Yes, more than agreed - I have already Tamara wrote. I'm already tired of throwing leaflets. Throw away immediately, in the ballot box as they leave the exhibition :shy:
But discs with pictures "cut" and useful for people (dealers, gallery owners, critics) give out - cheap and very useful. And no one will kick.
We are in the gallery decided on the future of the booklets fundamentally reject.
However, we would instead Account in the Journal of the Union of theatrical figures, but it is quite another, it does not throw out so soon.

Added after 7 minutes
:D:D:D

I'm fifteen years old was not in Moscow. And you will not believe - do not pull .:)
But in Yekaterinburg, the curator and organizer of the exhibition activities would come with pleasure.

Instead of business cards. Tami and coordinates /contacts all + images themselves.

Exactly. But this is for anticipating the exhibition activities. In non-commercial exhibition halls.

In my gallery I have for that on the head would not stroked, just ban would give the opening :D
So the sticker with the coordinates for the whole game mold is not necessary.

I am in principle to join Marousia for official-official.

The very phrase "informal informal" sounds very nice, and it is already possible to "sell".

But ...
But in general I Rights, the parties, everyday aspects of life, Boris does not know, to the same opponent on the excessive use of Cultural Art - the work I did not seen to be in need of this approach.

This is exactly what I wrote on the last page - Pushing and working hard in the existing trend. I think it is already filled. And I see that it is not fundamental for this artist.

And even some sort of apologetic I see this move. For those who in any excuses not need ...

Blin, quite zavalsirovalas - in lichku write.

In short - in Ekaterinburg - it would be almost academic manner .:D "All the masters are as recognized by the degree of" incomprehensible to the people "

Stories from the history of Boris Kocheyshvili.
 

Here is a new remarkable story of 60-x:


        "Near the anniversary of the DA Shmarinov, then chairman of Moschus, and Olga Troskino with the sculptor Yuri Alexandrov, clutching a large white linen tablecloth and a box just appeared in the Union of colored pens, by car sculptor began to go round the Moscow artists, inviting them to sign and best of all - that a draw.

      Sergey has Konenkova cloth have more in the hallway of the museum-apartment and took away somewhere in the bowels, and then returned - with the royal autograph.
      Corinne, seeing the cloth, sat down to do sketches, but then he opened his own monograph, and something out redrawn.
      Pavel Varfolomeyevich Kuznetsov (he already was under 90) was delighted as a child, a colored marker. He took his Baltic landscape and with a trembling hand began to painstakingly copy it. Stood behind him Troskino and Alexandrov, curiously watched as the master, carefully peering into the landscape, on the tablecloth to reproduce something similar enough, or rather do not like, but no less beautiful.

     So they traveled the floor of Moscow.
     Tablecloth, I think, has not disappeared, and probably kept in the family Shmarinov. I think the most spectacular in it - this picture Tischler. It seems he was the only one who managed to truly masterly use of this stupid stuff. Seeing without a moment's hesitation, Tyshler created a masterpiece on the tablecloth, Olga Troskino freed from under the skirts of her white blouse and asked the master to paint something and her memory. Tyshler not resist, drew a column with Cupid and arrows. Here and tormented by envy Alexandrov could not resist, and asked to paint his shirt. But Tyshler refused, saying that his wife can go and think that hit the mad house.

      Now these cloths are no longer as before - from the time of Pushkin - there were many, and the young lady carefully embroidered in silk on the known or favorite autographs. "

Добавлено через 10 минут
And here are some pictures of those that Boris is doing to the show

And here are some pictures of those that Boris is doing to the show

Tamara, Thank you for the wonderful theme! With great pleasure the acquaintance with the works of a remarkable artist, hitherto I unfortunately did not znakomogo.Mne most of the work seems very muzykalnymi.Ochen singing, sometimes grotesque, lyrical, and always sincere, I hope when will your work on B. Kocheyshvili, tells where you can buy!

usynin2, and Thank you for your feedback! Will inform the forum, and the opening of exhibitions and the presentation catalog. Welcome, come - see the work of Boris Petrovich alive, and he himself also :)

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I wanted a little further on "Bulgakov's environment. Also there were a few works of the time - illustrations for The Master and Margarita middle shestedesyatyh. (although Boris himself terribly spat and said that work supposedly weak at all, do not remove, and generally let burn,) But I think still very curious.

So: in the yard Tanev, opposite the shop, was the first private (not communal) Bulgakov's apartment, which was written "White Guard". The house itself has not survived, but still Taneiev backyard wonderfully reminiscent description home Turbines Andreevskom in Kiev. Right beside them, lived in the lane each Bulgakov Yarmolitsky. It was in his small two-story house with a basement Bulgakov placed his master, and in the adjacent lane preserved two-story mansion of Marguerite of the window which she flew to the ball with Satan. Last apartment Mr Mikhail is also located near the workshop, in metro Kropotkinskaya.

Добавлено через 6 минут
Latest work from Bulgakovo series - etching. In connection with it, is another story.

