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I want to say that she agreed - at word for the development of the art market (and in general, global - culture!) Is capable of (we!) To create precisely the state. What does not exclude state funding of individual projects in the state, city, district and others, in descending order, levels. But is not the principal. On the other hand, as an artist, more like to believe that the pictures bought for the love of art and interest to a particular author, but it seems that there are all mixed up, including the love of money or the interior. Well, that, whatever the motive, then a man pulled and starts sinking :). |
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For example, when Karp decided to try to work with Warhol, first brought him criticism from the «New York Times», in the sample. And then Castelli. Our art. Dealers do not have an accurate picture of how you can unleash the artist and bring it to the world market. And most are not insignificant - they have no leverage on the process. Any product to be advertised. :shy: |
In my opinion the state nothing to do with ... want to be moving from the officials .. walk around the classrooms Give them each individually for a few pictures .. preferably under the color of wallpaper :) only work correctly with the territory .. . in the United States, for example, there are no direct lines to the development of personality and talent of the artist from the States ... there if you are paying the taxes and behaving a decent way of marketing, business assimuliruet you and whether you're an art dealer or artist regularly dvigaeshsya development ... kudaya curve of the American dream ... we will bring in the CIS so to speak .. art of the highest priority sections taken in RA, well, in the province and middle :) "... so that the state would do with it. ..
I have a number of issues, namely: 1) How many shows should be held throughout the year .. for the artist from scratch? 2) Is it at first presentation to zapaminayuschiesya buffets, if so, how? 3) How to find a decent art critic for example, in Kiev, in Moscow, who, being financially interested could adequately cover the new talent? 4) To work with galleries of contemporary art on their terms .. or compel them to work on the rules of the market? 5) What amount of costs, on average, can contribute to the development name of the artist during the first 3-4 years of its formation? I would be grateful for the replica and appropriate responses :o |
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Thank you! If you work around hundreds of sketches sketches sketches .. .. .. to the paintings and the artist's productivity high .. 2-3 exhibitions a year will be whether enough to go to a provincial capital .. or is is constantly display .. where do realties in a hotel or a trendy salon .. thanks in advance
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Registration, you know, krapotlivo financial question ... what to choose, too, I do not know wants it all .. but .. there are limitations because nude show in a museum of folk art, for example, is inappropriate .. but for the most part a reference to the young and influential leaders pokalenie < ! - ~ 1 ~ ->
But the capital offers a chance to break above, I think so, although it must cross your fingers :).. or should wait until speak slowly and confidently to go to their targets :) Added after 10 minutes What dovadami is guided to justify the first exhibition and encourage the following ... share, gentlemen advanced than stimulate sales and opportunities At least at first recoup the first exhibition ..:o Thank you for the purity of candor |
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