Форум по искусству и инвестициям в искусство

Форум по искусству и инвестициям в искусство (https://forum.artinvestment.ru/index.php)
-   Investing in Art (https://forum.artinvestment.ru/forumdisplay.php?f=66)
-   -   How to unleash the artist (https://forum.artinvestment.ru/showthread.php?t=2666)

Причал 14.03.2010 12:38

Цитата:

Сообщение от artcol (Сообщение 981102)
add here also the artist's natural desire to become rich is through his art buyers, as well as the natural desire of customers to be as short as possible to the poor now because of something that he buys art.

:D:D:D:D:D
Thank you, lovely :):):)

Pavel 14.03.2010 12:49

Цитата:

Сообщение от artcol (Сообщение 981102)
add here also the artist's natural desire to become rich is through his art buyers, as well as the natural desire of customers to be as short as possible to the poor now because of something that he buys art artist who wants to be rich now at his expense.

The artist has a natural desire to obtain money for their labor and receive talant.Pokupateli thing and the more the artist receives. the more he will do. the more pictures will be for trade gallerist and why pay a well-known Israeli Shekel banks unknown to their thin-m, by the way you did not answer.
The dealer is only an intermediary between the artist and the amateur.

Евгений 14.03.2010 12:56

Цитата:

Сообщение от Pavel (Сообщение 981122)
The artist has a natural desire to obtain money for their work and receive talant.Pokupateli thing and the more he gets the more he will do so more than a gallery owner will sell and why pay a shekel, by the way you did not answer.

Paul, you yourself even know what email?

Added after 6 minutes
Цитата:

Сообщение от Shazina (Сообщение 981002)
I'm on this topic workshops in the City class in Moscow.

Very interesting to listen to these seminary.A site "City Class" is?
In general, what is it?

Шазина 14.03.2010 13:43

Seminars in the City Class
 
http://www.cityclass.ru/course/detail/7900/

Евгений 14.03.2010 13:52

Shazina, Thank you, all is clear, interesting topics.

artcol 14.03.2010 19:32

Цитата:

Сообщение от Pavel (Сообщение 981242)
What's not clear I can explain. Szekely is a different theme, where I did not wait for an answer. Seminars is an opportunity to komuto more money. Amusing :D
I've long wondered why Vollar refer clients to artists' studios and, I think, because he had the right to buy from the artists best work for himself and gave growth of the artist that was in his direct benefit.

Of course, the task of the dealer - give rise. But how else, then?

Added after 2 minutes
Цитата:

Сообщение от Pavel (Сообщение 981122)
The artist has a natural desire to obtain money for their work and receive talant.Pokupateli thing and the more the artist receives. the more he will do. the more pictures will be for trade gallerist and why pay a well-known Israeli Shekel banks unknown to their thin-m, by the way you did not answer.
The dealer is only an intermediary between the artist and lover.

Without this, just in the apt words of one distinguished Validating, the artist will be forced to eat his paintings, rather than potatoes, for example (this is from the same vyskazyvaeniya) :D
Paul, from the economy, as a song, do not throw. Once there - means necessary. Why - explained many times.

Pavel 14.03.2010 19:43

Цитата:

Сообщение от artcol (Сообщение 981752)
Of course, the task of the dealer - give rise. But how else, then?

Added after 2 minutes

Without this, just in the apt words of one distinguished Validating, the artist will be forced to eat his paintings, rather than potatoes, for example (this is from the same vyskazyvaeniya) :D
Paul, from the economy, as a song, do not throw. Once there - means necessary. Why - explained many times.

Otherwise, as we have.

Oh no! The artist will be forced to sell the work to foreign buyers and in the absence of the established price, for cheap. The result was a repetition, author's copies, variations and other noodles, which will be traded by those who did not buy, sell, despised, and so on Economy !:)

Артём 14.03.2010 20:07

Цитата:

Сообщение от Pavel (Сообщение 981822)
The artist will be forced to sell the work to foreign buyers and in the absence of the established price, for cheap. The result was a repetition, author's copies, variations and other noodle

Pavel, you have never done repetitions avtor.kopii and other noodles?

artcol 14.03.2010 20:21

Цитата:

Сообщение от Artem (Сообщение 981892)
Pavel, you have never done repetitive avtor.kopii and other noodles?

I do not see any crime in the author's repetitions. And everyone is talking about it as something unworthy. I understand neophyte Give all present :D "Well, pro-what difference? There is a painting, is the author, is his work, attitude to work. Repeat pictures is more often better than the original version. Of course it all depends on the artist, not for nothing that they say: stability - a sign of excellence! ;)

Pavel 14.03.2010 20:58

Цитата:

Сообщение от Artem (Сообщение 981892)
Pavel, you have never done repetitions avtor.kopii and other noodles?

I confess, made precisely on the basis of its own and other artists experience I say.

Added after 9 minutes
Цитата:

Сообщение от artcol (Сообщение 981932)
I do not see any crime in the author's repetitions. And everyone is talking about it as something unworthy. I understand neophyte Give all present :D "Well, pro-what difference? There is a painting, is the author, is his work, attitude to work. Repeat pictures is more often better than the original version. Of course it all depends on the artist, not for nothing that they say: stability - a sign of excellence! ;)

There Matisse were repeated? Picasso? But a sign of excellence in the face.
Here is a common error when taking his taste for the general opinion. Beautiful painting a loose concept. There are more reliable criteria, uniqueness, originality, etc. This is a luxury item and in circulation, there is something degrading as in commercial art. Therefore, Matisse and Picasso worth millions, but we have in circulation is that there is a secret.


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