On professions.
In a quiet side street, opposite the metro Alekseevskaya, two-story brick house was etching studio Niwinski. How private house Ignatius Nivinsky succeeded in tough times to keep? I think in many ways - through the efforts of the student Niwinski, Yevgeny Sergeyevich Theis. The house has survived not only luxury etching machines, but also antique furniture, exotic flowers in tubs. In 1924. Theis brigade Niwinski, in the dead of winter, encouraging alcohol, painted a hammer and sickle the first wooden mausoleum leader Lenin. Maybe because this island and remained totally Soviet culture. There were no Soviet exhibition - remember the exhibition Faith Khlebnikova, wife of Peter Miturich, long evening with Maria Yudina (this evening, if interested, as some will tell). (What a time, by the way, was listed among the printers there Illarion Golitsyn). Leader of all the undertakings was ES Theis, and I owe him a few lessons, left with me for life.
Here's one: education in colleges and universities were animichnoe, no. Each was formed as I could, that is myself. I'm making up a lot in the studio Theis, once a week we painted naked girls, always beautiful. So whether Theis had connections in naturbyuro, whether rumors among nekazennom of models of such a place, where, after a session organized tea with diluted alcohol (supplied by the studio for degreasing etching plates). So once Theis introduced two beautiful girls, one seated on a chair, put the other side. We priknopili sheets of paper and imposing set to work. Fifteen minutes later came Theis and ordered the girls to dress - he called them, as we are perplexed, drink tea. And you go on, go on, he threw us out of hand, leading beauties. How do I become ashamed of our second-hand drawing, I now feel ashamed. All the paper was inconsistent nonsense.
Much later, a Cezanne, I caught sight of, as at any stage of an outline - a watercolor, or the picturesque - a wholeness and completeness.
There is now no studio, long gone its wonderful defender, everywhere raiders, raiders. And no wonder that the scum that populate only one of its kind, the house of Moscow. "

I wanted a little further on "Bulgakov's environment. Also there were a few works of the time - illustrations for The Master and Margarita middle shestedesyatyh. (although Boris himself terribly spat and said that work supposedly weak at all, do not remove, and generally let burn,) But I think still very curious.

So: in the yard Tanev, opposite the shop, was the first private (not communal) Bulgakov's apartment, which was written "White Guard". The house itself has not survived, but still Taneiev backyard wonderfully reminiscent description home Turbines Andreevskom in Kiev. Right beside them, lived in the lane each Bulgakov Yarmolitsky. It was in his small two-story house with a basement Bulgakov placed his master, and in the adjacent lane preserved two-story mansion of Marguerite of the window which she flew to the ball with Satan. Last apartment Mr Mikhail is also located near the workshop, in metro Kropotkinskaya.

Stories from the history of Boris Kocheyshvili.
 

Latest work from Bulgakovo series - etching. In connection with it, is another story.

On professions.
In a quiet side street, opposite the metro Alekseevskaya, two-story brick house was etching studio Niwinski. How private house Ignatius Nivinsky succeeded in tough times to keep? I think in many ways - through the efforts of the student Niwinski, Yevgeny Sergeyevich Theis. The house has survived not only luxury etching machines, but also antique furniture, exotic flowers in tubs. In 1924. Theis brigade Niwinski, in the dead of winter, encouraging alcohol, painted a hammer and sickle the first wooden mausoleum leader Lenin. Maybe because this island and remained totally Soviet culture. There were no Soviet exhibition - remember the exhibition Faith Khlebnikova, wife of Peter Miturich, long evening with Maria Yudina (this evening, if interested, as some will tell). (What a time, by the way, was listed among the printers there Illarion Golitsyn). Leader of all the undertakings was ES Theis, and I owe him a few lessons, left with me for life.
Here's one: education in colleges and universities were animichnoe, no. Each was formed as I could, that is myself. I'm making up a lot in the studio Theis, once a week we painted naked girls, always beautiful. So whether Theis had connections in naturbyuro, whether rumors among nekazennom of models of such a place, where, after a session organized tea with diluted alcohol (supplied by the studio for degreasing etching plates). So once Theis introduced two beautiful girls, one seated on a chair, put the other side. We priknopili sheets of paper and imposing set to work. Fifteen minutes later came Theis and ordered the girls to dress - he called them, as we are perplexed, drink tea. And you go on, go on, he threw us out of hand, leading beauties. How do I become ashamed of our second-hand drawing, I now feel ashamed. All the paper was inconsistent nonsense.
Much later, a Cezanne, I caught sight of, as at any stage of an outline - a watercolor, or the picturesque - a wholeness and completeness.
There is now no studio, long gone its wonderful defender, everywhere raiders, raiders. And no wonder that the scum that populate only one of its kind, the house of Moscow. "

Attaching several etchings Boris Kocheyshvili, realized in the studio Nivinsky (work from this series are kept in the Pushkin Museum named after Pushkin, in engravings office)