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-   Exhibitions and events (https://forum.artinvestment.ru/forumdisplay.php?f=86)
-   -   "Bulldozer Exhibition" - 35 (https://forum.artinvestment.ru/showthread.php?t=41966)

Posav 18.09.2009 11:20

Sergeyitch
what do you think people voted for Medvedev or there when counting all the ballots have replaced the other?

Эммануил Гедеонович 18.09.2009 11:25

Цитата:

Сообщение от Pavel (Сообщение 610306)
It was the Bolsheviks have made our country a modern power. All work and receive salary and could support a family. Best in the world of education, health ....

Oh, and I did not notice!
I remembered another anecdote ...
The Romanovs - the bastards! 300 years the country was ruled, could not 70 years of potatoes to stock up! "
: D

Vladimir 18.09.2009 11:26

Цитата:

Сообщение от Pavel (Сообщение 610306)
How much more would be fought if not for Lenin, who was one decree ending the war. Then it was the outcome of the war rashleboval people.

Correctable. Three relaying any topic with confidence parking in the garage of Lenin. Organizers of the exhibition in Belyaevo can only envy - so many years passed, I spear still break down. Pictures pozabudutsya, and the image, symbol - will remain. Is it good.

Сергеич 18.09.2009 11:35

Цитата:

what do you think people voted for Medvedev or there when counting all the ballots have replaced the other?
Well finally understood your ideal. Yes were very honest elections and the candidates strengths and open debate - so you see that? :)

You humorists with Paul, probably going through, and suddenly people for Masson Bogdanova vote? Yes?

Цитата:

official members of the presidential race are Dmitry Medvedev, leaders of the Communist Party and the Liberal Democratic Party, Gennady Zyuganov and Vladimir Zhirinovsky. Ongoing verification of signatures collected in support of the chairman of the Democratic Party Andrei Bogdanov,

LCR 18.09.2009 11:39

Цитата:

Сообщение от alexvadim (Сообщение 609936)
was replaced by anger at the mercy

Why did the Soviet cliches, just a sense of humor Vorobyov.
And about Masterkova he said in Moscow News as the best (along with Schwartzman), the artist of his generation.

What "Soviet stamps? Wake up, sir! :)

As for humor Valentin Vorobiev, not judge, you know better. Still, this kind of humor, in my opinion, a specific (perhaps this was precisely to your appropriate adjective "Soviet"). To cite one example:
In the year 94-95 I received from him at his home address a letter in which he carefully explained to me that the other creator, known in Russian-Parisian circles of intellectuals under the pseudonym of an elegant Stout, a scoundrel and villain, because he also stole Vorob'eva some technique, or borrowed money and did not return, in general, did something terrible, and therefore I should immediately dismiss his son from his company. In the case described a twenty-son Tolstoy is absolutely dependent on this work - and not to die of hunger, and to obtain a French residence permit - Mr. Ranzher will not lie to get a piece of paper is very difficult. In addition, the child of divorced parents, he never lived with his father, and therefore could not personally use any stolen money Vorobyov, nor uvorovannoy technique, because to draw too, had no relationship.
Then I remember, called Mr. Vorobyov, to tell him that he continue to receive mail from him the above described contents do not want to, but that he replied: "What's the matter?" I do not like - you can not read! ".
And in general, see-ka, it turns out that you are absolutely right - indeed, stand-up comedian:)

Grigory 18.09.2009 11:54

Offer
 
I propose to return to art!

Кирилл Сызранский 18.09.2009 12:34

Цитата:

Сообщение от Vladimir (Сообщение 610046)
what the hell these pretzels point, how do I live? Why not give to do what I want? This idea of freedom and ability, which is in thee system stifles, returning to a managed exchange rate. It sounds trite, but did not you? Absolutely the same thing with painting. Man raised Reshetnikov and Laktionov, and here - for you: abstraction, iconic themes, collages, cards, barracks ... The tumult of thoughts and the tumult of the means of expression. Youth looks and thought the same: what the hell are you uncle taught us to live! I take it anymore!

Do not forget that the "Black Square", the audience saw on the show 81-year "Moscow-Paris". And the entire Russian avant-garde, incidentally. There I saw Filonova of Russian-"Korovnits" and "Feast of Kings", "Formula of the Petrograd proletariat" and "Formula of Spring", non-objective painting Rozanova and Popova, "Movement in Space" Matyushina and "Ozone" Kliun.
That was the opening! Western painting I knew better, but these artists, only their names and then only thanks to friends in Moscow and a few things along the western album, which was able to see through the spouse, which, in the library of the institute. Repin worked. Come and leafing through the Western "bricks" Goncharova, the same Filonov, Malevich ...
And remember, who found, turn to Pushkin to this exhibition! All the time it passes (from early June to early October), the queue is not decreased, in three or four times more than was in the mausoleum. Brezhnev even visited. : D

And in the Tretyakov Gallery in 81-th year has not yet hung in the vanguard of the exposition. Here before our eyes, hung a sign "Collection Kastaki."

ранжер 18.09.2009 12:41

Цитата:

Сообщение от Vladimir (Сообщение 610046)
So the threat to the system of informal artists certainly were.

Who knew these artists and their work? A group of dissident visitors fashionable salons of Moscow, where nothing had to persuade (rather they doubedyat insufficiently anti-Soviet artist) yes foreigners. Their influence in the vast country with a reinforced concrete ideology was insignificant, or tending to zero. Therefore, power and looked at their work through their fingers, but at the same time using their contacts with foreigners.
What is most feared Soviet power is the simple word intelligibly criticism and means of replication of the word.
All typewriters were registered. Access svetokopirovalnoy technology in enterprises has been limited, people working on it tested, but still under the control of the 1 st Division.
It is very strictly controlled radio and television. Even the direct transfer came on the screens of viewers with a "gap" in 2-3 minutes to take the necessary measures in case of unforeseen circumstances.
Naturally, the authors and advocates for battered seditious words from this government the most.
Even those few artists who in one way or another affected by the repressive state, have suffered not so much for their activities, but because the words flow associated with their names, hostile words of radio voices.

Bar the fact that we are receiving and not receiving from foreign cultural products and personal motive in this case. In those days, a remarkable Soviet cinema wondered why we import so much Labuda, frank kinoshki, while they themselves report the mass of foreign masterpiece, but they do not buy. Commission on procurement mainly consisted of venerable figures of cinema, famous directors. Much later, when able to see these masterpieces, it was clear where his feet are growing in many films venerable and celebrated.

Allena 18.09.2009 12:47

Цитата:

Сообщение от ranzher (Сообщение 610566)
to inform themselves about the mass of foreign masterpiece, but they do not buy. Commission on procurement mainly consisted of venerable figures of cinema, famous directors. Much later, when able to see these masterpieces, it was clear where his feet are growing in many films venerable and celebrated.

Last night on channel "Russia" showed a very interesting program about actresses playing the heroines in the tales Rowe and Ptushko. I talked a lot about themselves these tales, and the attitude to these films and their creators in the West, particularly in Hollywood. Ptushko invited to work in Hollywood, and our wonderful tale "Ruslan and Lyudmila," "Jack Frost", "Sadko", etc. where students filmmakers showed as samples, but with different names.

ранжер 18.09.2009 12:48

Цитата:

Сообщение от LCR (Сообщение 610466)
In the described case of a twenty-son Tolstoy is absolutely dependent on this work - and not to die of hunger, and to obtain a French residence permit - Mr. Ranzher will not lie

And the pope, a Frenchman thick, could not feed him, lest he croaked from hunger?
Then, indeed, a scoundrel and a rascal.


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