Boguslavka - a break during work.

Ina Pantelemonova on his musical background of the wall.

I.Pantelemonova and Alla Alekseeva with the impressions of organ music and the fall of Odessa.

Portrait of Alla Alexeeva.

GalARTA, Alex Orlovsky in love with his childhood in Odessa - in his works fit his entire life of Odessa - with music and without.

GalARTA, in the author's project, there is always room for debate))) together with Vladimir and Vladimir Filippov Boichenko.

Also, two of the genius at work in the studio.

GalARTA, Vladimir Boychenko - a portrait of V.Sycheva.

Vladimir Filippov on the background of his works.
Our museum posters (designed by Olga Filippova)

GalARTA, the works of Vladimir Filippov: Triptych "Giuseppe Verdi" and the diptych "Madame Butterfly".

GalARTA, Maxim Prokopenko at work.
His paintings are on display.
The top "Gold" is "opera" Actually, we went to the opera three times, and some operomany and up to 6 times in two weeks.
Poor artists have recognized that the opera by Verdi, and they have dreamed of at night)))

GalARTA, And here is the Opera - our main partner and sponsor of all open-air two weeks.
Thank you sincerely!

I remind you that all of these photos, including V.Sychevym made.

Our team is fully mounted on the background of the Opera.

GalARTA, you have to have not developed a false impression of our lives, I can say that as always, we actively explored the place of our deployment.
Odessa - just beautiful.
We all love her!

GalARTA, in the evening, one and all, and one like everyone else, we were going in the Blue room.
However, in contrast to Zaporozhye is the new name stuck, "Artsobraniya."

GalARTA, our guests at the opening - Director Frances Ayans of Odessa and Dnipropetrovsk.
Guests and partners - chief curator Oleg Sergeev

In the December issue of the " Antiquary ," is due out my article on our Odessa experiment.
Article I will try to build in Zaporozhye in Zaporizhzhya continuing theme (see the second open-air abstract )