I cubo-futuristic woman liked it, and you? And the stand antique shops quite probably early Burliuk?

And, if I remember correctly, on the stand Elliziuma beautiful work of Lev Bruni.

And inexpensive, given the quality, time of creation and the name of the artist. By my projections, this picture should appreciate during the year at least 100%.

Following your principle, I would add:
Sergei Romanovich (1894 - 1968)
Sinezubov Nicholas (1891 - 1948)
By the way, Sinezubov, however, very much avant-garde, is represented at the Salon Gallery Agros Antik, which many have paid attention.

Of course, Sergei Mikhailovich Romanovich can not be forgotten. Interesting artists. View which only remains to most art lovers. The generally recognized master among art critics, but almost unknown to the public.
 
Thank you, Maroussia, which drew the attention!

And in detail ... Please!

There was mention of it already on the forum:

http://forum.artinvestment.ru/showth...ght =?????????

Peasant mow millions.
 

More about peasant series of Malevich, the old paper.

Peasant mow millions.

The art market has appeared previously unknown painting by Kazimir Malevich. Judging by the price of other paintings by the great avant-gardist, a finding that could cost at least $ 1 million

At the 11 th Scientific Conference "Examination and attribution," held at the Tretyakov Gallery, the authenticity of the "peasant with a scythe" laboratory confirmed by experts at the Hermitage Museum and the history of religion. Soon cloth put up for auction. Now the situation is in a private collection. The owner does not advertise itself for security reasons.

Before reaching the new master, painting, written in 30-ies of the last century, went through a few owners. However, there is no written evidence of this.
History painting is related to another previously unknown canvas - "Peasant Woman with a rake" - the recently acquired for his collection of the sculptor Zurab Tsereteli. "It is believed that the two works were paired", - says the owner of "peasant".

Hand in Hand

They say that the first owner was a collector of both paintings by Nicholas Khardzhiev - a passionate admirer of the Russian avant-in person familiar with Malevich. In his collection of Russian paintings exported overseas in the 1980's, the pictures did not appear.
"It is believed that Khardzhiev gave them 50-60-ies of his friend the writer Lydia Ginzburg, along with several works by avant-garde and Chekrygin Matyushina. She, in turn, referred the cloth to his disciple, and he - the son of ", - says the current owner of the painting.

Vanguard of rising in price

Fabrics Malevich in the 30-ies cost cheap, and the artist often gave them to friends and acquaintances, and buyers in the avant-garde at the time was a little bit. "The proof is the fact that the pictures brought Kazimir Malevich in Germany for the exhibition, had been left there because of the fact that transportation was expensive back. Later, these paintings will find in private collections and museums in Germany ", - says the collector.

One can hardly say that prior to the restructuring of Russian avant-garde cost dearly. Collection of six canvases, including the number and "peasant" Malevich, who buys it cost at that time an art cooperative in the $ 9 thousand paintings for a long time just standing on the floor in a rented apartment cooperative, and the duties to protect them were assigned to the Secretary.

Experts estimate that now over 90%of the canvases, which are issued for the works of famous artists - forgery. Licenses for the analysis, confirming the authenticity of the painting, in Russia have a laboratory at the Hermitage, Russian Museum, Tretyakov Gallery, the Museum of Fine Arts. AS Pushkin.

Verbal history

Validate in Russia is somewhat different from international practice. Abroad, it is important to the origin (provenance), ie the detailed history of the change of owners of the painting. In Russia, many decades of deal to sell paintings legally no one made out, so this criterion is given less attention. In part to distinguish the original from a fake helps verbal history.

Specialists of the Tretyakov Gallery refrained from answering the question, how often counterfeits Malevich. But confirmed that examine the "peasant with a scythe." "Normally, verification of authenticity of place in several stages and includes the technological and artistic expertise, - tells the painter and art critic Natalia Sviridova.

Determine the age of the picture helps the chemical analysis of canvases and paints, and X-ray tells mother whether the paint layer. Then critics addressed the question of whether we can take the original product. However, it happens that is wrong and expertise. As written in 2007, the media, one of the paintings, a birthday gift to President Putin, was forged.: Eek:

Firebird, you will not say by what time is art. Apparently, the history of three-four years ago.

That the article is more! More than 90%linen - fake!? This train is a need to write! Brad!
I just read this in the press! Who is in fact intentionally disseminates such nonsense! No way ...

The Firebird, thank you for giving me this opportunity to express their attitude to such articles.

And at Sotheby's pitcher with lilies of the valley while, eh? It turns out in fact twice as much, or even tripled! : D

can offer this Grigorieva (year, plot size, Qual. better), if you're interested, write to lichku

In 1919, in Vitebsk, a new association "affirmative new art" or, more simply, School of Malevich. You can talk specifically about the school, because he was already a recognized master, around which rallied very young boys of 17-18 years, only some were a bit over 20. In the history preserved quite a lot of names from the circle - Anna Kagan, Nina Kogan, Vera Ermolaeva, Anna Leporskaya, Lazar Hidekil, Yefim Royak, Ivan Chervinko, Lev Yudin, Lazar Hidekil, Ilya Chashniky Ivan Gavris Nicholas Suetin, Eduard Krimmer, Paul Basmanov, Konstantin Christmas - and quite a few works, which is understandable - the documents stored better than useless clever pictures. For most of the names preserved literally two or three paintings and a dozen graphic sheets, and even they are the dream of many collectors. In separate masters of this school have increased the unit, someone died early (Chashniky), someone had disappeared in the camps (Ermolaeva), is now relatively well-presented work, only three of them: Suetina Nicholas, his wife Anna Leporskii and later joined the band of Konstantin Christmas. Their biographies are in the database of this site, so only submit work.

And a little Suetina:

She was a friend of Malevich, the wife Suetina, it was love Christmas, probably will not be an exaggeration if we call it a muse range of Malevich. She lived a fairly long life, passed through the cleaning of the thirties, survived the siege of Leningrad, the last years of his life was confined to bed, but before the last hour has been faithful to the precepts of the Teacher, the ideals of youth, while remaining one of the last figure of the Russian avant-garde. Anna Leporskaya - a remarkable artist, whose work postsuprematicheskogo or peasant cycle is not inferior to the level of the works of the Masters.

And some more: